At a time when far-right movements are undergoing a resurgence across Europe and beyond- even with the possibility of a future US president governing from a prison cell, it feels timely to be directing Farewell Mr Haffmann by Jean-Phillipe-Daguerre; a play about the persecution of Jews in Nazi occup
What did our critic think of SUITE SURRENDER at Florentine Players? SUITE SURRENDER, written by Michael McKeever and produced by the Florentine Players in arrangement with Playscripts, Inc.
We’ve just completed week four of rehearsals for Kathy and Stella Solve a Murder! Or should I say re-rehearsals - as the show already had a run at last year’s Edinburgh Fringe.
El Teatre Gaudí de Barcelona se convirtió esta semana en sala de debate.
The first time I met my castmates in Annie Get Your Gun, we were a mere 24 hours away from our very first performance.
Theatre is a magical place where we can expect, perhaps even demand, to be taken on a journey, to evoke myriad emotions within us.
Are professional performance and community participation two separate strands of work or should they seamlessly intertwine within an artistic project, a programme and an organisation? Should funding structures be separated out into professional and community work? Should they be equal priorities for
My play The Empress first premiered at the Royal Shakespeare Company (RSC),Swan Theatre a decade ago in 2013 under the Artistic Directorship of Michael Boyd.
Picture this: the enchanting Regent's Park Open Air Theatre in London, where the summer breeze carries the whispers of pure theatrical enchantment.
When Roald Dahl’s story of Charlie and the Chocolate Factory first came out it must have blown people’s minds – this man, this character, Willy Wonka.
My journey with The Flying Dutchman has been almost as long as his.
As I enter the rehearsal room for the read through of Tambo & Bones, I can’t help but wonder what the backlash might be.
If I had to choose one word to describe the role of artistic director of a pub theatre, the adjective that immediately springs to mind is: varied!
Writing Our Last First was never going to be easy.
Evita på Aarhus Teater står skarpere end nogensinde før
The idea for Imrie, my first full-length play, first came from a dream about two sisters and a sea creature.
In this guest-authored feature, Emily Joy Weiner, Co-Founder and Artistic Director of Houses on the Moon theater company gives a behind the scenes look into the company's development process.
You know that warm, fuzzy feeling you get when you go for a drink with a mate and you decide to open up about something.
What separates the greatest grime MC of all time from the people who have held the position of Prime Minister of the United Kingdom? This is a question that has rumbled in my brain from the moment of inception of the idea that has grown into GrimeBoy.
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