A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Having seen Janet McTeer play Nora magnificently in 1996? 1997? I cannot imagine any other actress in this role.
Okay then, don't go. Others who didn't see McTeer play Nora, or who are interested in seeing more than one interpretation of a role, will.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Cate Blanchett might be incredible in this role-and it would be her Broadway debut (no idea if she's interested and/or available, but I think she'd be great). I'd definitely see it. I did not see McTeer play the role so I have no basis for comparison. And Ullman's translation might bring something new to the table.
I saw McTeer as Nora and Jan Maxwell equally brillaint as Christine in 1997 as well. Beautiful production, but so what? I'm looking forward to this immensely especially because Ullmann's Streetcar was so memorable.
Liv, for your consideration: Chloe Sevigny as Nora, Alexander Skarsgard as Torvald, Jenny Bacon as Christine
The new Doll's House translation better be a good one. I acknowledge the play's influential and important reputation, but if it's not done completely well, it can feel melodramatic and soap-opera-ish, almost campy even.
I'm not too concerned about that, darquegk. The material is safe in Liv Ullman's hands I think. She's a brilliant interpreter of his work so I'm sure it will be very good.
It does seem strange. It makes no sense that one of the world's most beloved plays shouldn't be revived every 16 years on Broadway. And it makes no sense that it shouldn't be helmed by one of the most intelligent and creative people working in the theater who also happens to be one of the world's greatest actresses? Maybe it's just that people like to k'vetch.
Well Ullmann and Blanchett have a relationship when it comes to theater so the idea of her doing this isn't out of the box at all and would certainly be what would be needed to get an audience for another revival of the show.
Jordan-That was why I mentioned Blanchett. I would hardly be shocked if she starred in the production. And I think she'd be amazing. (About time she made her proper Broadway debut!)
Hard to expect this to be an open run. It is A DOLL HOUSE after all. Maybe Cate or another big name could a limited.(neurotic pet peeve -- the translation I admire doesn't use "'s". Please indulge me.)
"Through The Sacrifice You Made, We Can't Believe The Price You Paid..For Love!"
I'm used to knowing it as A Doll House as well. Yeah, I guess a limited engagement would be the only real option. I know Cate also is heavily involved with being an artistic director of the Sydney Theatre Company and has stated she doesn't like to uproot her family, but surely they can do without her for 6 weeks...
Shes been gone from Sydney for longer than a few months before with shows so doing a very limited run on broadway instead of a tour doesn't seem out of the question.
What's wrong with Ullman directing this? I'd be interested to see what she can bring to the table. Wouldn't mind seeing Jessica Chastain as Nora, though of course Cate Blanchett seems like a natural choice.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Blanchett's performance as Hedda was not good. Neither was the production. Missed her in Vanya and Streetcar. I suspect she was better in those. The McTeer production was very good but very much about performances... good performances since the characters came alive but the shape of the play receded into the background so much it almost got lost. The best production I've seen was Ingmar Bergman's at BAM. No star performing Nora (at least not for American audiences) and the play took center stage in all its complexity and power.