Trevor Durham - Page 2

The culmination of coast to coast minds, razor sharp wit, and star-power of the cast, makes Mister Act a smash hit of drag talent that hopefully is the first of many LRI/Peaches Christ productions.

I can't think of a more versatile drag performer than Willam, nor a bigger brand. Starring in multiple shows and a Lady Gaga film in the same year. A second book on the horizon. And who knows what else is in store?

Latrice Royale train barrels forward faster and faster each day. It's hard to guess where she may end up next, but the fact remains - I want to be there when she arrives. 'This is a parody of a classic favorite, Sister Act. We all love Whoopi. What a way to incorporate drag, theater, comedy - all in one show. '

Under the wistful and attentive direction of Patrick Fitzwater, Bridges is a lyrical, wrenching tour de force certain to wring the hearts of thousands.

Peaches dishes on future projects, her time in drag, and the importance of loving yourself first. 'It's just suspending reality and letting yourself go. In a way, I feel like, more than art, these days, what we do could be considered therapy.'

After a day of work in Vancouver, Jeremy Jordan still finds the time to spin his charm. 'Everybody has something incredible to offer, it's just a matter of finding out what that is and going for it.'

Fitzwater's immersion is beyond what you could find at any garden, and deeper than the grandest of canyons.

Bruce Lisner pulls together a star-studded cast of performers, each bringing their own personal blends onto the classic expectations. Despite some technical stumbles, MNM's Little Shop is a toe-tapping, smile-inducing injection for theatre-goers of any age.

Fitzwater's SECRET GARDEN is only a week into rehearsals, prominent and promising as the show could possibly be; his intimate, detail-oriented direction and meticulous manipulation of the stage is already making his Secret Garden a thrilling, sensational work.

Patrick Fitzwater brings us a world made of faith, trust, and pixie dust in his rendering of Peter and the Starcatcher, the side-splitting show Peter of a hundred heart-warming grins taking flight.

I am proud to have met rising artist Darius J. Manuel, a man bursting forth with the energetic, raw force of voice across any medium he inhabits. 'Don't let the journey be tainted by pride. Dream big. Dream fierce. Stay relentless, friends.'

The Area Stage Theatre Company is proud to announce that Broadway Choreographer Adam Cates is coming to Miami to conduct a lecture, workshop and to choreograph a number for the upcoming production of The Best Christmas Pageant Ever.

Fitzwater's Tarzan follows his first Disney hit, last year's sell-out Hunchback of Notre Dame, with more visual enrichment and performative wonder than the choir-led musical extravaganza, but nonetheless finds its way into hearts to sneak its creeping vines and take root.

Garcia took each question and spun it onto its head, something her characters are ought to do with each difficulty and challenge, so that they, like Garcia, can create beauty out of darkness.

1000 Miles is coming hot on the heels of Nilo Cruz' Alice N., a work of passion and dystopia that beautifully foils what has come before.

Humble and sincere as any of his characters, I realize quickly that he will leave an immeasurable impact on theatre long after I am gone. He speaks in the same way he writes, with unconscious music and interest in that which is beautiful.

The first reading of Alice N. promises a new, fascinating period of Cruz's writing for the stage.

Louis Tyrrell cascades East and West of the War, a collection of three monologues, in music and wonder of the pieces bursting louder than any symphony.

The underrated masterpiece, under the direction of Matt Stabile, gives three world class performers rise to the unbelievable character depth and connectivity that is Cruz' staple.

Rehearsals for the very first reading of Cruz' newest work, Alice N., are moving along with the five performers flowing through Cruz' poetic script and Theatre Lab's black box transporting through time and countries to prepare for audiences.