Keira Grant
Review: 10 DAYS IN A MADHOUSE at Bluma Appel Theatre: St. Lawrence Centre For The Arts
Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can.
Review: WORLD ON FIRE at The Assembly Theatre
On the whole, this intimate and emotionally raw black box presentation was a strong inaugural performance for this company, and I look forward to seeing more fresh grassroots performances from them in the future.
Review: BLUEBEARD'S CASTLE/ERWARTUNG at Four Seasons Centre For The Performing Arts
Even if you are lukewarm to early 20th-century avant-garde music and don’t care for Schoenberg’s serial composition music-baby, you are sure to be won over by the brilliance of these performers and the creative team.
Review: PELLÉAS AND MÉLISANDE at Koerner Hall
Opera Atelier’s 2025-2026 production of Claude Debussy’s Pelléas and Mélisande is a departure from the company’s production modus operandi that will leave a lasting impression on audiences and signal a new era of innovation for Opera Atelier.
Review: ORFEO ED EURIDICE at Four Seasons Centre For The Performing Arts
The extreme minimalism did not land for me or my guest, but it was clear that other members of the audience loved it.
Review: ROMEO & JULIETTE at Four Seasons Centre For The Performing Arts
This production is comfort food without being boring and sure to appeal to opera lovers and Romeo & Juliette lovers of all ages, stages and walks of life.
Review: SANCTUARY SONG at Nancy & Ed Jackman Theatre
Given this strong inaugural production, I am curious to see what else Artistic & General Director Michael Mori and Tapestry Opera do next in their new playground.
Review: AMERICANADIAN at SoCap Comedy
Meredith Mullen is a strong singer and a charming storyteller, and we had a very nice evening watching her solo show “AmeriCanadian” and the improv set that preceded it at Beer Beer, the Saturday comedy night at SOCAP Comedy.
Review: LA REINE-GARCON at Four Seasons Centre For The Performing Arts
Seeing a fully staged new operatic production in an environment as airy and luxurious as the Four Seasons Centre for the Performing Arts is a treat in itself.
Review: MADAMA BUTTERFLY at Four Seasons Centre For The Performing Arts
The COC’s 2025 production of this masterpiece seamlessly blends performance practice tradition with a contemporary perspective on the story’s timeless themes.
Review: ACIS AND GALATEA at Elgin and Winter Garden Theatre
Opera Atelier’s production of G.
Review: FAUST at Four Seasons Centre For The Performing Arts
Vocally and musically, the Canadian Opera Company's production of Gounod's Faust directed by Amy Lane was a sumptuous feast for the ears.
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