Presented just days after Melbourne’s latest lockdown lifted, Queenie van de Zandt’s CHOOSE YOUR OWN ADVENTURE – ONLINE EDITION was the perfect night in for people wanting to reconnect with live performance but still a little hesitant to venture outside.
Bess Wohl’s domestic comedy GRAND HORIZONS seeks to show the need to see our family members as more than the domestic relationship but rather real complete people.
COME FROM AWAY, the warm welcoming hug of hope and the best of humanity has finally arrived in Sydney to the delight of audiences that have been waiting for this incredible piece of theatre based in truth to arrive after a pandemic induced delay.
ONCE, A love story you must experience.
Highlighting the precariousness of entitlement and shifting social status Eamon Flack’s (Director) adaptation of THE CHERRY ORCHARD proves that Anton Chekhov’s work retains a relevance in the 21st century as the mighty families can fall and those that once served may end up in charge.
THE LINDEN SOLUTION shines a shocking spotlight on the dangers of complacency as extreme right-wing ideals bubble dangerously beneath the surface of society and history threatens to repeat itself.
The visually captivating Parisian production of THE LITTLE PRINCE blends contemporary dance with circus elements and modern technology to bring the 76 year old work to a new generation.
I WANT TO KNOW WHAT LOVE IS shares the personal stories gathered from over 800 anonymous submissions in a powerful piece of verbatim theatre.
The ugly truth behind the faux ‘modern woke man’ is laid bare as ULSTER AMERICAN strips back the veneer with hilarious and horrific consequences.
Returning for and Encore season, Carissa Licciardello and Tom Wright’s adaptation of A ROOM OF ONE’S OWN reinforces how much gender inequality and its effect on opportunities for women remain almost a century after Virginia Woolf addressed the Newnham Arts Society at Newnham College and the ODTT
Director Kate Champion presents a crisp expression of HONOUR, Joanna Murray-Smith’s study of the breakdown of a relationship based on the seductive nature of a power and influence imbalance.
Captivating, heartwarming and heartbreaking, Jeanine Tesori (Music) and Lisa Kron’s (Book and Lyrics) adaptation of Alison Bechdel’s graphic memoir FUN HOME has finally opened in Sydney after a pandemic induced delay
Wendy Beckett’s (Writer and director) CLAUDEL exposes the challenges Camille Claudel faced when choosing to pursue a life as female artist in 19th Century Paris.
Directors Kenneth Moraleda and Nicole Pignon bring Julie Koh (Librettist) and Paul Smith’s (Composer) new Australian satirical comic chamber opera CHOP CHEF to the stage.
Multi award winning Australian opera singer Jacqui (Jacqueline) Dark returns to the Cabaret stage with JACQUI DARK IS ALIVE AND WELL AND LIVING IN NEWTOWN.
THE REMOVALISTS, one of Williamson’s revolutionary works, is back at the New Theatre with gusto, guts and gravitas.
Capitalizing on the popularity of reconnecting with vintage aesthetics, Laura Wade’s (playwright) HOME, I’M DARLING considers the danger of delving too far into the retro fantasy and trying to recreate a 1950’s life in the 21st century.
Presenting both an insight into both the creative process behind adapting a play and the strength and frailty of human relationships, THE TWINS puts real life on stage as co- writers, Greg Fleet and Ian Darling are also the performers, portraying themselves.
Almost 60 years after the premiere of EXIT THE KING, Eugène Ionesco’s absurd tale of a self-centered belligerent King who refused to listen to his Queen as his kingdom crumbled retains a significance in the 21st century.
Multi-award-winning journalist Sally Sara uses her experience as an ABC Foreign Correspondent returning from years reporting from war zones as an inspiration for her first foray into writing for theatre with the powerful new work STOP GIRL.
