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Ilana Lucas

Ilana Lucas is an English professor at Toronto’s Centennial College. She holds a BA in English and Theatre from Princeton University, and an MFA in Dramaturgy and Script Development from Columbia University, where she learned countless fascinating theatre stories as lead archivist for the estate of Tony winners Phyllis Newman and Adolph Green. She is Vice President of the Canadian Theatre Critics’ Association. 

Before BroadwayWorld, she worked as Brit+Co’s weekly books columnist, and as a Senior Writer for Mooney on Theatre. In her spare time, she is a freelance dramaturg and playwright, sings in Toronto's Amadeus Choir, and plays nerd-rock handbells with Pavlov's Dogs Handbell ensemble. Her most recent play, “Let’s Talk,” won the 2019 Toronto Fringe Festival’s 24-Hour Playwriting Contest. 

She believes that theatre has a unique ability to foster connection, empathy, and joy, and has a deep love of the playfulness of the written word. 

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Review: WITHROW PARK at Tarragon Theatre

Review: WITHROW PARK at Tarragon Theatre

December 10, 2023

In WITHROW PARK, Morris Panych’s new play at Tarragon Theatre, we see a view into a neighbourhood a little less than 7 kilometres away from where we sit.

Review: PROPHECY FOG at Coal Mine Theatre

Review: PROPHECY FOG at Coal Mine Theatre

December 1, 2023

Jani Lauzon’s autobiographical one-act PROPHECY FOG at Coal Mine Theatre encourages its guests to be receptive vessels, to find comfort in sharing an experience around a circle, engaging in the journey together, and sitting amongst the star stuff of which we’re made.

Review: THE LEHMAN TRILOGY at Canadian Stage

Review: THE LEHMAN TRILOGY at Canadian Stage

November 18, 2023

In Canadian Stage’s production of Italian playwright Stephano Massini’s The Lehman Trilogy, three powerhouse performances, a surprising and meaningful staging, and a sweeping story outweigh the curious neutrality of the script to create a vital, must-see show with high stock value.

Review: CHAOS MENU: DISORDER UP! at Second City

Review: CHAOS MENU: DISORDER UP! at Second City

November 17, 2023

Chaos reigns in Second City’s new sketch offering, CHAOS MENU: DISORDER UP! That’s not surprising; the best types of sketch comedy are, by their nature, somewhat chaotic.

Review: BAD ROADS at Streetcar Crowsnest

Review: BAD ROADS at Streetcar Crowsnest

November 13, 2023

It's a fascinating, disturbing work with a powerhouse cast, literally unsettling: never completely relaxing into a style or structure, it stretches deep into the monstrous before snapping back to remind us that the high and low road often originate from the same place.

Review: ROCKING HORSE WINNER at Streetcar Crowsnest

Review: ROCKING HORSE WINNER at Streetcar Crowsnest

November 5, 2023

Tapestry Opera’s production of Gareth Williams and Anna Chatterton’s ROCKING HORSE WINNER uses a son’s desperate attempts to provide for his mother’s desire for wealth as a cautionary tale about the perils of a hunger that is never satisfied.

Review: APPROPRIATE at Coal Mine Theatre

Review: APPROPRIATE at Coal Mine Theatre

October 22, 2023

If you call to book a ticket to Coal Mine’s brilliant production of Branden Jacobs-Jenkins’ APPROPRIATE, you might stumble over the pronunciation.

Feature: NÄSS at Harbourfront Centre

Feature: NÄSS at Harbourfront Centre

October 19, 2023

This year’s Harbourfront’s TORQUE dance series opens October 26-28 with Fouad Boussouf’s NÄSS (Arabic for “people”), inspired by his childhood in Morocco and revolutionary Moroccan musicians Nass el Ghiwane.

Review: TOPDOG/UNDERDOG at Canadian Stage

Review: TOPDOG/UNDERDOG at Canadian Stage

October 4, 2023

By focusing on the slower, more structured rounds of boxing over the fast-paced hustle of a card sharp, M’Carthy’s production invites us to watch the hands when we really should be watching the eyes.

Review: WORK.TXT at The Theatre Centre

Review: WORK.TXT at The Theatre Centre

September 28, 2023

From its initial roll call of types of audience members, Ellis’ thought experiment becomes a sort of interactive poem that comes both to satirize work and to praise it, a funny sort of feel-good cooperative enterprise that is surprising and delightful.




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