This week, we take a look at recovery across the creative sector in an article from TRG Arts, Dance Magazine looks at how the dance industry has changed, and a new labor agreement between the Actors Union in the UK and producers highlights some of the major shifts in the industry across the globe.
The Theatre Communications Group (TCG) has selected Chicago, IL as the location for its 2024 National Conference, which will be hosted by the League of Chicago Theatres.
MFA programs in performing arts face challenges in adapting.
The Performing Artist Tax Parity Act reintroduced provides tax relief for artists.
Actors' Equity Association and the Broadway League have come to an agreement on touring contracts.
SHUCKED, a musical that debuted in Utah, has raised questions about the use of non-profit venues for regional tryouts, which allow producers to develop shows with less media attention and at lower costs.
AEA forms PAC to support members.
Governmental funding shifts continue around the globe as governments reveal their latest budget proposals - often with some form of a decrease of support for the creative economy as these countries wind down the support they offered at the height of the pandemic.
While the UK grapples with unruly audiences (not an issue unique to the West End by any means), one critic makes the case that the way we are discussing unruly audiences doesn’t have the best interest of the art form in mind - that it gives it a sense of snobbishness that doesn’t invite more aud
Dance news, lawsuits, and J.
A24 is entering the live theatre realm - the revered production and distribution company has acquired the Cherry Lane Theater.
The growing threat of antisemitism in our culture spilled onto Broadway last week as a group of neo-Nazi’s protested outside preview performances of Parade.
Earlier this month, the Box Office of the Philadelphia Orchestra and the Kimmel Center became tied up in a cyber attack - not unlike the attack that tied up the Met’s box office for weeks - offering everyone a reminder that cyber security vulnerabilities should be examined by institutions of all s
Recent reporting from the UK has many, anecdotally at least, convinced that post-pandemic shutdown audiences are significantly worse behaved than they were before the pandemic.
In both the US and the UK government funding decisions have shifted the way that many companies are able to go about their business - in England, the massive shift in Arts Council England funding has left many major stages looking to fill huge gaps in their books.
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