Twenty -six musical numbers (including two welcome encores) shine like mega-watt voltage in the dynamic musical story of family woes, domestic abuse and racism that are all overcome in tribute to the resiliency of the human spirit of survival in Tina: The Tina Turner Musical now playing at the Natio
The fine playwright Heidi Schreck has written an impassioned play about the many undercurrents and issues that percolate throughout the United States Constitution in the stimulating and invigorating production What the Constitution Means to Me.
The solo show Out of Character (now being produced as a joint production between Theater J and the Mosaic Theater) introduces us to the talented Tony award -winning actor and vocalist Ari’el Stachel (Broadway’s The Band’s Visit) ---Mr.
Actor and creator Patrick Page held the audience in the palm of his hand and took the audience (at the Klein Theatre of the Shakespeare Theatre Company) through a veritable “rogues’ gallery” of villains and devious- minded characters from the Shakespearean canon-- including murderers, the reve
The “beautiful noise” of music is what you hear --if you will only let the noise of the street hustle, people yelling and shouting, and personal traumas behind.
Malevolence, greed, the thirst for power and the never-ending quest for revenge dominate the Washington National Opera production of composer Giuseppe Verdi’s Macbeth.
Shenanigans and Sondheim are a great combination in Signature Theatre’s production of the beloved musical farce A Funny Thing Happened on the Way to the Forum.
An obvious labor of love by all concerned, actor and writer John Leguizamo’s The Other Americans is an extremely well-written and highly ambitious play that delineates the tragedy of a man’s fatal flaws ripping apart his family at the seams.
The Washington National Opera’s production of Beethoven’s Fidelio is a triumph of elegant, efficient style and directorial finesse.
A veneer of unabashed professionalism, musical prowess, and often amusing self-reflection enveloped the Broadways star Norm Lewis (The Phantom of the Opera, Les Misérables, etc.
Nigerian ancestry, and American ideals clash, merge, and play off each other in Sojourners by playwright Mfoniso Udofia -this deeply moving play is part of the epic nine-play Ufot Cycle which follows a Nigerian American family through many cycles of life and generations.
Themes of identity, bonding, loss, self-realization and especially death permeate the numerous layers of Brandon Jacobs-Jenkins’ thought-provoking play The Comeuppance.
The celebrated and now-iconic jazz vocalist and legend Billie Holiday is portrayed as a tormented “just holding on” survivor in playwright Lanie Robertson’s play Lady Day at Emerson’s Bar and Grill.
The myriad music, moods, and motifs of the “king of pop” (not to mention generic mastery of soul, rhythm and blues, funk, rock, disco, and dance-pop) Michael Jackson, are electrifyingly on display in the ingeniously cutting -edge musical MJ: The Musical now playing at the National Theatre.
Steeped in a European existential sensibility, with healthy doses of theatre of the absurd, and an eerie ambience, --performance artist Julia Masli alternately entrances and provokes the audience with her finely honed comedic skills in the deliciously interactive production entitled ha ha ha ha ha h
The complications of culture, career and conscience cut through fierce nationalistic pride in the heart and mind of the complex and committed Nobel -Prize winner Fritz Haber in the variegated one-person performance of David Kaye in The Haber Conundrum.
Funny Girl is a solidly entertaining vehicle for a high-profile performance by Katerina McCrimmon as beloved vaudeville performer Fanny Brice.
Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion” metaphor ---that pl
The triple -threat talent of the charismatic performer Patti LuPone was on full display at the Kennedy Center Concert Hall on Friday evening---and, oh! What a night it was! A capacity crowd of what was obviously a devoted (and almost fanatical fan base) tuned out to see a glorious two hours of songs
The visionary eye of Choreographer Alonzo King creates such complex choreographic movement from his gifted ensemble of twelve contemporary ballet dancers, that you will miss a tantalizing moment if you avert your eyes for even a nano-second.
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