BWW Review: TUMULUS, Soho Theatre
The corpse of a young man is found dead on the Tumulus on Hampstead Heath.
Cindy Marcolina - Page 45
BWW Review: SITTING, Arcola Theatre
Two women and a man are called into the same studio at different times to have their portrait taken by John, an aging artist.
BWW Review: THE CLINIC, Southwark Playhouse
Southwark Playhouse Young Company premieres Papatango award-winning playwright James Rushbrooke's new play, The Clinic.
BWW Review: TOAST, The Other Palace
The pretense begins as the audience walks into the auditorium.
BWW Review: ROOMS, Barbican Centre
The Barbican Centre's Silk Street Theatre has been transformed to host Enda Walsh's third piece in his programme.
BWW Review: DON'T YOU DARE!, Tristan Bates Theatre
The Actors Centre and Voila! Theatre are currently hosting A Piece of the Continent at the Tristan Bates Theatre, a small three-week festival to celebrate European talent.
BWW Review: THRILL ME: THE LEOPOLD & LOEB STORY, The Hope Theatre
The crimes perpetrated by Nathan Leopold and Richard Loeb in 1920s-Chicago have gone on to become interwoven in popular culture and have generated a multitude of films, plays, and fiction.
BWW Review: INTRA MUROS, Park Theatre
Richard, a theatre director who's seen better days, is asked to teach a drama class in a maximum security prison in Norwich.
BWW Review: OPERATION BLACK ANTLER, Southbank Centre
Operation Black Antler marked Blast Theory and Hydrocracker's sell-out venture at the Brighton Festival last year.
BWW Review: LITTLE MISS SUNSHINE, Arcola Theatre
Back in 2006 a small road-trip film about a dysfunctional family, the Hoovers - who set off on a trek to a children's beauty pageant was released to audiences in the US.
BWW Review: MAGGIE MAY, Finborough Theatre
Liverpool, 1960s.
BWW Review: THE PHLEBOTOMIST, Hampstead Theatre
When Bea meets Aaron, she thinks she's found the one.
BWW Review: GRIEF IS THE THING WITH FEATHERS, Barbican
Enda Walsh and Cillian Murphy team up again after a streak of collaborations started with Disco Pigs that saw them working together on award-winning and career-defining productions throughout the years.
BWW Review: MARY'S BABIES, Jermyn Street Theatre
Mary Barton founded one of the first fertility clinics.
BWW Review: THE RUBENSTEIN KISS, Southwark Playhouse
In June 1953 after a brutal trial lasted over two years, Ethel and Julius Rosenberg were executed for allegedly providing the Soviet Union with nuclear weapon designs, espionage, and conspiracy.
BWW Review: ANNA X, VAULT Festival
Anna (Rosie Sheehy) is a Russian art lover who dreams of being the curator of her own gallery.
BWW Review: LUCY LIGHT, VAULT Festival
Lucy and Jess have just finished their GCSEs.
BWW Review: LET'S SUMMON DEMONS, VAULT Festival
In a derelict house built on the path walked by the dead in the middle of nowhere in Wales, a coven of witches comes together.
BWW Review: 10, VAULT Festival
Playwright Lizzie Milton unearths ten stories previously buried deep inside white history and delivers them with forward storytelling and a no-holds-barred attitude.
BWW Review: BETRAYAL, Harold Pinter Theatre
When Betrayal first premiered in 1978 it was received rather coldly by critics and audiences alike, who were perhaps expecting Pinter to deal with more significant themes instead of focusing on his own adulterous escapades.
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