Chris has been active in the local theatre scene for over 30 years and reviewing local theatre for over 11. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.
In the director's notes for Upstream Theater's recent production of THE RIME OF THE ANCIENT MARINER, Patrick Siler mentions the fact that he was first exposed to Samuel Taylor Coleridge's work when he was around ten years of age.
If you're looking at the program for THE MYSTERY OF EDWIN DROOD, see the name Rupert Holmes (book, music, and lyrics) and are instantly reminded of the fact he wrote and sang the number one hit 'Escape (The Pina Colada Song'), you'll probably be a bit surprised at the production that you're about to
Although a handful of playwrights have used elements from Anton Chekhov's canon of classics (such as Neil Simon's The Good Doctor), I can't think of any other writer who's displayed such ingenuity in incorporating bits and pieces from his work the way that Christopher Durang has in his play VANYA AN
Playwright Laurie Brooks examines the events that led to the infamous Salem Witch Trials from a different perspective with her intriguing and thought-provoking work, AFFLICTED Daughters of Salem.
If you're looking for thoughtful entertainment that's suitable for children and adults then you should definitely check out the COCA Theatre Company's current production of THE LITTLE PRINCE based on the classic book by Antoine de Saint Exupery (music by Rick Cummins with book and lyrics by John Sco
While it is certainly a fact that on December 4, 1956, Sun Records was host to an incredible gathering of talent (Elvis Presley, Carl Perkins, Johnny Cash and Jerry Lee Lewis), a listen to the actual recordings made that day were more along the lines of favorite folk and gospel numbers that the four
Most people are familiar with WHO'S AFRAID OF VIRGINIA WOOLF?, undoubtedly playwright Edward Albee's masterpiece, from the film that starred Richard Burton and Elizabeth Taylor (released in 1966).