BWW Review: BINAURAL DINNER DATE, Rich Mix
ZU-UK finds a new home for their inventive Binaural Dinner Date.
Cindy Marcolina - Page 47
BWW Review: WARPED, VAULT Festival
Aaron and Matty worship Ronnie and Reggie Kray, the criminals who meddled with celebrities and had East London under their thumb in the 60s.
BWW Review: DIGGING DEEP, VAULT Festival
Presented by Just Add Milk as part of Let's Talk @ VAULT Festival - a collaboration with Guy's and St Thomas' NHS Foundation Trust to start a conversation about death and grief - Digging Deep sees 22-year-old Mossy (Kyle Rowe) fundraising his own funeral.
BWW Review: TACENDA, VAULT Festival
RedBellyBlack Theatre are back at VAULT Festival with a new piece of devised theatre, Tacenda.
BWW Review: THE LADY FROM THE SEA, The Print Room
The Print Room at The Coronet is hosting a slick and melancholic bilingual revival of Henrik Ibsen's The Lady From The Sea produced by the venue in their first collaboration with The Norwegian Ibsen Company.
Feature: On The Intersection Between Theatre and Technology
The fine print on ZU-UK's latest project, Binaural Dinner Date says 'Warning: do not come if you are fundamentally opposed to falling in love'.
BWW Review: BUTTERFLIES, VAULT Festival
Flat 4 Theatre make their debut as a company with Butterflies, a quite jarring account of the relationship between Generation Z and technology.
BWW Review: TOBACCO ROAD, VAULT Festival
It's the Roaring Twenties in London.
BWW Review: AGNES COLANDER: AN ATTEMPT AT LIFE, Jermyn Street Theatre
Jermyn Street Theatre open the celebrations for their 25th anniversary with a world premiere aged 120.
BWW Review: CALL ME FURY, VAULT Festival
After winning People's Choice Award in last year's edition of the VAULT Festival, Out Of The Forest Theatre are back with Call Me Fury to tell the stories of unjustly condemned women throughout the centuries.
BWW Review: BOTTLED, VAULT Festival
BBC Writers Room's Hayley Wareham and Flux Theatre present bottled, a jarring original play about domestic abuse.
BWW Review: INFINITY, VAULT Festival
Nessa Matthews compares the struggles of mental health to an astronaut floating in space.
BWW Review: THE GOOD LANDLORD, VAULT Festival
A wonderful flat in Central London.
BWW Review: ASHES, VAULT Festival
Shaun Amos explores the relationship with his deceased father in Ashes, a confused piece of dark comedy that doesn't reach the desired objective.
BWW Review: GET RREEL, VAULT Festival
After years of world-wide success, girlband Get RREEL are breaking up.
BWW Review: SEXY LAMP, VAULT Festival
Following her award-winning Bicycles and Fish, Katie Arnstein is back at VAULT Festival with Sexy Lamp, an honest and straightforward account of her beginnings as an actress and a cutting analysis of the flaws and sexism of the business.
BWW Review: GREYSCALE, VAULT Festival
Anonymous Is A Woman strikes again with a disquieting site-specific show about consent and its withdrawal.
BWW Review: SUPERHOE, Royal Court
Superhoe marks Nicole Lecky's debut at the Royal Court Theatre in the venue's first collaboration with Talawa Theatre Company.
BWW Review: VIOLET, VAULT Festival
Bertie is living a hectic life in London.
BWW Review: RINGMASTER, VAULT Festival
Part of VAULT Festival and performed at the Network Theatre, Ringmaster is introduced as being vaguely based on La Ronde.
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