
Adi Ajzenstadt
Theatre Journalist Adi Ajzenstadt has written 93 articles for BroadwayWorld since 2026, covering Ireland Theatre.
Adi Ajzenstadt is a Dublin-based professional and theatre enthusiast who brings a unique "insider" perspective to the arts world. By day, Adi serves as a senior leader at Salesforce, where she fosters talent and helps businesses secure and develop their digital investments to drive growth. Based in Dublin since 2020, she balances her tech career with a lifelong commitment to live performance, often attending three or more productions a week.
Adi’s connection to the stage began backstage at the Israeli Opera and evolved into a specialized professional role in international musical theatre. She has worked on major global tours for productions such as Matilda, Chicago, We Will Rock You, Rocky Horror Picture Show, Porgy and Bess, Guys and Dolls, and Mamma Mia, specifically managing the translation and operation of Hebrew surtitles. This technical background, which included watching The Phantom of the Opera 32 times consecutively, gives her a granular appreciation for pacing, translation, and production precision.
A dedicated "theatre traveler," Adi attended 126 shows in 2025 and about 180 shows in 2026 across Ireland, the UK, Europe, and Asia. Her insightful engagement with the community - including a recent viral reaction to Prima Facie at the Gaiety Theatre that was featured by the production's official social media - highlights her ability to bridge the gap between industry professional and passionate advocate. Adi is thrilled to bring her global perspective and professional expertise to the BroadwayWorld community.
About Adi Ajzenstadt
- First Show
- Hairspray
- Favorite Show
- I don't choose favourites!
Most Popular Articles


WEXFORD OPERA FESTIVAL 2026: Review: THE FIRST FESTIVAL, O’Reilly Theatre, National Opera House
October 19, 2026

DUBLIN 2026: Review: THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING IN CONCERT, 3Arena
October 13, 2026

DUBLIN 2026: Review: ANIMALS, Abbey Theatre
October 8, 2026

Review: CARMEN, Grand Opera House
September 13, 2026

DUBLIN THEATRE FESTIVAL 2026: Review: MEREDITH, Gate Theatre
September 30, 2026
Latest Articles

CORK 2026: Interview: BRIAN FENTON On The Everyman, Cork's Cultural Identity
November 14, 2026
Brian Fenton, Executive Director and Joint CEO of Cork's 130-year-old Everyman Theatre, opens up about the venue's 'people's palace' ethos, balancing local storytelling with national ambition, and welcoming Enda Walsh back to direct Disco Pigs 30 years after its premiere.

Feature: GATE THEATRE 2027 SEASON at Gate Theatre, Dublin
November 13, 2026
Dublin's Gate Theatre has revealed its 2027 programme, uniting world and European premieres with major revivals of Philadelphia, Here I Come!, Mrs.

DUBLIN 2026: Feature: Bord Gáis Energy Theatre Unveils 2027 Season and €500,000 Sound Upgrade
November 13, 2026
Dublin's Bord Gáis Energy Theatre has revealed seven new productions for 2027, led by Back to the Future: The Musical, Hadestown, and Operation Mincemeat, alongside a major audio overhaul.

Review: THE CHOIR OF MAN at Bord Gáis Energy Theatre
November 10, 2026
High-energy pub anthems, extraordinary sound, and guest community choirs turn a colossal Dublin stage into an intimate, tear-jerking house party.

DUBLIN THEATRE FESTIVAL 2026: Review: VISIONS, Abbey Theatre
November 9, 2026
Formidable performances from a powerhouse cast anchor Eoghan Quinn’s VISIONS on the Peacock Stage, though a fragmented structure and elusive direction keep its central themes frustratingly out of reach.

Review: CARMEN at Bord Gáis Energy Theatre, Dublin
November 8, 2026
Irish National Opera's revival of Carmen at the Bord Gáis Energy Theatre delivers outstanding vocal work and kinetic musical pacing, despite stumbles in its staging of sexual dynamics.

