In this guest-authored feature, Emily Joy Weiner, Co-Founder and Artistic Director of Houses on the Moon theater company gives a behind the scenes look into the company's development process.
You know that warm, fuzzy feeling you get when you go for a drink with a mate and you decide to open up about something.
What separates the greatest grime MC of all time from the people who have held the position of Prime Minister of the United Kingdom? This is a question that has rumbled in my brain from the moment of inception of the idea that has grown into GrimeBoy.
Associate Movement Director and Swing Raffaella Covino shares her experiences of A MONSTER CALLS, now playing at Rose Theatre Kingston
My collaborator Robert Hudson and I first got interested in writing a musical about the Treaty of Versailles about five years ago.
I knew there was something to say about today with Stevenson's novella Jekyll and Hyde about good and evil and the darkness in all of us.
John Rwothomach has based his play FAR GONE on his real childhood experience of nearly being kidnapped by a guerrilla group in Uganda.
Paul Bradshaw and I have been friends for years, and to collaborate with him again is an honour.
In mid-lockdown and after the tragic death of George Floyd, writer Ryan Calais Cameron came to me with a clear and simple question - are people born racist? This started a wide-reaching, knotty and brilliant conversation with young people across the country.
Two Billion Beats is a coming-of-age story about two sisters, Asha and Bettina, who come together every day after school and discuss, celebrate, argue and lament about their lives.
It often comes as a surprise to people that A Fight Against… (Una Lucha Contra…) is a world premiere, not only in English, but in any language, including Spanish.
All around the UK, theatres put on accessible performances for their audience and there’s often different types of access schemes on offer.
Here we are, at the Royal Albert Hall, performing Sunset Boulevard.
As our Recovery Season at the Orange Tree Theatre continues, it’s worthwhile considering what exactly we are recovering.
Set in a northern pocket of New Jersey in a world before social media usurped dog as man’s best friend, Jersey Boys can be summed up in one word: Famiglia.
Open relationships have provided great material for increasing numbers of LGBTQ+ writers over the last few years.
At Sadler’s Wells we have an ambitious mission: ‘make and share dance that inspires us all.
I’m writing this from the back of the MAST studios in Southampton, where we’re currently in technical rehearsals for Fantastically Great Women Who Changed The World.
I don’t know why I’m starting this article with an admission that I had never really been ‘that into Shakespeare’.
