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Keira Grant

Keira Grant

Keira Grant has been a life-long lover of the stage since seeing CATS! at age 6. At 14, she saw a production of Carmen. She became an opera aficionado and hasn't looked back. Following this passion, Keira completed a Master's degree in voice, Literature and performance at Western University in 2009. Between 2010 and 2020 she reviewed opera, musical theatre, dance, and theatre for the online publication Mooney on Theatre. When she has the time, she enjoys sharing her voice at community performances. When she's not at the theatre, Keira enjoys spending time with family and friends, cooking, meditation, and her career in health equity policy. 

 






MOST POPULAR ARTICLES

Review: ORFEO ED EURIDICE at Four Seasons Centre For The Performing Arts
Review: ORFEO ED EURIDICE at Four Seasons Centre For The Performing Arts
October 13, 2025

The extreme minimalism did not land for me or my guest, but it was clear that other members of the audience loved it. It all comes down to how much you love contemporary baroque singing and agree with a 'less is more' approach to mounting opera.

Review: ROMEO & JULIETTE at Four Seasons Centre For The Performing Arts
Review: ROMEO & JULIETTE at Four Seasons Centre For The Performing Arts
October 9, 2025

This production is comfort food without being boring and sure to appeal to opera lovers and Romeo & Juliette lovers of all ages, stages and walks of life.

Review: SANCTUARY SONG at Nancy & Ed Jackman Theatre
Review: SANCTUARY SONG at Nancy & Ed Jackman Theatre
June 4, 2025

Given this strong inaugural production, I am curious to see what else Artistic & General Director Michael Mori and Tapestry Opera do next in their new playground. Intimate and approachable, the Nancy and Ed Jackman Performance Centre seems like a great place to experiment, innovate, and bring new ideas to life.

Review: AMERICANADIAN at SoCap Comedy
Review: AMERICANADIAN at SoCap Comedy
April 20, 2025

Meredith Mullen is a strong singer and a charming storyteller, and we had a very nice evening watching her solo show “AmeriCanadian” and the improv set that preceded it at Beer Beer, the Saturday comedy night at SOCAP Comedy.

Review: LA REINE-GARCON at Four Seasons Centre For The Performing Arts
Review: LA REINE-GARCON at Four Seasons Centre For The Performing Arts
February 7, 2025

Seeing a fully staged new operatic production in an environment as airy and luxurious as the Four Seasons Centre for the Performing Arts is a treat in itself. La-Reine Garcon, produced jointly by the Canadian Opera Company and Opera Montreal, offers this and more. It blends superb new music with absorbing historical drama, exploring some of the most controversial themes of current times.

Review: MADAMA BUTTERFLY at Four Seasons Centre For The Performing Arts
Review: MADAMA BUTTERFLY at Four Seasons Centre For The Performing Arts
February 5, 2025

The COC’s 2025 production of this masterpiece seamlessly blends performance practice tradition with a contemporary perspective on the story’s timeless themes.

Review: ACIS AND GALATEA at Elgin and Winter Garden Theatre
Review: ACIS AND GALATEA at Elgin and Winter Garden Theatre
October 27, 2024

Opera Atelier’s production of G. F. Handel’s Acis and Galatea was a fun and fresh take on an opera that has delighted audiences since its premiere in 1718. Handel referred to it as his “little opera.” This production is a very “user-friendly” introduction to Baroque opera and historically informed performance.

Review: FAUST at Four Seasons Centre For The Performing Arts
Review: FAUST at Four Seasons Centre For The Performing Arts
October 24, 2024

Vocally and musically, the Canadian Opera Company's production of Gounod's Faust directed by Amy Lane was a sumptuous feast for the ears. While elegant, The restrained production values didn't quite sell the delights of debauchery, leaving the well-known story's premise somewhat flat.






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