LAHZA Grooves at Salon
Two rising, powerhouse instrumentalists, guitarist Cenk Erdogan and drummer Mehmet Ikiz (aka ikiz) met in the blink of an eye in Istanbul and formed the Nu jazz duo LAHZA after the Turkish word for split-second.
Matt Hanson
SIV JAKOBSEN Mellows at Salon
In late August, the Norwegian singer-songwriter Siv Jakobsen released her debut album, Nordic Mellow.
MONK AT 100 Swings at Nardis Jazz Club
In 1976, Thelonious Monk stepped off the bandstand at the Newport Jazz Festival and never set foot on the stage again.
BWW Review: LA FRESQUE Fantasizes at Zorlu Center PSM
Parisian choreographer Angelin Preljocaj sold out Europe's largest performing arts venue with his modern ballet, La Fresque (2016) on November 18th, walking onstage after the show to receive the Honorary Award from Istanbul's Theater Festival at Zorlu Center PSM.
BWW Review: FALLS THE SHADOW Radiates at the Guggenheim
His name evokes the pantheon of Russian ballet, Balanchine, Massine, Nijinsky, and he dons its legacy with an air as natural as breath, movement, and shadow.
BWW Review: SOMEHOW WE END UP HERE, AGAIN Provokes at HERE
The migrant, both voluntary and forced, is a recurring motif for dance choreographers who have ever sought to invigorate the traumas of exiled refugees, the discoveries of vagabond travelers and the insights of spiritual voyagers through plays of bodily movement.
BWW First Person: BANDSTAND Heals at Bernard B. Jacobs Theatre
In his earliest memory, my grandfather is four years old.
BWW Review: MODERN DANCE THEATER ISTANBUL MINI-FEST Liberates at Fulya Sanat
A rare event at Fulya Sanat, home of Istanbul State Opera and Ballet's Modern Dance Theater Istanbul (MDTist), is the Mini-Fest, last produced for the stage in 2014, it returned 23-24 May last week with two technique classes, three workshops, a special show and six performances of new choreography.
BWW Review: AIDA Gushes at The Metropolitan Opera
There is a fragile eeriness to the opening measures of Aida (1871), as the composition by Verdi continues to draw all ears forward, especially as magnetically conducted by Daniele Rustioni for the 1,158th performance of the classic at The Metropolitan Opera.
BWW Review: STEPHEN PETRONIO COMPANY Ascends at The Joyce
Some people have many ideas.
BWW Review: ROMEO & JULIET Ennobles at MetOpera
Sir Kenneth MacMillan silenced the Bard to the wordless storytelling of corporeal movement.
BWW Review: ERWIN SCHULHOFF RETROSPECTIVE Swings at Center for Jewish History
Recently honored as a Lower East Side Community Hero, pianist Mimi Stern-Wolfe walked onstage on the evening of May 25th 2016 at the Center for Jewish History in NYC.
BWW Review: ZORN Conducts at YIVO
One century ago, 200,000 New Yorkers mourned in the streets, representing the best-attended funeral procession in the history of the city to date.
BWW Review: PETER MURPHY Strips at Le Poisson Rouge
In old England, life revolved around the pub, the brothel, and the stage.
BWW Interview: WENDY OSSERMAN Celebrates 40 Seasons
Wendy Osserman spoke to BWW on the phone from New York.
BWW Review: JOHN IRVING Grips at 92nd Street Y
John Irving is the epitome of the modern American storyteller.
BWW Review: A CELEBRATION OF PRIMO LEVI Hallows at 92Y
Momentous is a strong word, yet not so strong as carbon, the sixth element in the Periodic Table of Elements, inspiring the literary masterpiece known by the “scandalous” title, as its author Primo Levi confesses, The Periodic Table.
BWW Review: THE EXALTED Reflects at BAM
The Exalted, written by the celebrated poet and performer Carl Hancock Rux is told in the spirit of German expressionism, centering on the anarchist German-Jewish writer Carl Einstein, today considered a founding voice in the evolution of seminal Modernist art movements.
BWW Review: MARTIN HALPERN CHAMBER OPERAS Dream at Shetler Studios
The best part of living in New York is that some of our most radically creative artists are performing.
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