BWW Previews: WILD PARTY at Area Stage Company
The scatting, the clown noses, and the gruesome content all bounce through the asymmetrical loft as Rodaz plays with his Wild Party just one final time before he unleashes the orgy upon the world.
Trevor Durham - Page 3
BWW Reviews: Fresh SWEENEY TODD Reinvents Darkness
Clive Cholerton takes the demon barber's ballads into new dimensions of cruelty and possibility.
BWW Reviews: Area Stage's SPRING AWAKENING Touches with Raw Originality
The well-oiled machine Manuel has created in his Spring Awakening is a small miracle in the intimate space, showcasing the truly remarkable cast.
BWW Reviews: SPAMALOT Ferocious, Fast-Paced Comedy Smash
Returning-MNM director/ choreographer Kimberly Dawn Smith's smart attention to the wondrously strong cast, and obvious love of the absurdity, power her Spamalot through the few brief stumbles to deliver a side-splitting evening.
BWW Reviews: CRIPPLE OF INISHMAAN an Irresistibly Sublime Black Comedy
The destitute society J.
BWW Reviews: Slow Burn's AIDA is Perfection Written in the Stars
Slow Burn's AIDA will change your life and move your heart along the Nile, thanks to the phenomenal cast and masterful technical work.
BWW Reviews: BIANCA DEL RIO Keeps Hilarious Rolodex of Hate Spinning
Drag queen phenomenon Bianca Del Rio spent nearly two hours exploring her infamous 'rolodex of hate' to Tampa's receptive crowd, still managing to shock and surprise in her tour's final legs.
BWW Reviews: Slow Burn's BIG RIVER is A Joyous Musical Ride
Fitzwater has finally gotten his chance to deliver Big River, a production dazzling in its music and performances, showcasing a wild range of talents that give this American musical the most American feel a show could hope for.
BWW Interview: Shelley Keelor, 'Stage Mom' Extraordinaire
Keelor is a pure ball of sunshine with the performative strength of a bomb, even as she raises a son and tours the world.
BWW Feature: TWYLA THARP DANCE at Ruby Diamond
Opening Nights of Florida State University will be presenting a special performance of Twyla Tharp Dance to celebrate their 50th anniversary.
BWW Reviews: VOCALOSITY An Unrivaled A Capella Concert Experience
A journey of a capella, musical history, love, humor, and mind-numbing vocal talent, Vocalosity is the musical power-group you never knew you needed.
BWW Reviews: Theatre Tallahassee's PRIVATE LIVES Witty, Romantic Fun
Davis' production of Private Lives is a romantic journey of love that delivers the wit and charm of each lover with a lot of laughs.
BWW Review: Lake Worth Playhouse's EVITA Missteps, but Finds Waltz for Eva and Che
Erin Pittleman has taken the rock musical to the mainstage of the Lake Worth Playhouse, and despite some awkward staging and jagged transitions, the performances of her biggest players keeps the production rolling.
BWW Review: Tallahassee Hispanic Theater's ANNA IN THE TROPICS A Literary, Emotional Wonder
Carr's Anna in the Tropics overwhelms in delight that simply cannot be denied, through exquisitely emotional performance and a literary script that dashes Cuban-American culture into the canon.
BWW Preview: VOCALOSITY Lights Up Tallahassee with Local Help
An a capella concert will present the premiere tour of Vocalosity to Tallahassee audiences, with the help of local group Mane Event.
BWW Review: Slow Burn's TITANIC a Haunting, Soulful Dirge
Director Patrick Fitzwater has grasped the drama of the cold, dark tale to present an almost operatic tragedy and a roaring score only he could wrestle onto the stage.
BWW Review: PETER AND THE STARCATCHER Makes You Want to Fly
A two and a half hour marathon of absurdism, clever dancing around endless prop pieces, Peter and the Starcatcher is the most intriguing theatrical experiment an audience could have ever envisioned from such a colorful flight to Neverland.
BWW Review: TCC's Uncut THE CRUCIBLE Is a Powerful Classic
Director Matthew Watson presents an unabridged production of Miller's classic, with strong performers and supporting tech.
BWW Review: AND THEN THERE WERE NONE a Testament to Mystery, Great Performances
Director Melissa Findley tackles a test of cunning, wits, and nuance.
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