BWW Feature: Three Russian Plays Come to the Barbican Centre
'It's not always easy for foreigners to get to London,' the theatre's general administrator told me.
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BWW Review: WALTZ OF THE HOMMELETTES, Barbican Centre
A bird, a bunny, and a baby; a shoemaker and a clock and a critter on a walk.
BWW Interview: Viktor Ryzhakov Talks THE SUN LINE
The Sun Line is currently playing at Sadler's Wells.
BWW Review: THE SUN LINE, Sadler's Wells
When I first saw The Sun Line, at The Meyerhold Centre, in Moscow, I was so jolted by its aggressively inventive technique that I started recommenidng it to all my friends.
BWW Review: FIDDLER ON THE ROOF, Menier Chocolate Factory
In Trevor Nunn's extraordinary new production of Fiddler on the Roof, at the Menier Chocolate Factory, a dimension of intimacy and immediacy recasts a familar show, dragging it, sometimes tearfully, always beautifully, closer to the audience than it has ever been.
LES MISERABLES Composer Claude-Michel Schönberg Discusses His Life and Work
Not many people know the name Claude-Michel Schonberg, but everybody knows his music: as the composer of Les Miserables and Miss Saigon, Claude-Michel is present in everyone's playlist, in a songbook on everyone's piano, and in every karaoke lineup.
BWW Review: GUYS AND DOLLS, The Mill at Sonning
Guys and Dolls has come to the Mill at Sonning, and brought with it all the sleazy music, flashy dancing, and good, clean fun you could want in an evening.
Theatre Critic Chris Jones Talks Broadway and His New Book at the Bloomsbury Institute
Chris's new book, Rise Up!, looks at Broadway and American society from Angels in America to Hamilton.
BWW Review: MOMMA GOLDA, King's Head Theatre
Put simply, Ruby's caricaturistic portrayal of Golda Meir, the former Prime Minister of Israel, does great injustice to the source material, and blends comedy and melodrama so unevenly as almost to be making fun of Mrs Meir and the country she led through war.
BWW Review: GIRLFRIENDS, Bishopsgate Institute
Now, the London Musical Theatre Orchestra have added their own spin, mounting Girlfriends as a concert with only minimal narration, rather than a fully produced musical.
BWW Interview: Director Steph Dewar Talks BIRDSONG at Progress Theatre
On November 11, 2018, people everywhere will commemorate the centenary of the end of World War One with events, speeches, prayers, and moments of silence.
BWW Review: TROILUS AND CRESSIDA, Royal Shakespeare Theatre
Troilus and Cressida begins with a thunder of drums that knocks the programme out of your hands.
The Cadavers of BODY WORLDS Come to London
There is a kind of macabre fun in Body Worlds.
BWW Review: THE LESSON, The Hope Theatre
The pupil comes prepared for her lesson: pens, notepad, ruler.
BWW Review: SHAKESPEARE IN LOVE at Moscow Pushkin Drama Theatre
On the stage of the Moscow Pushkin Drama Theatre, Evgeny Pisarev has built a whole world out of lush satin bed-sheets, elegant lace gowns, the flash of steel blades, and hapless declarations of romance.
BWW Review: JUST SO at the Stanislavsky Electrotheatre
Just So, at the Stanislavsky Electrotheatre, is so bewildering and bright it's hard to write about
BWW Review: THE RED at The Kolobov Novaya Opera
The Red is primordial and pretty, historical and surreal.
BWW Review: CRIME AND PUNISHMENT at The Sobytie Theatre and WAR AND PEACE at The Fomenko Workshop
At the Sobytie Theatre, you can subject yourself to a visceral, minimalistic Crime and Punishment; at the Fomenko Workshop, War and Peace: The Start of the Novel is grand, literary, and patient.
BWW Review: JESUS CHRIST SUPERSTAR at Theatre Mossoveta
As far as passion plays go, this one may be the most entertaining; it certainly has the best music, the best dancing, and the most partial nudity (yes, really).
BWW Interview: Evgeny Pisarev of SHAKESPEARE IN LOVE at Moscow Pushkin Drama Theatre
Evgeny Pisarev's office is eclectic but organized.
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Tickets From $71
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