Marianka Swain - Page 42

Carrie Hope Fletcher has starred in numerous musicals, including Les Miserables, Mary Poppins and Chitty Chitty Bang Bang, and has also published two books. She's currently playing Wednesday Addams in the UK premiere of Andrew Lippa, Marshall Brickman and Rice Elice's musical The Addams Family, which has just begun its nationwide tour.

Christopher Hampton's 1969 take on Moliere's The Misanthrope is often played with actors older than their characters, but director Simon Callow has recruited some of TV's bright young things to play the solipsistic academics. It may well attract new audiences to the West End, but this uncomfortable revival is unlikely to capitalise on that influx.

Unusually, actress Kirsty Bushell comes to Juliet later in a stellar career; her work includes everything from the title role in Salisbury Playhouse's Hedda Gabler to Disgraced at Bush Theatre and Ivo van Hove's Antigone. English National Opera boss Daniel Kramer's production, co-starring Edward Hogg and opening Emma Rice's second and final Globe season, begins previews on 22 April.

Six-time Tony winner and reigning Queen of Broadway - plus 'Olivier Award presenter', jokes partner-in-crime Seth Rudetsky in his introduction (though surely that's just a matter of time, with her Lady Day at Emerson's Bar and Grill coming to Wyndham's this summer) - lauded actress and singer Audra McDonald is the consummate pro. If further proof were needed, she's currently at Leicester Square Theatre offering a veritable master class in cabaret.

The Olivier Awards 2017 with Mastercard - the most prestigious event in the UK's theatrical calendar - takes place today, Sunday 9 April, at London's Royal Albert Hall. Check out our updating list of winners here! It's currently interval time, and there's a live Facebook show from the Oliviers - watch it below

The Olivier Awards 2017 with Mastercard - the most prestigious event in the UK's theatrical calendar - takes place today, Sunday 9 April, at London's Royal Albert Hall.

The late, great Edward Albee is certainly having a West End 'moment', but it rather places this particular revival at a disadvantage, comparing unfavourably as it does with the shattering, unforgettable Who's Afraid of Virginia Woolf? a few streets away.

Amidst the middle-class small talk between two couples, one reeling from the arrival of a new baby, comes a shocking confession: 'I've been raping pensioners.' What kind of monsters are we dealing with here? Well, legal ones - it's barrister speak. Having tackled the NHS in Tiger Country, Nina Raine now has the judicial system in her sights: its eccentricities, seeming unfairness, and the effect it has on those caught in its truth-bending web.

The curtain rises just high enough to reveal a long line of tapping feet: a thoroughly appropriate intro, as those feet are the real stars of the show. The plot might centre around a leading lady battle, but this loving backstage fairy tale is really a paean to the chorus - the hard-working, unceasingly toe-tapping foundation upon which musical comedy ('the two most glorious words in the English language,' per the show) is built.

When Laura Wade's Posh premiered at the Royal Court in 2010, its dark promise that these destructive student toffs - members of the Riot Club, a loosely fictional version of Oxford's Bullington - would one day run the country had a timely frisson: former club members David Cameron, George Osborne and Boris Johnson occupied Downing Street and the mayoral office respectively.

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a mammoth Tony Kushner revival to an unusual Romeo and Juliet and tap-happy musicals, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews…

Alongside a lauded acting career - he will reprise his Prospero when the RSC's The Tempest comes to the Barbican this summer - Simon Russell Beale has retained his passion for classical music, through projects like BBC series Sacred Music. This Wednesday, he performs as the narrator for City of London Sinfonia's Closer: The Soldier's Tale - an intimate version of Stravinsky's parable, directed by Dame Janet Suzman at Shoreditch's Village Underground.

The bad boy is back. Marber's Moliere update, which first appeared at the Donmar Warehouse in 2006, has been revived by the playwright for a West End run - David Tennant succeeding Rhys Ifans as the titular seducer.

Actor and musician David Hunter's previous work includes Once, Tommy and One Man, Two Guvnors. He's currently starring as Charlie in the West End production of Kinky Boots.

While An American in Paris captures the dreamy glamour of old Hollywood, Simon McBurney rivetingly evokes its seedy, cynical underbelly, from backroom deals to drug busts and mobsters. Yet it is, in its own way, just as dazzling - a paean to Tinseltown myth-making as well as a blackly comic deconstruction.

Maria Friedman directs a brand new staging of Richard Harris's award-winning play STEPPING OUT, which which toured UK venues last year and now plays at the West End's Vaudeville Theatre. Book tickets here from £20

It's 1945, and Paris is shakily emerging from Nazi occupation - celebrating, yes, with soldiers returning and families reuniting, but also confronting collaborators in their midst and post-war deprivation. Amidst this turmoil, two future lovers meet: an encounter of seismic power.

Michael Blakemore's stellar directing career encompasses everything from landmark productions at the National, where he was associate director, to West End and Broadway hits. He was the first director to win a Tony Award for both Best Director of a Play and a Musical in the same year (for Michael Frayn's Copenhagen and Kiss, Me Kate). Now, he's helming the long-awaited UK premiere of Cy Coleman musical The Life - a gritty exploration of 1980s New York's underbelly - which he first directed on Broadway in 1997. The show begins previews at Southwark Playhouse on 25 March.

In 1944, Terence Rattigan substantially revised Less Than Kind at the behest of star theatrical couple the Lunts; the result was the less political, more overtly comic Love in Idleness. Now, Trevor Nunn – inspired by Dan Rebellato's introduction in a Nick Hern Books edition of the two versions – has synthesised them, to intriguing and largely successful effect.

Archie Madekwe's screen credits include Fresh Meat and films Legacy and Second Coming. He's now making his professional stage debut in The Goat, or Who Is Sylvia, Edward Albee's darkly comic masterpiece about a successful family man who embarks on a shocking love affair. Ian Rickson's revival also features Damian Lewis, Sophie Okonedo and Jason Hughes, and begins previews at Theatre Royal Haymarket on 24 March.