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Gary Naylor - Page 31

Gary Naylor

Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd  https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85. 

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BWW Review: TOSCA, Royal Opera House

BWW Review: TOSCA, Royal Opera House

May 28, 2019

Gorgeous and gruesome, this revival of Jonathan Kent's production fills the Royal Opera House with emotion and passion - and a warning of what chaos can ensue in a failing state.

BWW Review: ANDREA CHENIER, Royal Opera House

BWW Review: ANDREA CHENIER, Royal Opera House

May 21, 2019

Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends into madness.

BWW Review: THE PROVOKED WIFE, Swan Theatre

BWW Review: THE PROVOKED WIFE, Swan Theatre

May 10, 2019

The Provoked Wife combines tremendous comedy with a hard-edged look at human nature and the institutions that underpin society - as relevant today as when it was written over 300 years ago.

BWW Review: AMOUR, Charing Cross Theatre

BWW Review: AMOUR, Charing Cross Theatre

May 8, 2019

Amour is a delightful fable that bathes you in the warmth of Legrand;s music and Sams' lyrics, brilliantly realised by a hardworking cast under the sure direction of Hannah Chissick.

BWW Review: EMPTY ROOM, Camden People's Theatre

BWW Review: EMPTY ROOM, Camden People's Theatre

April 30, 2019

Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effect.




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