Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85.
November 21, 2022
John Hill's play touches on a range of interesting themes, but its narrative meanders and its tension falls away
November 17, 2022
Brimming with ideas, Richard Harris's play never forgets that its first obligation is to entertain
November 12, 2022
One of Shakespeare's most political plays is on the nose for our times, but this production doesn't quite have the courage of its aesthetic convictions
November 11, 2022
Devastating production showcases outstanding writing, directing and acting to create a production that will live long in the memory
November 10, 2022
Relationships are forged and fractured in the emotional fires of lockdown
November 8, 2022
A play from an award-winning Spanish playwright that captures our life and times in the UK with a domestic dilemma that raises big questions for the next generation
October 28, 2022
David J Blair's new play has punch and relevance but may need expanding to fulfil its potential
October 26, 2022
A show full of good songs, fine singing and engaging characters doesn't quite live up to the sum of its parts
October 22, 2022
Heartfelt condemnation of treatment of undocumented immigrants let down by structural issues and predictable plotting
October 21, 2022
A new West End theatre launches with a show that is heartwarming but unnecessarily irritating in its structure and style
October 19, 2022
Triumphant re-imagining of the film that, incredibly, manages to add edge and poignancy to its extraordinary source material
October 16, 2022
Tremendous fun from a comedy that is set in the world of theatre but will find echoes in most workplaces
October 14, 2022
If the show lacks a little in power having been pared back, many more people will have a chance to enjoy a super show
October 14, 2022
Landmark show that has something for everyone
October 13, 2022
Nina Segal's new play is hamstrung by an old set up.
October 12, 2022
Ivy Tiller is a good kid, but life has dealt her a rough hand and, when it gets rougher still, what will she do?
October 7, 2022
Football opera land perfectly between the Women's Euros and the Men's World Cup finding plenty of common ground to delight fans of both art forms
October 6, 2022
Laudable sentiment but something of a missed dramatic opportunity in this play about an Afghan family's journey from Herat to Cardiff and the love they found there
October 5, 2022
Dmitry, a new play, is described as 'After Schiller', but, in its dissection of the ruthless manipulation of a young man aiming for the Tsardom of Russia, one finds parallels more recent blockbusters.
October 4, 2022
1960s Williams' play that cannot capture the magic of his work in the previous two decades
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