Alana Valentine's new play THE SUGAR HOUSE delves into Sydney's forgotten past with a powerful story of the pain and perseverance of three generations whose history is grounded in Pyrmont's history.
Brooke Robinson's new Australian play GOOD COOK.
In celebration of what would have been the year of Leonard Bernstein's 100th birthday, Sydney Symphony Orchestra (SSO) pays tribute to the acclaimed American composer, conductor, author lecturer and pianist with a concert of THE BERNSTEIN SONGBOOK, A MUSICAL THEATRE CELEBRATION.
The Australian Brandenburg Orchestra's (ABO) latest concert, THE HARPIST, pairs the wonderful orchestra with the amazing talents of the acclaimed harpist Xavier de Maistre.
In a world more cognisant of inequality when it comes to gender, Alice Birch's REVOLT.
The unusual, and completely imagined, life of Carmen Frida Leon Davidovich comes to life in the delightfully absurd CARMEN LIVE OR DEAD.
Presented with honesty and openness and a liberal dose of humour, Priscilla Jackman's new play STILL POINT TURNING: THE CATHERINE MCGREGOR STORY shares the intriguing story of the famous Australian transgender woman's life and journey to finding who she truly is.
The classic comic love story proves timeless as The Australian Ballet's THE MERRY WIDOW returns to the Sydney stage 43 years after it debuted in Melbourne in 1975.
New Theatre's latest offering is the absurdly hilarious, if not entirely for the faint hearted, THE LIEUTENANT OF INISHMORE.
With the backdrop of a clinical study, THE EFFECT contemplates the relationship between medicine, manipulation and mental health.
Eliza Sanders (Performer and Co-Artistic Director of House Of Sand) and Violette Ayad posed a few questions to each other ahead of the opening of REVOLT.
Combining the force of some fabulous comic actors, SAMI IN PARADISE presents an absurd piece that utilises humour to address the humanitarian issues that are occurring around the world.
Nicholas Buc (Conductor) leads the Sydney Symphony Orchestra (SSO) and Sydney Philharmonia Choirs for a live performance of John Williams' score whilst HARRY POTTER AND THE RPISONER OF AZKABAN plays out on screen for a breathtaking experience.
Mary Anne Butler's THE SOUND OF WAITING contrasts the humanity of a multitude of migrant stories with the inhumanity of systems and structures set to stop their progress.
Directed by Gareth Boylan, the audience is transported back to the Victorian age of explorer clubs and scientific lectures in Frank Gauntlett's adaptation of H.
Monkey Baa Theatre Company's latest adaptation of Jackie French's (writer) and Bruce Whatley (illustrations) fabulous native animal stories JOSEPHINE WANTS TO DANCE is heart-warming and hilarious as it teaches young audiences to never give up on their hopes and dreams.
Accountability and responsibility for past actions plays out in a rollercoaster of emotions and complex conundrums in Lucy Kirkwood's THE CHILDREN.
Identity and society's expectation of what we should be sharing is explored in Michele Lee's new semi-autobiographical play GOING DOWN.
Dreams and destinies derail in Lachlan Philpott's SILENT DISCO as growing up in a society of broken marriages, drugs and delinquency play out.
The ongoing cycle of corruptible power and politics plays out in Kip Williams' (Director) modern retelling of Bertolt Brecht's parable play, THE RESISTIBLE RISE OF ARTURO UI.
