From the intersection of politics and school plays to the evolving landscape of Broadway, we explore the trends and developments that are shaping the industry.
It isn’t just the organizations - as cities and regions struggle with keeping their mass transit organizations afloat, this puts a further strain on theatre groups whose audiences and artists often rely on these methods of transportation to get to and from the theatre - as the San Francisco Chroni
While the writers continue to strike, and the actors have until this evening to vote on a strike authorization, at least one of the major Hollywood unions appears poised to avoid a strike - the Directors Guild, who shared many of the same concerns as the WGA membership, have secured an agreement wit
In this edition, we delve into the passionate efforts of America's playwrights to save the Tony Awards, the rebound of orchestras with growing audience numbers.
The nominations for the 12th Annual Off Broadway Alliance Awards are announced, recognizing outstanding productions such as 'FAT HAM,' 'TITANIQUE,' and 'MERRILY WE ROLL ALONG.
This week, we take a look at recovery across the creative sector in an article from TRG Arts, Dance Magazine looks at how the dance industry has changed, and a new labor agreement between the Actors Union in the UK and producers highlights some of the major shifts in the industry across the globe.
The Theatre Communications Group (TCG) has selected Chicago, IL as the location for its 2024 National Conference, which will be hosted by the League of Chicago Theatres.
SHUCKED, a musical that debuted in Utah, has raised questions about the use of non-profit venues for regional tryouts, which allow producers to develop shows with less media attention and at lower costs.
Governmental funding shifts continue around the globe as governments reveal their latest budget proposals - often with some form of a decrease of support for the creative economy as these countries wind down the support they offered at the height of the pandemic.
While the UK grapples with unruly audiences (not an issue unique to the West End by any means), one critic makes the case that the way we are discussing unruly audiences doesn’t have the best interest of the art form in mind - that it gives it a sense of snobbishness that doesn’t invite more aud
The growing threat of antisemitism in our culture spilled onto Broadway last week as a group of neo-Nazi’s protested outside preview performances of Parade.