Review: DEATHTRAP at Red Sandcastle Theatre
I reckon it’s a stroke of producing genius to launch a run of DEATHTRAP, Ira Levin’s classic meta-thriller, on the same day that the Toronto Fringe Festival kicks off.
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BWW Review: Rich Melodies and Bromance at KING GILGAMESH & THE MAN OF THE WILD at Soulpepper
If KING GILGAMESH & THE MAN OF THE WILD doesn’t bring it with the plot, it more than delivers on music.
BWW Review: BLINDNESS at Princess Of Wales Theatre
In BLINDNESS, people resort immediately to cruelty and selfishness.
BWW Review: SUMMER: THE DONNA SUMMER MUSICAL at the Princess Of Wales Theatre
I was born too late to enjoy disco, too early to quite understand what Billie Eilish is.
BWW Review: SUNDAY IN THE PARK WITH GEORGE at Jam Factory T.O.
SUNDAY IN THE PARK WITH GEORGE, Stephen Sondheim and James Lapine's musical inspired by the pointillist painting 'A Sunday Afternoon on the Island of La Grande Jatte', has always felt to me like a you-had-to-be-there musical.
BWW Review: OIL at Geary Lane
OIL, which premiered last night at Geary Lane, is an epic story, an eat-before-you-arrive play that will take up your evening and take over your mind.
BWW Review: OH, WHAT A LOVELY WAR! at Hart House Theatre
When the musical OH, WHAT A LOVELY WAR! premiered in London, in the 1960s, World War One was relatively fresh in the minds of the audience, most having either lived through it or being the child of someone who had.
BWW Review: SECRET LIFE OF A MOTHER at Streetcar Crowsnest
SECRET LIFE OF A MOTHER is a simple, sweet, agonising, and intimate work of autobiographical theatre by some of Toronto's best theatre talent.
BWW Review: THIS WAS THE WORLD at Tarragon Theatre
In the opening scene of THIS WAS THE WORLD, on now at Tarragon Theatre, a law professor (R.
BWW Review: CAROLINE, OR CHANGE at the Winter Garden Theatre
The theatre shook with applause for Jully Black last night as she opened the musical CAROLINE, OR CHANGE at the Winter Garden Theatre.
BWW Review: JESUS HOPPED THE 'A' TRAIN at The Young Centre for the Performing Arts
Lucius is an exuberant, charismatic serial killer who claims to have found God while incarcerated.
BWW Review: MARJORIE PRIME at The Coal Mine Theatre
MARJORIE PRIME is set some 30 years in the future, after scientists have invented Primes, charmingly lifelike holographic representations of dead people you can buy to keep you company after a loss.
BWW Review: SUITCASE / ADRENALINE at Theatre Passe Muraille
Theatre Passe Muraille kicks off 2020 with an Arabic-language double-bill.
BWW Review: Canadian Stage and Studio 180 Present SWEAT at the Berkeley Street Theatre
SWEAT is a work of social realism, that controversial genre of fiction, film, and drama that tries to be romance and documentary all in one.
BWW Review: EVERY SILVER LINING at Factory Theatre
EVERY SILVER LINING is about being a teenager, and cancer.
BWW Review: Sex, Power, and Wit in SEXUAL MISCONDUCT OF THE MIDDLE CLASSES at Tarragon Theatre
As in the best novels by Philip Roth, playwright Hannah Moscovitch delights in convincing us that her character's predatory behaviour is a minor flaw, not that bad in context, and that he's not that much worse, really than anyone else.
BWW Review: BEND IT LIKE BECKHAM at St Lawrence Centre
Jess is torn between her obligations to her family and her dream of being a soccer star.
BWW Review: CASH ME IF YOU CAN at Berkeley Street Theatre
Patrick Combs was knee-deep in credit card debt when he got a piece of junk mail that caught his eye - a phony cheque for nearly $100,000.
BWW Review: TORONTO, I LOVE YOU at Bad Dog Comedy Theatre
TORONTO, I LOVE YOU has been playing on and off for a while now but, like the 6ix itself, the story is always changing.
BWW Review: I BE LIKE... at Bad Dog Comedy Theatre
Thorne and Mullen have a natural stage chemistry, an easy back-and-forth that lets them bounce dialogue and jokes off each other like a game of table tennis.
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