Herbert Paine - Page 3

In an age of displacement, inherited trauma, and cultural fragmentation, two short films –WEAVING and SPRING BREEZE, TAIWAN – directed by Taiwanese American filmmaker Hsuan Yu Pan, offer deeply resonant reflections on how art can restore identity, rebuild community, and help us remember who we are. Both films remind us that home is not always a place on a map. Sometimes, it is an act of making. Of remembering. Of returning – thread by thread, note by note – to ourselves.

For all its clashing parts, like an overstuffed jewelry box where diamonds, pearls, and plastic trinkets jangle together, MOULIN ROUGE! THE MUSICAL’s visuals are hard to resist, and that’s what most audiences will respond to. It sparkles wonderfully even when it confuses.

Deeply moving and riveting, TETHER offers a rare cinematic glimpse into a kind of moral injury: not simply mourning the dead, but confronting the unbearable weight of surviving them.

Whether it’s a bold reimagining of a Broadway classic, a world premiere, or a spotlight on local talent, here are the shows I’m most excited about for Summer 2025—and why you should mark your calendars now.

In Arizona Broadway Theatre’s production of CINDERELLA, audiences of all ages will find the magic they came for…and in that space, a story once deemed simple becomes something richer.

Lea Pascal's THE GREATEST JOY is a short film with a long emotional echo. It’s also a timely statement that there is—and must be—a place for telling women’s stories about their bodies.

MS. HOLMES & MS. WATSON – APT. 2B delivers bold feminist comedy with manic energy and clever gags, but its chaotic pacing and shallow mystery leave the story more frantic than fulfilling.

Theatre Artists Studio's perennial showcase of original 10-minute plays presents an impressive range of voices and tones, from sharply comic to deeply affecting. This year’s lineup leans toward intimate, character-driven encounters, anchored by the kind of unvarnished human truths only live theater can deliver.

Fairy tales have always promised us that once the dragon is slain and the prince is kissed, the story ends in blissful finality. But Into The Woods, now playing at The Phoenix Theatre Company’s Hormel Theatre until July 13, dares to ask, what if that happy ending is only the beginning?

Despite earnest efforts and glimpses of talent, this production of Shelagh Stephenson's THE MEMORY OF WATER failed to honor the quiet depth of the playwright's work.

Despite some flaws, this LITTLE SHOP, directed by Ron May, is a wild, weird, dark ride.

FORBIDDEN BROADWAY: THE NEXT GENERATION isn’t just a parody—it’s a full-on roast of the Great White Way, served up hot and fast with a piano and four performers who can belt, mug, and mimic with razor precision. 

Arizona Theatre Company has staged a heartfelt and finely wrought production—a love story that resists sentimentality and embraces sincerity. BOB & JEAN may not sweep you off your feet, but it will wrap its arms around you and whisper a reminder of what it means to hold on.

Order Chaos Theatre Company’s production of Beth Henley's CRIMES OF THE HEART is earnest in its attempt to capture the play’s bruised heart and tangled humor. However, ultimately, it’s a production that, like its characters, yearns for something more — and, at times, almost gets there.

ART is a must-see—not just because it’s brilliant, but because it might just make you rethink every argument you’ve ever had about taste.

See The Black Theatre Troupe's staging of LADY DAY, not just for the music, not just for the history, but to witness a piece of theater that doesn’t just tell a story—it makes you feel every note of it.