BWW Review: MISS SAIGON, Birmingham Hippodrome
The colossal touring production of Miss Saigon takes up residency at Birmingham Hippodrome for an extended run as the theatre's annual summer musical.
Emma Cann
BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Birmingham Hippodrome
It's hard to find something to say about the National's The Curious Incident of the Dog in the Night-Time that hasn't been repeatedly mentioned already.
BWW Review: THE ADDAMS FAMILY, Birmingham Hippodrome
With a burst of passionate tango and an iconic 'click click', everyone's favourite kooky family has taken up residence at the Birmingham Hippodrome this week, the latest tour venue hosting the UK premiere of The Addams Family musical.
LA STRADA, Birmingham Rep
Fellini's La Strada is an exploration of post-war Italy; a time before industrial boom made Italy a desirable, fashionable destination, when rural swathes of the country were still run on a 'peasant economy'.
DREAMBOATS AND PETTICOATS, New Alexandra Theatre
The heady teenage world of the 1950s, with its bobby socks, flouncy skirts and drainpipe jeans, is brought to life in Dreamboats & Petticoats at the New Alexandra Theatre.
BWW Review: ANTHONY AND CLEOPATRA, Royal Shakespeare Theatre
Condensing the political and military strife of ten years into a tightly concentrated 3 hours, Shakespeare's Anthony and Cleopatra is a beguiling, overwhelming mixture of tragedy, history, comedy and romance.
BWW Review: ONE LOVE, Birmingham Repertory Theatre
Birmingham Repertory Theatre presents the world premiere production of One Love: The Bob Marley Musical.
BWW Review: SHIRLEY VALENTINE, New Alexandra Theatre
Known for his strong female characters, from Educating Rita to Mrs Johnstone in Blood Brothers, Willy Russell's Shirley Valentine stands head and shoulders above his other work as an in depth exploration of what it was really like to be a woman in the 1980s.
BWW Review: SNOW IN MIDSUMMER, Royal Shakespeare Company
Snow in Midsummer is a modern retelling of an ancient Chinese drama, which marks the start of an ambitious cultural project translating Eastern classics into English, and Shakespeare into Chinese.
BWW Review: THOROUGHLY MODERN MILLIE, New Alexandra Theatre
It's 1922, and young Millie Dillmount arrives in New York from a small town in Kansas, ready to take control of her destiny and make her fortune by marrying well.
BWW Review: THE RED SHOES, Birmingham Hippodrome
Based on the 1948 film of the same name, starring Moira Shearer, Matthew Bourne's production of The Red Shoes tells the story of ballerina Victoria Page and her tragic struggle between love and duty.
BWW Review: WHAT'S IN A NAME, Birmingham Rep
Set in a trendy warehouse flat in Peckham, What's In A Name follows the ups and downs of a friendly dinner party.
BWW Review: THE SNOWMAN, Birmingham Rep
Although Christmas may be over, the last of decorations swept away and life returning to normality, Birmingham holds onto the festive spirit for a little while longer.
BWW Review: GASLIGHT, New Alexandra Theatre
The New Alexandra's 2017 season kicks off with Gaslight by Patrick Hamilton.
BWW Interview: Hamish Scott, Bronze Medallist at the GENEE INTERNATIONAL BALLET COMPETITION
Following the recent Royal Academy of Dance's Genee International Ballet Competition, Emma Cann catches up with young British dancer Hamish Scott, who was awarded a bronze medal at the hotly contested final in Sydney.
BWW Review: DICK WHITTINGTON, Birmingham Hippodrome
If there is one sure sign that Christmas has truly arrived, it's the inescapable onslaught of the pantomime season.
BWW Review: CHICAGO, New Alexandra Theatre
In a welcome break from the usual steady stream of pantomimes and children's productions, the New Alexandra Theatre takes a trip back to the Roaring Twenties this Christmas with Chicago.
BWW Review: TREASURE ISLAND, Birmingham Rep, 29 November 2016
Originally commissioned by the National Theatre two years ago, Bryony Lavery's adaptation of Treasure Island swings into the Birmingham Rep for a lengthy Christmas run.
BWW Review: THE TEMPEST, Royal Shakespeare Theatre, 21 November 2016
Whilst Simon Russell Beale's return to the Royal Shakespeare Company after a twenty year long absence has been met with justified excitement, the most hotly anticipated aspect of Gregory Doran's new production of The Tempest is the innovative use of digital technology.
BWW Review: PATTERN RECOGNITION, Dance Xchange, 3 NOVEMBER 2016
Former Birmingham Royal Ballet and Rambert dancer Alexander Whitley continues an ongoing investigation into relationship between dance and modern technology with Pattern Recognition, seen at Dance Xchange in Birmingham.
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