Thorne and Mullen have a natural stage chemistry, an easy back-and-forth that lets them bounce dialogue and jokes off each other like a game of table tennis.
SOLDIER ON comes to us from the UK, where a variety of audiences, military and non-military alike, have had the chance to enjoy its easy humour and satisfying plot.
In the world premiere of Anosh Irani's BUFFOON, at Tarragon Theatre, Anand Rajaram plays Felix the clown, a child of the thrilling, vicious world of the circus.
Later this month, We Are Here Productions, in collaboration with Cue to Cue Productions, will present SONGS FOR A NEW WORLD, a song cycle to benefit the Canadian Women's Foundation, at Buddies in Bad Times Theatre.
If we're going by technical categorisation, THE PARTICULARS, on now at the Theatre Centre, is an experimental piece of drama that incorporates elements of dance and movement; if we're going by my own personal descriptor, THE PARTICULARS is a Fringe show with wings.
ALMIGHTY VOICE IS AND HIS WIFE is an enormous play, spanning an incredible breadth of theatrical technique and exploring, in depth, some of the most challenging questions of Canadian cultural memory.
Broadwayworld spoke with producer Christopher Wilson about Toronto Musical Concert's upcoming production of URINETOWN, and why a show with a terrible name is still a great time.
If UN POYO ROJO is about anything, it is about the ambiguities and duplicities of masculinity - a source of both competition and camaraderie, domination and kinship.
Weyni Mengesha's new production of the Tennessee Williams classic is a solid undertaking, a technically precise, error-free interpretation of a story we know well.
Odile Gakire (Kiki) Katese, the Rwandan humanitarian and artist, has brought her voice and wisdom to the Canadian Stage Company this autumn in THE BOOK OF LIFE.