Chris has been active in the local theatre scene for over 30 years and reviewing local theatre for over 11. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.
When an audience gives a group of performers a standing ovation before they've even played a single note you know you're in for a very special evening.
If you've seen director Robert Aldrich's 1968 film version of THE KILLING OF SISTER GEORGE you're probably going to be greatly surprised when you see the actual play it was based on (written by Frank Marcus).
I think that nearly every review of the MUNY's extraordinary production of BUDDY - THE BUDDY HOLLY STORY will probably make mention of Don McLean's song 'American Pie', which is lyrically centered around the tragic plane crash that claimed the lives of three of music's rising stars one very cold da
I remember as a kid always getting the movie HOLIDAYINN confused with the movie White Christmas, usually because they played them back to back, and of course, both feature the tuneful music of Irving Berlin, as well as a splendid performance by Bing Crosby.
The MUNY continues its season with an exuberant and colorful staging of HAIRSPRAY, the musical based on filmmaker and author John Waters' most accessible, and mainstream, movie.
Originally adapted from John Gay's "The Beggar's Opera" with a writing collective Bertolt Brecht had formed, THE THREEPENNY OPERA, with Brecht's lyrics brought to life by Kurt Weill's inspired musical compositions, is a dark look at the underworld, oozing with depravity, and filled with a sense of d
There's just something about a circus that brings out the kid in all of us, and when you take along a youngster to enjoy the show, the sense of wonder and excitement that they radiate is simply contagious.
I think I bring this up every time I write about an opera, but it's just so funny to me that most of my early exposure to the medium came through films that I saw on TV when I was kid.
Could there be a better way for The New Jewish Theatre to end their "Chai" season than with a sparkling production of MY MOTHER'S LESBIAN JEWISH WICCAN WEDDING, which celebrates the choices we make as individuals in the way we choose to lead our lives? I think not.
Parents often ask me where they can find 'family-friendly' shows to see, and judging by the small audience in attendance at the Edison Theatre for the Black Rep's terrific production of ONCE ON THIS ISLAND (by the award-winning duo of Lynn Ahrens and Stephen Flaherty), they're unaware of the wonderf