I like his melodies, but I honestly don't call him a COMPOSER because he openly admits to having no musical experience at all. Like others have said, he hums tunes into a tape recorder, and then gives it to his orchestrator, who then has the arduous task of transcribing the tunes into actual written music.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
He's still the composer. You'll finmd that many of the great names in the biz wrote lead or theme sheets, then had an arranger turn them into piano versions, then an orchestrator created a full score.
Brooks may be more involved than we know. Or less. But still, the show wouldn't have existed if he didn't hum into a tape recorder...
Irving Berlin could only play the black keys on a piano, but nobody calls him any less a composer.
He's a throwback to the Tin Pan Alley era, which is not to say that's a bad thing. Brooks knows his limitations, and like the great TPA composers, he had a creative team to take his essentially mindless riffs and turn them into something.
But c'mon: THE PRODUCERS itself was a throwback to the era of 30s and 40s musicals.
Mel Brook's method of humming melodies into a recorder and then having a trained arranger figure out harmonies and come up with form, modulations and all those other goodies is how a lot of pop music is written these days. Do you think Janet Jackson or Mariah Carey carefully debate the virtues of half-diminished versus minor seventh chords when they "write" songs for their albums?
Coming up with a catchy melody and clever lyrics is no small achievement, and arrangers who can add harmonies and other musical details are a dime a dozen. (That's not to take anything away from the brilliant work Glen Kelly did on The Producers.)
ETA: I just had a very disurbing thought, imagining what the Grey Garden's score might have been like if Mel had written it.
"I have got to have some professional music!" - Big Edie
Drama, I think you hit the nail on the head pretty much for me. I listened to The Producers when it was released. After a few listens, the songs just seemed to be the same. I got kind of bored with it fast. Maybe in the show they came off better. I will probably never know because the OBCR kind of turned me off and I didn't want to see the show. And I keep thinking that the music for Young frankenstein will have the same feel. I think this will be a big test for Mr. Brooks. I do want to see this show as the movie is one of my all time favorites. We'll see.
I agree. I can't remember the last time I've listened to THE PRODUCERS. I think about listening to it then pick a different show. I did see the show and the music fit, but I don't think the music can stand alone.
9/10 - Next To Normal, Ensemble Theatre 9/18 - Brian Stokes Mitchell, Cincy Pop's 9/28 - Death Of A Salesman, Wright State
After hearing it, I actually turned down the chance to get premium seats when Lane and Broderick were in it. And they were offered to me for free as a gift. Looking back, I kind of wish I had but I am not really upset that I didn't.
I never saw it onstage. At first it was a knee-jerk reaction to it winning everything away from JANE EYRE, but when I got over it and it toured (the first time when I really could have seen it--those B-way tickets were hot stuff), I wasn't interested. I did see the movie and was underwhelmed, particularly with the music and lyrics. THAT won over JANE EYRE. Bleh!
All things talken into account. Mel Brooks does a passable job as a composer.
Mel "hums" the tune he has in his head, because he cannot read music. Which is why he has assistance. The truth is, he's been wrting music for years, and has written the music for many of his films.
The music for the Producers wasn't bad. There are a few songs that I truly liked such as "Betrayed" and "Here Comes Bialy", but there are some that I didn't care for such as "Til Him". But this is just my tastes.
I am interested to see what he comes up with for YF.
Wait he can't read music? Unless there's a medical reason behind that, IMO there's no excuse not to learn to read music if you're going to write songs.
His songs are very catchy and they get stuck in your head. If you can walk out of a show and remember the melody/words to atleast 3 songs that make an impression on you, it's all good. (The King Of Broadway, I Wanna Be A Producer, Along Came Bialy, That Face, Prisoners Of Love, Springtime For Hitler) I had 6.
Humatune... many people that compose music, cannot read music. You don't have to be able to write notes on a page, to have a good tune in your head. But that's just my opinion...
Of course not MrsVampyre. Maybe he thinks learning to read music will inhabit his creative process I don’t know. I just don’t understand why he wouldn’t want to learn and I’ll leave it at that.
I'd hate to think that the world could possibly be deprived of some wonderful music, purely because the man who comes up with the melody thinks "but I can't read music! I'm not a composer, therefore I won't share this with anyone, I'll just forget about it".
Then you shouldn't be considered a composer if you can't read music. Plain and simple. You're probably talking about pop writers. Find a Broadway composer besides Brooks that can't read read music.
Updated On: 7/1/07 at 06:35 PM
Humatune - who knows why he never learned to read music? Maybe for some people it's hard to put down the tune you have in your head into notes on paper.
I guess people express themselves musically in many different ways, some sing, some play an instrument, some write lyrics, and some do a combination of the above.
Anyone who can't read music can't be a composer? What a bunch of elitist bullsh*t! All sorts of wonderful music in many different cultures is written by people who haven't had conventional Western musical training.
I will grant that many people who can read music can't write it worth a damn.
"I have got to have some professional music!" - Big Edie
Why are you bringing up different cultures? I'm talking HERE. There is no excuse why someone in America can't learn to read music. It's laziness.
Composing music is more than writing or humming a melody. You need chords, you need structure, you need harmony, you need balance, etc etc. That's why I don't call what Mel is doing composing.