Ellen Dostal - Page 4

Taking its cue from Orson Welles' 1937 Mercury Theatre production of JULIUS CAESAR, Independent Shakespeare Co. exercises its exceptional ability to adapt one of Shakespeare's massive works for an intimate indoor setting without giving up any of the play's scope or impact. 

Remember the joy of being a kid and spending hours upon hours acting out stories using whatever you could find? When two sticks stood in for a swordfight to save the day or a towel became the mantle of a king? That's what it feels like watching PigPen Theatre Co. in THE OLD MAN AND THE OLD MOON at The Wallis. 

Without a doubt, Andrew Lloyd Webber's hit musical CATS is of an era. Based on one of Lloyd Webber's favorite books as a child, T. S. Eliot's Old Possum's Book of Practical Cats, it was a perfect vehicle for the tastes of theatre lovers in the eighties, the decade of excess. The large-scale production, which opened on Broadway in 1982, was a highly theatrical concept featuring an elaborate light show, impressive dance numbers, and an intoxicating score, exactly what the public had come to expect from the composer of JESUS CHRIST SUPERSTAR and EVITA.

Never has the relationship between Iago and Roderigo in Shakespeare's OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. With an outwardly nonchalant Michael Manuel as the revenge seeking villain, and Jeremy Rabb, an actor who knows comedy like the back of his hand, as his unsuspecting lackey, the situational humor in Shakespeare's tragedy comes front and center. That's right, humor.

How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled every inch of it. I still remember how the sheer volume of the choral numbers gave me chills.

The need for human connection runs deep in WITNESS UGANDA, a musical by Griffin Matthews and Matt Gould based on Matthews' real-life experiences in Uganda. At its center is the idea that we are all part of a global family - one world, one heart - connected by an invisible thread that never lets go.

What would Christmas in LA be without the Troubies? A lot less funny. Happily, artistic director, writer, and head jokester Matt "Mashup" Walker and his coterie of clowns aren't about to let anyone down. Not only are they back with their seventeenth annual holiday show, they're proving just how smart they really are when it comes to delivering a performance that has its finger on the pulse of what's happening now.

The countdown to Christmas begins and ends with an all-out love blitz this year in For the Record's latest world premiere, LOVE ACTUALLY LIVE, a hybrid entertainment that blends scenes from Richard Curtis' 2003 film Love Actually with live performances of the movie's soundtrack. Co-produced by the Wallis Annenberg Center for the Performing Arts, it is a celebration of love in all its messy, complicated, wonderful glory in a Las Vegas-style vision designed to impress.

How does a busy soprano balance career, family, motherhood, and art? If that soprano is Julie Makerov, it's all about scheduling and planning ahead of time. Makerov, who will be appearing as one of four soloists with LA's Verdi Chorus this weekend at First United Methodist Church in Santa Monica, says that's the key to managing all of her commitments.

New work is the lifeblood of the theatre and it is also the sole focus of LA-based SkyPilot Theatre Company. Going one step further, SkyPilot's niche is 'producing only original plays, created by LA playwrights,' which they have done consistently since 2010.

On Sunday, October 27th, Theatre West presented a beautiful new addition to the urban art landscape in Los Angeles with the unveiling of local artist Levi Ponce's latest mural featuring Judy Garland. Painted in full color and pictured with the Emerald City behind her, the portrait immortalizes one of the most beloved singers of all time in her signature role - Dorothy Gale from the classic 1939 MGM musical, THE WIZARD OF OZ.

One of the things theatre does extremely well is create something out of nothing. That's pretty much the key to Stephen Mallatratt's adaptation of Susan Hill's gothic ghost story THE WOMAN IN BLACK, which ushers in the Halloween season at Pasadena Playhouse.

For eight of the last ten years, Wicked Lit has created theatre among the dead - quite literally - at Mountain View Mausoleum in Altadena. Three stories adapted from classic literature have been the norm most recently, with a fourth story functioning as a framing device to connect the pieces and bring a sense of camaraderie to the crowd. The result is an exceedingly entertaining evening of indoor-outdoor theatre in one of the spookiest venues in Southern California.

They say a picture paints a thousand words. In director Michael Michetti's compelling stage adaptation of Oscar Wilde's A PICTURE OF DORIAN GRAY, it does more than that. It captures a lifetime.

Ammunition Theatre Company ventures into the wacky world of fractured fairy tales for its latest production, FAIRY TALE THEATRE 18 & OVER: THE MUSICAL. Written and narrated by Michael J. Feldman, with original songs by Jason Currie, the show consists of four sketch comedy skits performed in 90 minutes, no intermission, by a group of energetic actors with mostly stand-up and television backgrounds.

How much rage would a person need to feel to kill two people with 29 whacks of an axe? The short answer is, a lot. That's the number Andrew Borden and his second wife Abby actually sustained in 1892 - not the 81 immortalized in this haunting nursery rhyme.

When writer/director Stan Lai has an idea for a new play, people take notice. He is the most celebrated Chinese language playwright and director in the world and his body of work - which to date includes 35 original plays - has redefined how we think about the art form itself. With such well-known works as Secret Love in Peach Blossom Land, his epic, eight-hour A Dream Like a Dream, and That Evening, We Performed Crosstalk, he has continued to study the human condition with great thoughtfulness while inspiring countless theatremakers around the world to reach beyond the familiar.

Somewhere between its opening of SWEET CHARITY in late June and the end of July, Reprise 2.0 postponed its second scheduled production of its inaugural season, VICTOR/VICTORIA. In its place, the company has mounted a revival of Kander & Ebb's musical revue, THE WORLD GOES 'ROUND, and, while it isn't a rarely revived book musical, which has always been Reprise's focus in the past, it does contain a score derived from some of the best songs in the classic Kander & Ebb catalogue (think CHICAGO and CABARET).

TITUS ANDRONICUS is one of Shakespeare's bloodiest tragedies. Characters are stabbed, beheaded, mutilated, raped, baked in a pie, and one is even buried up to his neck and left to die. At first glance it may not sound like an obvious choice for families who attend the Griffith Park Free Shakespeare Festival, and it definitely isn't one for 'the youngest audience members' as the website says. But the play's extreme violence does present a unique opportunity for parents to talk to their teens about revenge and the futility of starting down its destructive path.

Can eating a pie be a religious experience? It can if it was made by Jenna, the diner waitress in the Broadway musical WAITRESS, who turns ordinary ingredients like butter, sugar, and flour into mouthwatering slices of life in a pie tin.