Jade Kops - Page 38

Dylan Thomas' beautifully poetic and imaginative radio play come stage production UNDER MILK WOOD delights as an escape from the weight of the outside world.

Evan Placey's CONSENSUAL asks the audience to ponder questions plaguing students and educators around the world in a world where teachers are forced to distance themselves from their students for fear of being misconstrued.

Taking the audience into 'typical' homes, THE LADEN TABLE explores the "dinner table racism" that exists in homes across Sydney in an effort to break down barriers and show how alike we really are, regardless of race and religion.

With more space to work with, the expansion to the Wharf 1 stage has not diminished any of Lee Lewis' vision or Paula Arundell, Airlie Dodds and Shari Sebbens intense performance in THE BLEEDING TREE

Nick Enright's play BLACKROCK, is given a contemporary treatment with a terrifying realism and shocking reminder that society hasn't changed.

Virginia Gay is completely captivating in a compelling performance of CALAMITY JANE.

Two seemingly disparate worlds collide as a Shakespeare combines with ComicCon in an endeavor to engage a younger audience.

In a world where numerous societies are questioning their leaders' ability to represent them with humanity and compassion, Lucy Kirkwood's CHIMERICA shines a spotlight on one of the defining images of protest and courage of the 20th Century.

Richard Rodgers and Oscar Hammerstein II's comic, poignant romance, THE KING AND I, is the latest musical presented by Rockdale Musical Society.

In a country still waiting for its leaders to support Marriage Equality, IN DIFFERENCE is Craig Bary's way of expressing the fact that regardless of the gender of the pair, love is a universal feeling.

eter Evans (Director) re-imagines Shakespeare's RICHARD 3 with Kate Mulvany presenting a deliciously evil expression of the vile, murderous, manipulative King.

First performed in 1986, based in 1968, this 2017 interpretation of Michael Gow's snapshot of Australiana, AWAY is kept relevant and fresh under Matthew Lutton's direction for Sydney Theatre Company and Malthouse Theatre.

Maryam Master's adaptation of David Walliams' popular children's book MR STINK returns to the Sydney stage under Jonathan Biggins' direction.

HANDEL'S MESSIAH, one of the most iconic Baroque works is finally given the Australian Brandenburg Orchestra's exquisitely emotive and expressive treatment under the baton of Artistic Director and Conductor Paul Dyer.

David Hare's biographical drama about the events preceding famous playwright, novelist and poet Oscar Wilde's conviction and imprisonment for gross indecency and his subsequent life in exile plays out in THE JUDAS KISS.

The secrets of an unusual person unfold in THE TROUBLE WITH HARRY as the imagined account of the very real Harry Crawford comes to life a century later.

Under the Anthony Skuse's direction, Bathsheba Doran's THE MYSTERY OF LOVE & SEX explores the lives of 4 individuals as they discover what it means to be loved, be in love, belong and be honest to themselves, and to those around them.

In its third year, THE LYSICRATES PRIZE, supporting the creation of new Australian plays, was awarded, by audience vote, to Melissa Bubnic for GHOSTING THE PARTY.

Canadian circus troupe Cirque Alfonse returns to Australia, bringing their Hipster circus BARBU, filled with hirsute men to Sydney Opera House to delight audiences.