Review: THE CHINESE LADY at Streetcar Crowsnest
Watching THE CHINESE LADY, you get the distinct impression that you are, in fact, trapped in a box, as much an exhibit to the woman watching your gaze as she is to you.
Ilana Lucas - Page 9
Review: PAINT ME THIS HOUSE OF LOVE At Tarragon Theatre
Though her style may not be for everyone, Woolley is clearly a talent to watch, displaying a range of abilities in her twisty, complex script.
Review: TRUE CRIME at Streetcar Crowsnest
The show’s thematic identity crisis notwithstanding, Campbell’s return to the stage is cause for celebration.
Review: SKYLINE'S THE LIMIT At Second City Mainstage
The comedy complex at the bottom of a soaring condo tower has declared that this SKYLINE’S THE LIMIT, and in its new revue directed by Kirsten Rasmussen, it’s as satisfying as a Leafs playoff series win in overtime.
Review: CONVERGENT DIVERGENCY at Winchester Street Theatre
It’s hard to imagine two paired dance shows more different than helix by Atri Nundy and GIVE ME ONE by Danah Rosales, the double bill that makes up Toronto Dance Theatre’s CONVERGENT DIVERGENCY, now playing at the Winchester Street Theatre.
Review: PRODIGAL at Streetcar Crowsnest
What did our critic think of PRODIGAL at Streetcar Crowsnest? PRODIGAL, written and directed by The Howland Company's Paolo Santalucia and now playing at Crow's Theatre, takes place entirely in the kitchen of the wealthy Clark family over a weekend where the past comes home to roost.
Review: REDBONE COONHOUND at Tarragon Theatre
What did our critic think of REDBONE COONHOUND at Tarragon Theatre? That's the hotly debated question in Amy Lee Lavoie and Omari Newton's new play at Tarragon Theatre, co-produced with Montreal's Imago Theatre.
Review: ARE WE NOT DRAWN ONWARD TO NEW ERA at Bluma Appel Theatre
What did our critic think of ARE WE NOT DRAWN ONWARD TO NEW ERA at Bluma Appel Theatre? The symbolism is pretty clear: if a single red apple hangs tantalizingly from a lone onstage tree next to a sleeping woman, the fruit will be plucked, innocence will be lost, and Eve and Adam will have to leave t
Review: THE MAGIC OF ASSEMBLY at Winchester Street Theatre
THE MAGIC OF ASSEMBLY, a vibrant dance show, thrives on making invisible threads visible.
Review: MARTYR at Aki Studio
Marius von Mayenburg’s MARTYR tells the story of a radicalized Christian teenager and his crusade of extremism that damages everyone around him.
Review: MIRIAM'S WORLD at Theatre Passe Muraille
Inspired by Martha Baillie’s novel The Incident Report, multi-media artist Naomi Jaye has brought MIRIAM’S WORLD to Passe Muraille.
Review: LITTLE DICKENS at Canadian Stage
Ronnie Burkett's LITTLE DICKENS, a partially-improvised puppet homage to A Christmas Carol set in the bawdy and naughty world of show business, is a metatheatrical, in-joke-filled wonderland that pulls all the right strings.
Review: OUR PLACE at Theatre Passe Muraille
In Kanika Ambrose’s OUR PLACE at Theatre Passe Muraille, Andrea (Virgilia Griffith) and Niesha (Sophia Walker), immigrants without papers, dream of better lives for themselves and their children back home.
Review: POST-DEMOCRACY at Tarragon Theatre
Moscovitch’s POST-DEMOCRACY, a new, tight one-hour drama at Tarragon Theatre, bares the seedy, nepotistic underbelly of the glistening penthouse.
Interview: Karen Kaeja, Allen Kaeja, and Bruce Barton of 31: TOUCHX and I AM THE CHILD OF at Harbourfront Centre
Renowned Toronto dance company Kaeja d’Dance, winner of the 2019 Dance Ontario Lifetime Achievement Award, brings the premiere of two new works to Harbourfront Centre from November 11-13.
Review: DOUBT at Church Of The Holy Trinity
John Patrick Shanley’s Pulitzer Prize-winning Doubt claims that doubt may be as enduring a force as certainty.
Review: HUMAN MEASURE at Canadian Stage
In Human Measure, artist Cassils’ first piece of contemporary dance choreographed by Jasmine Albuquerque, trans and nonbinary bodies are highlighted.
Review: PUBLIC ENEMY at Canadian Stage
Canadian Stage’s PUBLIC ENEMY is a modern dining-room drama where opinions are loudly aired and ignored.
Review: COCKROACH at Tarragon Theatre
We regularly use “cockroach” as dehumanizing language for the Other in an attempt to justify their oppression or extermination.
Interview: Ilter Ibrahimof of FALL FOR DANCE NORTH
Fall for Dance North (FFDN) returns for its eighth year from September 17-October 8th.
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