Review: DRACULA at The Gaiety Theatre, Dublin
November 5, 2026
Bram Stoker's iconic vampire returns home to Dublin in a production that offers punchy technical shocks but lacks visual bite and Gothic depth.

WEXFORD OPERA FESTIVAL 2026: Review: L'EQUIVOCO STRAVAGANTE, National Opera House Wexford
October 23, 2026
Rossini's rare early comedy shines with cartoonish visual humor, deadpan comedic timing, and razor-sharp coloratura at Wexford Festival Opera.

WEXFORD OPERA FESTIVAL 2026: Review: IRIS at National Opera House, Wexford
October 21, 2026
Mascagni’s atmospheric forerunner to Madama Butterfly receives a visually arresting, emotionally charged staging at Wexford Festival Opera.

WEXFORD OPERA FESTIVAL 2026: Review: THE FIRST FESTIVAL, O’Reilly Theatre, National Opera House
October 19, 2026
Colm Tóibín and Alberto Caruso deliver a sparkling, meta-humor-filled love letter to Wexford Festival Opera for its 75th anniversary.

DUBLIN 2026: Review: THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING IN CONCERT, 3Arena
October 13, 2026
Over two hundred musicians assemble at Dublin's 3Arena to bring Howard Shore's epic score to visceral life alongside Peter Jackson's fantasy masterpiece.

DUBLIN THEATRE FESTIVAL 2026: Review: TESTAMENT, The Gaiety Theatre
October 10, 2026
Irish National Opera delivers a striking, thought-provoking chamber opera that strips away centuries of myth to lay bare the quiet truth of maternal loss.

DUBLIN 2026: Review: ALL MY FRIENDS ARE IN AUSTRALIA, Mill Theatre
October 8, 2026
LEGROOM Collective's interactive two-hander captures a quintessential modern Irish dilemma, but thin characterisation and disjointed pacing keep its emotional weight out of reach.

DUBLIN 2026: Review: ANIMALS, Abbey Theatre
October 8, 2026
A surreal and beautifully acted adaptation of Blindboyboatclub's short stories at the Abbey Theatre that shines with theatrical ambition despite a taxing runtime.

DUBLIN 2026: Interview: Fíonna Hewitt-Twamley On Bringing MYRA'S STORY Home
October 4, 2026
Star Fíonna Hewitt-Twamley reflects on eight years of performing Brian Foster's acclaimed solo play, humanizing street life, and taking the stage at Dublin's Gaiety Theatre.

DUBLIN THEATRE FESTIVAL 2026: Review: LET ME IN, Smock Alley Theatre
October 4, 2026
A smartly written, tense, and painfully relevant examination of belonging, identity, and the quiet frictions beneath Irish welcome.

DUBLIN THEATRE FESTIVAL 2026: Review: A MOON FOR THE MISBEGOTTEN, Gaiety Theatre
October 4, 2026
Eileen Walsh and Marty Rea deliver towering performances in Druid's striking production of Eugene O’Neill's final play at the Dublin Theatre Festival.

DUBLIN THEATRE FESTIVAL 2026: Review: LOURDES! THE MUSICAL, Civic Theatre
October 3, 2026
An overstuffed narrative and unrefined musical score leave Xnthony's world-premiere pilgrimage musical struggling to deliver emotional resonance or consistent comedy.

DUBLIN THEATRE FESTIVAL 2026: Review: REFUGE, Pavilion Theatre
October 3, 2026
Fishamble's dual-timeline migration drama is handsome and full of noble intent, but a static staging keeps its emotional urgency at arm's length.

DUBLIN THEATRE FESTIVAL 2026: Review: MEREDITH, Gate Theatre
September 30, 2026
Erica Murray’s witty, grounded world premiere at the Gate Theatre balances laugh-out-loud humor with deeply recognizable domestic tension.
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