Jade Kops - Page 60

Jade is an Aviation Safety Training Instructor with a love of Theatre, Cabaret, Musical Theatre, and music and is a committed advocate for the live performing arts industry in Sydney, Australia. From 2019 she held a coveted position on the voting panel for the prestigious Sydney Theatre Awards and has been part of voting collegiate for the Helpmann Awards, the Australian equivalent of the Tony Awards. Prior to joining BroadwayWorld in 2014 Jade was a Special Guest Critic for GlamAdelaide, specialising in Cabaret.

Contact Jade Kops

About Jade Kops

First Show: CATS in London
Favorite Show: BIG FISH at Hayes Theatre Directed by Tyran Parke

Favorite Stories

BWW Sydney Interview: Michael Ball And Alfie Boe Ahead of Their Australian TOGETHER Concert Tour - It was incredible to get the opportunity to sit down with these two gorgeous men.
BABY DOLL at Ensemble Theatre Directed by Shaun Rennie -

Latest Articles

BWW Reviews: KILLING TIME is Mitchell Butel's delightful study of stages of the day, life and the passage of time.

November 10, 2014

Mitchell Butel returns to the cabaret stage with KILLING TIME, first performed at the Adelaide Cabaret Festival in 2010.

BWW Reviews: SWITZERLAND turns the tables on the reclusive mystery writer.

November 9, 2014

Sydney Theatre Company's latest offering, SWITZERLAND, by Australian playwright Joanna Murray-Smith draws on the life of Texan native Patricia Highsmith, famous for writing psychological thrillers with her most famous character being Tom Ripley, to create an insight into the writer's reclusive life

BWW Reviews: EMERALD CITY is an incredible piece of theatre that captures the greed of the 80's in the Harbour City.

November 2, 2014

The Griffin Theatre Company's production of David Williamson's EMERALD CITY is an amazing piece of theatre that captures the complexity of surviving in 1980's Sydney beautifully.

BWW Reviews: THE WHARF REVUE: OPEN FOR BUSINESS, a hilarious political satire with polish and precision.

October 25, 2014

THE WHARF REVUE: OPEN FOR BUSINESS is a fast paced, cleverly scripted and superbly delivered political satire where all the players in the current political landscape are fair game, and even a few old names are included.

BWW Reviews: MIRACLE CITY, a musical tale of cheesy TV evangelism with a twist comes back to life at Hayes Theatre.

October 24, 2014

The one act, 90 minute, MIRACLE CITY is a humorous jab at television evangelists whilst exploring humanity's darker side and exposing the truths beneath the bright shiny orchestrated images.

BWW Reviews: CELTIC LEGENDS brings a taste of Ireland's music and dance to delight audiences of all ages.

October 18, 2014

CELTIC LEGENDS is a high energy taste of Irish culture, showcasing some of Ireland's talent.

BWW Reviews: SONDHEIM ON SONDHEIM is an intimate evening with Creator and his creations

October 4, 2014

Squabbalogic's production of SONDHEIM ON SONDHEIM helps to answer the question that the NEW YORK magazine posed in 1994, "Is Stephen Sondheim God?".

BWW Reviews: THE LAST CONFESSION goes behind the walls of the Vatican to examine mystery, manipulation and a possible murder

September 25, 2014

Well recognised British actor David Suchet is joined by an international cast to bring Roger Crane's mystery, THE LAST CONFESSION, to Australian audiences with the right mix of emotion, passion and humour.

BWW Reviews: LOVEBiTES explores love via a series of vignettes with lots of laughs and a few tears

September 17, 2014

Peter Rutherford and James Millar's LOVEBITES is a witty musical that explores a number of different types of relationships from the perspectives of new love and the effect of time with the occasional twist.

BWW Reviews: TAKE ME HOME – THE MUSIC & LIFE OF JOHN DENVER delights Denver fans in this moving tribute

September 1, 2014

The historic State Theatre in Sydney was filled with John Denver fans on Sunday night and they were not disappointed.

BWW Reviews: HELPMANN AWARDS 2014 Announced at Sydney's Capitol Theatre

August 17, 2014

The Helpmann Awards, which has recognised the achievements in live performance in Australia since 2001, is the Australian industry's equivalent of the Tony Awards and the Olivier Awards.

BWW Reviews: HELPMANN AWARDS 2014 NOMINATIONS Announced Across Australia

July 14, 2014

The Helpmann Awards are Australia's version of Broadway's Tony Awards and London's Olivier Awards.

BWW Reviews: SWEET DREAMS: SONGS BY ANNIE LENNOX is Michael Griffiths' Latest Musical Homage

July 3, 2014

Michael Griffiths delves into the love and life of award winning singer and songwriter, Annie Lennox, in his latest cabaret SWEET DREAMS: SONGS BY ANNIE LENNOX in this beautifully crafted tribute.

BWW Reviews: DAVID CAMPBELL SINGS JOHN BUCCHINO Brings the Composer's Stories Behind the Songs to the Stage

June 28, 2014

Whilst many may have come to see DAVID CAMPBELL SINGS JOHN BUCCHINO based on David Campbell's local profile, the audience was treated to a wonderful insight into the man behind the music, the award winning, John Bucchino.

BWW Reviews: ADELAIDE CABARET FESTIVAL 2014: AN EVENING WITH DARLENE LOVE and Her Powerhouse Voice

June 21, 2014

The final weekend of the Adelaide Cabaret Festival bought the incredible Darlene Love's concert An Evening with Darlene Love to an enthusiastic Adelaide audience for a one night only engagement.

BWW Reviews: ADELAIDE CABARET FESTIVAL 2014: MARK NADLER'S RUNNIN' WILD – SONGS AND SCANDALS OF THE ROARING 20'S Transports Adelaide to the Era of Prohibition

June 19, 2014

In a white dinner jacket and striped waistcoat, toting a violin case Mark Nadler sets the mood for his new show Runnin' Wild - Songs and Scandals of the Roaring 20's with his own arrangement of Cole Porter's Lets Misbehave, and Lets Do It and Harrington Gibbs, Joel Grey and Leo Wood's Runnin' Wild a

BWW Reviews: ADELAIDE CABARET FRINGE FESTIVAL 2014: DIRTY THIRTY Megan Doherty Continues Her Journey of Discovery

June 7, 2014

Adelaide local Megan Doherty brings her next instalment of her personal growth to the stage with her new show DIRTY THIRTY.

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