BWW Review: A STRANGE LOOP at Woolly Mammoth Theatre Company
Write what you know, the adage goes.
Timothy Treanor
BWW Review: MY CHILDREN, MY AFRICA at Washington Stage Guild
It is, of course, mere coincidence that former South African State President F.
BWW Review: HADESTOWN at Kennedy Center
It is mere coincidence that Anaïs Mitchell’s remarkable, Tony Award-winning Hadestown, now being given a solid production at the Kennedy Center’s Opera House, debuted on Broadway just before our twenty-month plague began, but it fits.
BWW Review: TEENAGE DICK at Woolly Mammoth Theatre Company
Is it possible that Richard III, had he been beloved by those around him notwithstanding his hunchback, would have abandoned ambition and treachery and instead become a loving and gentle mentor and guardian to Edward V? Would he have gracefully stepped aside when the young King reached his majorit
BWW Review: An Act of God at NextStop Theatre Company
Is it time to hold God (inhabiting the body of Jacob Yeh) to account? God knows – forgive the reference – we have occasion to do so.
BWW Review: Spooky Action Theater's THE REAL INSPECTOR HOUND
How could you not love a play about theater critics? Especially where, as in Tom Stoppard’s The Real Inspector Hound, now available in virtual format through Spooky Action Theater’s website, the critics are pompous, abrasive and criminally uninformed.
BWW Review: “MASTER HAROLD”…and the Boys at Syracuse Stage
It is 1950, and on a rainy South African afternoon in the St.
BWW Review: Will on the Hill and Far Away at Shakespeare Theatre Company
“What’s past is prologue” Prospero says in The Tempest, but when the present passes into the past what’s left is Will on the Hill and Far Away, the earnest and frequently successful effort by Congressmen to do Shakespeare funny.
BWW Review: I AND YOU at Syracuse Stage
There is an astonishing turn of events toward the end of I and You, but let’s not talk about that.
BWW Review: Simon Godwin's Production of ROMEO AND JULIET
The thing about Romeo and Juliet – but you know this, Grasshopper – is that it isn’t a love story – not at all, not even a little bit.
BWW Review: Syracuse Stage Presents a Virtual Streaming Production of ANNAPURNA
On June 3, 1950 the French mountaineer Maurice Herzog stood on the impossibly high summit of Annapurna I – and dropped his gloves into the yawning chasm below.
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