Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85.
April 1, 2022
An odd couple find themselves holed up in an Alaskan whiteout with plenty of issues to work through
March 31, 2022
Mojo and Mickybo are growing up in a city tearing itself apart
March 25, 2022
Nicholas Hytner can't quite sustain the verve of the first half of a play that says as much about the 21st century as it does the last
March 24, 2022
Loud and lively, Wildcard's wild Tempest is musical, manic and occasionally magical in a hit-and-miss adaptation
March 23, 2022
A new satirical comedy that just might remind you of a company just a click away from here
March 19, 2022
Laughs and learnings from an accomplished, if somewhat lopsided, dramedy
March 17, 2022
A unique approach to storytelling proves triumphant in a deeply moving production that demands our attention and repays it handsomely.
March 9, 2022
An imbalance between thematic exposition and dramatic tension means that a promising play fails to reach its full potential
March 2, 2022
An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings
February 25, 2022
A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.
February 23, 2022
Toby joins Kathryn Hunter and Marcello Magni in Omar Elerian's free, and funny, adaptation of the classic example of the Theatre of the Absurd
February 23, 2022
Tyrell Williams' debut full length play heralds a much-needed new voice, full of wit and pathos
February 21, 2022
The extraordinary life of self-described fashion freak, Jean-Paul Gaultier, is recreated in an extravaganza of music, fashion and showmanship for a limited summer season in his beloved London.
February 18, 2022
Improvisation team revive the spirit of Whose Line Is It Anyway? with plenty of charm but not quite enough laughs
February 11, 2022
Kathryn Hunter shines in this updated version of a classic exemplar of the Theatre of the Absurd
February 9, 2022
I did not have the time of my life at Dirty Dancing at the Dominion Theatre
February 3, 2022
Comedy and magic show with scope to explore its format more fully
February 3, 2022
Another revival of a beautifully realised crowdpleaser that works perfectly in the difficult days of February 2022.
February 1, 2022
Derek Jarman, a seminal figure in British culture, is given a 21st century voice in this one-man show
January 29, 2022
Ambitious new play that examines the iniquitous effect of nostalgia requires greater clarity in its storytelling
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