BWW Review: INTRA MUROS, Park Theatre
Richard, a theatre director who's seen better days, is asked to teach a drama class in a maximum security prison in Norwich.
Cindy Marcolina - Page 49
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Operation Black Antler marked Blast Theory and Hydrocracker's sell-out venture at the Brighton Festival last year.
BWW Review: LITTLE MISS SUNSHINE, Arcola Theatre
Back in 2006 a small road-trip film about a dysfunctional family, the Hoovers - who set off on a trek to a children's beauty pageant was released to audiences in the US.
BWW Review: MAGGIE MAY, Finborough Theatre
Liverpool, 1960s.
BWW Review: THE PHLEBOTOMIST, Hampstead Theatre
When Bea meets Aaron, she thinks she's found the one.
BWW Review: GRIEF IS THE THING WITH FEATHERS, Barbican
Enda Walsh and Cillian Murphy team up again after a streak of collaborations started with Disco Pigs that saw them working together on award-winning and career-defining productions throughout the years.
BWW Review: MARY'S BABIES, Jermyn Street Theatre
Mary Barton founded one of the first fertility clinics.
BWW Review: THE RUBENSTEIN KISS, Southwark Playhouse
In June 1953 after a brutal trial lasted over two years, Ethel and Julius Rosenberg were executed for allegedly providing the Soviet Union with nuclear weapon designs, espionage, and conspiracy.
BWW Review: ANNA X, VAULT Festival
Anna (Rosie Sheehy) is a Russian art lover who dreams of being the curator of her own gallery.
BWW Review: LUCY LIGHT, VAULT Festival
Lucy and Jess have just finished their GCSEs.
BWW Review: LET'S SUMMON DEMONS, VAULT Festival
In a derelict house built on the path walked by the dead in the middle of nowhere in Wales, a coven of witches comes together.
BWW Review: 10, VAULT Festival
Playwright Lizzie Milton unearths ten stories previously buried deep inside white history and delivers them with forward storytelling and a no-holds-barred attitude.
BWW Review: BETRAYAL, Harold Pinter Theatre
When Betrayal first premiered in 1978 it was received rather coldly by critics and audiences alike, who were perhaps expecting Pinter to deal with more significant themes instead of focusing on his own adulterous escapades.
BWW Review: THE TWILIGHT ZONE, Ambassadors Theatre
Before Black Mirror, there was The Twilight Zone.
BWW Review: THROWN, VAULT Festival
Thrown sees a child psychologist attempt to record her own childhood experiences and traumas in order to try to make sense of her past and who she has become.
BWW Review: FEED, VAULT Festival
Presented by physical theatre company Theatre Temoin, Feed takes a look at a world of algorithms, click-bait, targeted ads, and fake news.
BWW Review: PUFFERFISH, VAULT Festival
Pufferfish marks Nick Bruckman's debut as a playwright.
BWW Review: THE CHURCH OF THE STURDY VIRGIN, VAULT Festival
A closed casket arrives at the Leake Street Graffiti Tunnel.
BWW Review: MEDEA, Barbican
Euripides most famous and ruthless female character comes to life again at the hand of director Simon Stone and International Theatre Amsterdam after an award-winning run in the Dutch capital in 2014.
BWW Review: MY BROTHER'S KEEPER?, The Playground Theatre
In a shabby NHS ward, Mr Stone (Andy de la Tour) is turning food down and slowly dying after a stroke.
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