BWW Review: ONCE, Ashcroft Playhouse Fairfield Halls
Once shows all its crowdpleasing credentials in this new touring production with a tremendous cast doing full justice to its score and carrying a somewhat corny plot to a standing ovation curtain.
Gary Naylor - Page 28
Latest Articles
BWW Review: TOM BROWN'S SCHOOL DAYS, Union Theatre
The Union Theatre's Essential Classics season kicks off with Phil Willmott's updating of a classic with much to say about England in 2020.
BWW Review: LA TRAVIATA, Royal Opera House
Richard Eyre's production gets yet another run out 25 years on, but it's so beautiful and brilliantly sung, no further justification is required.
2019 Year in Review: Gary Naylor's Best of Theatre
BWW Reviewer Gary Naylor picks his 2019 highlights
BWW Review: CINDERELLA, Fairfield Halls
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The Ocean at the End of the Lane offers a spectacular theatrical experience, but may leave some viewers cold with its whimsy and unwillingness to explore human relationships in depth.
BWW Review: WHISTLE DOWN THE WIND, Union Theatre
Sasha Regan revisits her 2015 production of the 1996 musical to deliver a splendid show for Christmas, with a relevance and harder edge that was missing a little four long years ago.
BWW Review: OTELLO , Royal Opera House
Two years on, Otello is revived in all its austere majesty, albeit a majesty that can be demanding to watch across a three hours running time.
BWW Review: RAVENS: SPASSKY VS FISCHER, Hampstead Theatre
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BWW Review: UNCLE VANYA, Old Red Lion Theatre
This production pares back Chekhov's original text and foregrounds key themes with just a hint that Vanya even has something to say about the key political issue of the day.
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Scrooge, the ghosts and a very Tiny Tim just an arm's length away in a fine adaptation of Dickens' timeless tale.
BWW Review: HUNGER, Arcola Theatre
Hunger, adapted from controversial Norwegian, Knut Hamsun's, early career novel, brings us a man alienated from an uncaring world - as much a fixture on the fringes of our city some 130 years since the book was published.
BWW Review: DEATH IN VENICE, Royal Opera House
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Kwami Odoom talks about his life as an actor and about his role in Hunger, at the Arcola Theatre until 21 November.
BWW Review: LA CLIQUE, Leicester Square Spiegeltent
La Clique is a fast-paced spectacle that astonishes and entertains in equal measure, making for a good night out on the town.
BWW Review: MUCH ADO ABOUT NOTHING, Wilton's Music Hall
Shakespeare at the Tobacco Factory have a lot of fun with their London transfer of Shakespeare's battle of the sexes, but not every decision pays off and they need to be more sympathetic to the unique pros and cons of this remarkable venue.
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BWW Review: THE MAGIC FLUTE, Royal Opera House
A big Harry Potterish serpent, a Salad Daysy enchanted glockenspiel, a Scooby-Dooish birdman, a pre-Ford Chitty Chitty Bang Bang and enough underground conspiracies to keep the most fervent follower of QAnon frothing at the mouth - what's not to like?
BroadwayWorld UK Awards 2019: Gary Naylor's Recommendations
UK Theatre in 2019 was like a box of choccies made by Mr Wonka - a delightful set of surprises, with just a hint of menace to keep you on your toes.
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