Review: HOME ALONE IN CONCERT, Royal Albert Hall
It’s hard to believe Home Alone is 33 years old.
Jonathan Marshall
Review: MAD HOUSE, Ambassadors Theatre
Sometimes a new play comes along that has all the right ingredients for a delectable theatrical recipe.
BWW Interview: Imogen Stubbs Talks CLYBOURNE PARK
Pulitzer Prize winning Clybourne Park was fully rehearsed and ready to run at Park Theatre for its 10th Anniversary back in 2020.
BWW Review: THE NIGHT LARRY KRAMER KISSED ME, New Wimbledon Theatre
Normal Heart recently enjoyed critical acclaim at The National Theatre.
BWW Review: A NUMBER, Old Vic
Marking twenty years since its premiere, Caryl Churchill’s sci-fi masterpiece A Number returns to the London stage.
BWW Interview: Emma Canning and Daniel Adeosun Talk TROUBLE IN MIND
Trouble in Mind had its stage premiere more than sixty years ago.
BWW Review: MANOR, National Theatre
A heavy storm prompts a group of strangers to take refuge in a dilapidated manor, but they soon learn that they might not be as safe as they imagined.
BWW Review: THE BEAUTY QUEEN OF LEENANE, Lyric Hammersmith
Martin McDonagh may be best known for his cinema successes Three Billboards Outside Ebbing, Missouri and In Bruges, but he made his name as a playwright.
BWW Review: EAST IS EAST, National Theatre
Ayub Khan Din’s much loved modern classic East is East premiered at the Birmingham Rep back in 1996 before being adapted for the screen a few years later.
BWW Review: THE NORMAL HEART, National Theatre
A fire is ignited as the ensemble gather silently in an act of remembrance.
BWW Review: SHEDDING A SKIN, Soho Theatre
When Phoebe Waller-Bridge is galvanised by a new voice, expectations are likely to be high.
BWW Review: STAIRCASE, Southwark Playhouse
Not seen in London for over half a century, Staircase has been lovingly revived by Two’s Company, which aims to uncover forgotten plays that reveal their own time yet shed light on how we live today.
BWW Review: SAVING BRITNEY, Old Red Lion
She's one of the biggest pop stars of all time but many of us are aware of the conservatorship battle Britney Spears has been locked in for over half of her career, essentially depriving her of her freedom.
BWW Review: HARM, Bush Theatre
The Bush Theatre has reopened its doors with a timely exploration of social media and the negative impact it can have on our wellbeing.
BWW Interview: Caroline Friedman Talks SCENESAVER
In 2019, when we were all blissfully ignorant of the impending pandemic, award winning theatre and film producer Caroline Friedman had the idea to create an online platform to showcase fringe theatre performances.
BWW Interview: Ella Road Talks SOMETHING WILL DISAPPEAR
Playwright Ella Road achieved critical acclaim with her play The Phlebotomist, which was nominated for an Olivier Award after a run at both Hampstead Theatre Downstairs and its main stage.
BWW Review: MOOD MUSIC, Old Vic Online
Songwriter Cat has a commercial hit record under her belt and should be on top of the world.
Book Review: A STAR IS BORED, Byron Lane
Charlie hates his job and loathes his life even more.
BWW Interview: David Greig Talks ADVENTURES WITH THE PAINTED PEOPLE
Prolific playwright David Greig has a varied catalogue of work ranging from the recently revived Europe to West End hit Charlie and the Chocolate Factory and his acclaimed adaptation of Touching the Void.
BWW Review: A RAINY DAY IN NEW YORK, Home Premiere
In a world of remakes, reboots and recycled stories, inimitability is hard to find.
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