Review: GO at District Fringe
Homesick for Charlot and Marcel Marceau? Fringe has a show for that--go to Go and watch an hour of nearly word-free 'teatro' by Rodin Alcerro and Pablo Guillén, two drifters, off to see the world.
Mary Lincer - Page 2
Review: A GUIDE TO MODERN POSSESSION at District Fringe
What did our critic think of A GUIDE TO MODERN POSSESSION at District Fringe? Dial or text 988 if you or someone you know are having suicidal thoughts.
Review: THE BERLIN DIARIES at Theater J
Andrea Stolowitz's 90-minute autobiographical play, The Berlin Diaries, challenges her two actors, and Dina Thomas and Lawrence Redmond meet the heck out of all the challenges; they play multiple roles readily and skillfully.
Review: ANDY WARHOL IN IRAN at Mosaic Theater
Andy Warhol really did go to Iran.
Review: AKIRA KUROSAWA EXPLAINS HIS MOVIES AND YOGURT (WITH LIVE AND ACTIVE CULTURES!) at Woolly Mammoth
Late in Julia Izumi's play, Akira Kurosawa Explains His Movies and Yogurt (with live and active cultures!), one of the characters asks, 'Is that what the whole yogurt thing is about because I'm not getting it?' It's one of several goofball/meta moments in this very theatrical play and marks the spot
Review: PARADISE BLUE at Studio Theatre
A superb troupe of five actors and a great trumpet player (Michael A.
Review: ON YOUR FEET! at St. Mark's Players
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Review: BAD BOOKS at Round House Theatre
Experience a compelling take on censorship with Round House Theatre's Bad Books, exploring free speech's pitfalls during National Library Week.
Review: YOUR NAME MEANS DREAM at Theater J
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Review: THE AGE OF INNOCENCE at Arena Stage
Edith Wharton's novel The Age of Innocence was published about a week before she was able to vote for the first time in 1920.
Review: PATTI LUPONE: A LIFE IN NOTES at Strathmore
In the late 1960s (in her late 60s), cabaret étoile Mabel Mercer added the utterly goofy 'Wait 'til We're 65' (by Lerner & Lane) to her sets; when she was well past 50, Barbara Cook began including Harper & Zippel's wildly funny 'The Ingenue' to her shows, simultaneously sending up her rivals and a
Review: DEATH ON THE NILE at Arena Stage
With Ken Ludwig's adaptation of Agatha Christie's Death on the Nile, Arena Stage's new Artistic Director, Hana S.
Review: A HANUKKAH CAROL, OR GELT TRIP! THE MUSICAL at Round House Theatre
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Review: SUMMER, 1976 at Studio Theatre
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Review: PRAYER FOR THE FRENCH REPUBLIC at Theater J
In an elegant coincidence (or a charming conspiracy by the theatre gods), DC audiences will be able to see two absolutely engrossing plays about Jewish family life in 20th and 21st century Europe, back to back: Tom Stoppard's Tony award-winning Leopoldstadt next month at the Shakespeare Theatre and
Review: ASTRO BOY AND THE GOD OF COMICS at Flying V
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Review: THE PLIANT GIRLS at Theatre Prometheus/Nu Sass
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Review: FRIDA LIBRE at Gala Hispanic Theatre
At 55 minutes, Karen Zacarias' play, Frida Libre, runs the perfect length for the young people (age 5 and up) that Gala Hispanic Theatre wants to cultivate as the audiences of the future.
Review: MARLENE at ExPats Theatre
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Review: THE WAVERLY GALLERY at 1st Stage
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