"(in a sweedish accent) Oh! What a lovely T-shirt you are wearing!"- Catherine Zeta-Jones refering to my ALNM shirt at the CD signing.
Say NO to drugs and YES to Jackie Hoffman Live At Joes Pub!
"ITS THE DAY OF THE SHOW YA'LL!!"-Bwaynerd
"(in a sweedish accent) Oh! What a lovely T-shirt you are wearing!"- Catherine Zeta-Jones refering to my ALNM shirt at the CD signing.
Say NO to drugs and YES to Jackie Hoffman Live At Joes Pub!
"ITS THE DAY OF THE SHOW YA'LL!!"-Bwaynerd
If by "best" you mean a production that I actually thought was good and loved then I would say Side Show.
If by "best" you mean one that is so horrible that it provides you with stories to tell for years about then I would say Dance of the Vampires, closely followed by Lestat.
This is just drawing from shows that I actually saw in the theatre, excluding bootlegs and shows that I've only discovered through cast recordings.
By best i mean a show you saw, loved, but then closed in the matter of about a year or less. Tha's what i mean by "The Best Flop You've Seen"
"(in a sweedish accent) Oh! What a lovely T-shirt you are wearing!"- Catherine Zeta-Jones refering to my ALNM shirt at the CD signing.
Say NO to drugs and YES to Jackie Hoffman Live At Joes Pub!
"ITS THE DAY OF THE SHOW YA'LL!!"-Bwaynerd
The revival of "42nd Street" was a flop in terms of never making back it's initial investment - even though it won 2 Tonys (Revival & Actress), and played for over 3 & 1/2 years.
I really liked 9 to 5 and wish it had a longer run.
kchenofan's computer is broken right now. This is her fridge. Now, you can leave a message, but say it slowly, so I can write it on a post-it note and stick it to myself.
1958's GOLDILOCKS, starring a wonderfully caustic Elaine Stritch and Don Ameche, with excellent co-stars Pat Stanley and Russell Nype. The superb choreography was by Agnes DeMille and the very likable score is by Leroy Anderson and Walter & Jean Kerr. It lasted about 5 months and was the first musical to play the totally refurbished Lunt-Fontanne, formerly the Globe.
The CD is still available on Amazon.com. It is worth getting.
LaChiusa's The Wild Party. I totally understand why it flopped, in the sense that it is this strange musical that goes everywhere in one night. Everything from the score to the blackface to the party itself is so layered and turned up to such a frenzy that it's no wonder audiences didn't exactly embrace it. Even today, many theater fans prefer the "simpler" of the two Wild Partys, with one person recently saying "This musical is such a trainwreck."
Yet it still stands as one of the best shows I've ever seen, the best performance by a leading female in a musical I've ever witnessed (as the last notes played over Toni Collette's horrified expression, my jaw literally [yes, literally]dropped), and my favorite flop. Plus just look at all the actors of today that were in the cast: Toni Collette, Mandy Patinkin, Norm Lewis, Eartha Kitt, Marc Kudisch, Sally Murphy, Leah Hocking, Tonya Pinkins...all on display, all get their own numbers/story-lines, and all showing such great promise for a wild party.
I wish I could have been fortunate enough to see Goldilocks. It's one of my favorite scores and I've always dreamed of a revival with perhaps a brushed up book (and the lyrics to Pussy Foot would probably need to be changed). Could we try this one just once before we see Grease, Gypsy or Fiddler again?
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I truly loved AMOUR, CAROLINE OR CHANGE, PASSING STRANGE, and WELL.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
For artistic failures, DANCE OF THE VAMPIRES and (of course) THE FIRST WIVES CLUB. As far as shows that were critically respected by flopped commercially, CAROLINE OR CHANGE and PASSING STRANGE.
9 to 5 was excellent. great talent, hilarious script, and such catchy songs. its really too bad it closed, i think if it had opened at another time it would have survived. i mean, it opened and ran last summer, when over 10 shows were grossing over 1 million every week. it couldn't compete with shows like Hair etc. sad excited for the tour, but i dunno if they can match the magic of the original cast.
"In any color, shape, or fashion, there is no denying passion" <3 http://candiceelyse.blogspot.com/
The Story of My Life was one of the biggest flops I've ever seen and also one of the most beautiful shows I've ever seen.
The Pirate Queen had it's problems, but the score was great (for the most part) and most of the cast was sensational. I actually enjoyed it a great deal.
I found Young Frankenstein hilarious and the music charming.
Amour was really smart and the music was lovely.
9 to 5 was so much fun. The songs and book, while not changing the coarse of musical theatre, were really clever and really well done. The cast was also excellent.
And please don't stone me for this (lol), but I absolutely loved Shrek.