Bobby Patrick - Page 12

Truthfully, Bobby does not know what Errico & Stritch got paid for these SWING LESSONS, but whatever it was, it was not enough!

THAT SUNDAY, THAT SUMMER is well worth the price and so we give T. Oliver Reid our highest compliment when we tell you to BUY A TICKET next time he plays

Pimentel was giggly, pretty, and fun, and then WHAMMO - that voice. Mauricio was handsome, charming, funny & serious, and then WHAMMO as well.

SONGBOOK SUNDAYS will return in September with its tribute to Duke Ellington and, my little loves, take this hint from your Auntie Mayhem - don’t miss it.

One of the best shows of the season, MAKE THEM HEAR YOU leaves a lasting impression.

Monday night’s installment of JAMIE deROY & FRIENDS at Birdland raised the roof and brought the house down with her guests Ben Jones, Daisy Jopling, Robert Klein, Lianne Marie Dobbs, and Grammy-winning songwriter Julie Gold. Check out the photos!

ARI’S ARIAS is a show that has been tailored to fit AA like a fine silk tuxedo that he then has the courage to drape on casually for comfort's sake - bow tie untied, cumberbund loosened jacket slung over the shoulder.

In all, our final event for pride was a perfect evening that reminded one that Walt Whitman was a super gay voice in a time you might think would not have allowed his candor, but that saw him hailed as America’s poet.

Debbie Wileman transcended the arts of impression, imitation or recreation and elevated it all to an illusion so complete and full that it brought tears and cheers and all of them well deserved.

Thursday night’s near-capacity house got a musical experience to remember forever from the lady and THE MARILYN MAYE TRIO - Ted Furth, Tom Hubbard, & Mark Mclean. 

The one reason to have seen OSO FABULOSO AND THE BEAR BACKS was and will remain C. Julian Jiménez, and while that might be a very good reason, given his talent, we hope our next experience of this Beary gifted performer will have more heft.

Directed by the incomparable Lina Koutrakos, Stone began with a medley combining works by Coleman, Schmidt, Leosser, and Sondheim, and mixing them in her bright, pointed tone that automatically gives a level of dramatic tension to the work.

The music heard on Monday night in the Birdland Theater was of the highest caliber, sung and played by Forde and his instrumental cohorts in ways that were such real jazz magic making this young man one to watch for, as we predict a bright, BRIGHT future is headed his way.

It Was Sandy, And Doody, And Rizzo, And Marty Too!

Well, my lambs, it has to be gay heaven and I must be dead if a drag queen named MargOH! Channing brings her Boozy Chanteusey act to Pangea - and on a Saturday night no less.

While the talent line-up for the show was incredible people with fabulous voices, Scott could very well have performed his show singing all by himself and it would have been a fine night of cabaret.

There are those performers who are so proficient that they continually must live up to their own standard while always raising their personal bar. Then there are those who are born to perform.

Led by Ry Armstrong, they and their friends come together to gender-bend and recreate songs from Broadway and beyond through arrangements never heard before, in a non-binary celebration of live.

On a whim, this statuesque trans-warrior goddess decided to concoct a show all about MARY. Mary who? We hear you ask, well just about ANY Mary that would sit still long enough for Bond to grab the song with their name in it, or one that was written by someone named Mary, or by a composer from the lady’s home state of MARYland - who knows really...

In one of the best group shows of all time, Michael Lavine and Robert W. Schneider turn 54 Below into a glamorous history lesson celebrating Broadway.