Great news!!! I loved this show the first time around flaws and all, such a hauntingly gorgeous score! I only wish this could have opened last year and transferred last fall as a tribute to the 100th anniversary of the sinking! Still better late than never!!!
I wouldn't count on it, either. Don't jump to conclusions.
Remember though, there will be a concert version at the Lincoln Center in Feb. (I think that's what was announced.)
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
^You know what's funny about that? I remember seeing it on the Tony Awards and thinking: oh, lord, how droll.
I ended up seeing it the following spring with a large group, and utterly fell in love.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
"I always get goosebumps when everyone starts "Farewell, farewell, Godspeed Titanic". It is one of my favorite opening portions of a musical."
If the Ragtime concert back in February is any indication, that final chorus will be worth the price of admission alone. I can't wait to hear that with a 30 piece orchestra and 100+ person choir.
-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
The melodies were lifeless except for the choral sections.
Even The Proposal? I love its melody. Maybe because I've seen some wonderful Barretts, but it can soar. Granted, I wish they didn't have the "dit dit dah dit dah dit" song of Bride's bisecting it.
I don't mean to poop in everyone's cheerios here, but I have rarely disliked a Broadway production as much as I did Titanic.
I seriously thought that bomb of a show "Into the Light" had more redeeming qualities.
And Wynbish, it's just possible that once I achieved full REM state during the performance (kidding, I stayed awake unfortunately), that I might have missed a pleasant melody or two.
The music felt like a pastiche of "pretty" without any real "hooks" other than the opening song, which was stirring, but endless, and hampered by the sophomoric staging of the full ensemble circling the stage and the gangplank like circus ponies (!) about 300 times.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
I've always felt the material is far stronger than the production it received. It won Tony Awards for Best Musical, Best Book and Best Score, as well as set (wtf?), and orchestrations (deserved) but it's telling that the director was not even nominated. Nor should he have been.
I was "meh" the first time I saw it too; it wasn't until after I heard the score on disc, and heard an audio bootleg of the entire show that I realized without the distractions of the lackluster production, the sum of its parts were greater than what was playing at the Lunt-Fontanne.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
I think the problem was the production. And the problem there was that they couldn't decide to go big or go small- so much of the show was HUGE- the multiple decks, the tilting of the stage- that the small moments looked ridiculous- like they just couldn't afford the huge effect the scene needed.
This "chamber" production makes me hopeful. The most effective effect in the show was at the top of the second act where the first class passengers bitched about being roused of out of bed for nothing and then, slowly, the drink cart rolled across the stage and the passengers realized the ship was sinking. You stick with moments like that and you have something.
I loved the original, despite it's many flaws, and adore the recording. The scale was a big problem as Joe states, making that ridiculous tiny boat draw laughter from us and many around us. But Vicky Clark deserved a Tony nomination and "Still" made me cry.
"The Life" is the show that year that had me in "wtf" giggles.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
Musically, I loved the show. The melodies are gorgeous. However, there was no central character I could relate to thus making the book unbearable. The "brilliance" of the James Cameron film is that we were given characters to care for.
The ability (or inability) to convincingly show the ship sinking on stage is another factor in this musical not working well.