
Adi Ajzenstadt
Theatre Journalist Adi Ajzenstadt has written 72 articles for BroadwayWorld since 2026, covering Ireland Theatre.
Adi Ajzenstadt is a Dublin-based professional and theatre enthusiast who brings a unique "insider" perspective to the arts world. By day, Adi serves as a Senior Sales Manager for Salesforce, where she fosters talent and helps businesses secure and develop their digital investments to drive growth. Based in Dublin since 2020, she balances her tech career with a lifelong commitment to live performance, often attending three or more productions a week.
Adi’s connection to the stage began backstage at the Israeli Opera and evolved into a specialized professional role in international musical theatre. She has worked on major global tours for productions such as Matilda, Chicago, We Will Rock You, Rocky Horror Picture Show, Porgy and Bess, Guys and Dolls, and Mamma Mia, specifically managing the translation and operation of Hebrew surtitles. This technical background, which included watching The Phantom of the Opera 32 times consecutively, gives her a granular appreciation for pacing, translation, and production precision.
A dedicated "theatre traveler," Adi attended 126 shows last year across Ireland, the UK, Europe, and Asia. Her insightful engagement with the community—including a recent viral reaction to Prima Facie at the Gaiety Theatre that was featured by the production's official social media—highlights her ability to bridge the gap between industry professional and passionate advocate. Adi is thrilled to bring her global perspective and professional expertise to the BroadwayWorld community.
Most Popular Articles


Review: JUDY – END OF THE RAINBOW, The Gaiety Theatre, Dublin
September 9, 2026

DUBLIN FRINGE 2026: Review: CRISIS ACTOR, Project Arts Centre
September 8, 2026

EDINBURGH 2026: Review: STAMPTOWN, Assembly George Square Gardens
August 17, 2026

Review: CARMEN, Grand Opera House
September 13, 2026

Review: AN IDEAL HUSBAND at Gate Theatre
May 16, 2026
Latest Articles

DUBLIN THEATRE FESTIVAL 2026: Review: HEROES OF TOMORROW, Project Arts Centre
September 28, 2026
Brokentalkers and Andy Smith present a live, immersive gallery installation that resists standard theatrical classification at Dublin Theatre Festival.

DUBLIN THEATRE FESTIVAL 2026: Review: RADIO BETTE at Gaiety Theatre
September 27, 2026
The Goat Exchange turns Joseph L.

DUBLIN THEATRE FESTIVAL 2026: Review: HYSTERICALLY SHOPPING! TO SOME SORT OF END…, Samuel Beckett Theatre
September 27, 2026
A delightfully absurd, dystopian pop opera that turns supermarket convenience into a tragic, hilarious love triangle between a shopaholic, a cashier, and a self-checkout machine.

DUBLIN Theatre Festival 2026: Review: DIGNITY, Project Arts Centre
September 27, 2026
An ISL-led performance art piece filled with warmth and ensemble precision, though missing a clear story anchor.

Interview: Róise Goan of DUBLIN THEATRE FESTIVAL 2026: A WORLD OF STAGECRAFT ARRIVES IN DUBLIN at Various Venues Across Dublin
September 23, 2026
Dublin Theatre Festival Artistic Director Róise Goan breaks down the 2026 programme, from international premieres and tech worker engagement to groundbreaking accessibility initiatives.

Review: CARMEN, Grand Opera House
September 13, 2026
What did our critic think of CARMEN at Grand Opera House, Belfast?

DUBLIN FRINGE 2026: Review: MERCURIAL, Smock Alley Theatre
September 11, 2026
Rosaleen Cox and Desmond Eastwood star in an intimate, darkly comic two-hander that turns audience assumptions inside out.

DUBLIN FRINGE 2026: Review: DIVERSITY TRAINING, The Lir Academy
September 11, 2026
Neil Green’s spoof diversity seminar brings sharp laughs and timely social observation to Dublin Fringe, but functions more as three stand-up sets than a unified corporate satire.

DUBLIN FRINGE 2026: Review: GLEEK OF THE WEEK, Glass Mask Theatre
September 11, 2026
Conor Burke turns 2012 Glee obsession and teenage delusion into a warm, hilarious, and deeply personal coming-of-age musical at Dublin Fringe.

DUBLIN FRINGE 2026: Review: THE POLITICS OF DISGUST, Bewley's Café Theatre
September 9, 2026
Play Not Funny’s corporate HR satire at Bewley's Café Theatre offers a sharp thesis on exclusion, but gets lost in noise.

Review: JUDY – END OF THE RAINBOW, The Gaiety Theatre, Dublin
September 9, 2026
Anna-Jane Casey captures the brilliance, humor, and tragic vulnerability of Judy Garland in Conor Hanratty's compelling revival at The Gaiety Theatre.

DUBLIN FRINGE 2026: Review: CRISIS ACTOR, Project Arts Centre
September 8, 2026
Eoghan Carrick and Lauren Jones turn Shakespeare's mirror inside out in a gripping investigation of crisis, staging, and modern paranoia.

DUBLIN FRINGE 2026:NOT MY REAL ACCENT, Smock Alley Theatre
September 7, 2026
Sadhbh McLoughlin brings polish and sharp impressions to Smock Alley Theatre, but misses the mark on exploring its central themes of multicultural identity.

DUBLIN FRINGE 2026: Review: SOAK: THE PERFECT MAN, Project Arts Centre
September 6, 2026
Samuel Yakura and band +353 bring a heartfelt, musically rich examination of grief, first-born duty, and Nigerian fatherhood to Project Arts Centre.

DUBLIN FRINGE 2026: Review: KAFKA'S DOLL at Peacock Stage
September 5, 2026
Theatre Lovett and the Abbey Theatre present a stunningly inventive, circus-infused adaptation of Kafka’s final anecdote at Dublin Fringe.

DUBLIN FRINGE 2026: Review: A RECURRENCE at The Civic
September 5, 2026
A moving, sharply observed Dublin drama that connects women’s choices across three generations with compelling performances and real emotional weight.

Conor Hanratty On Bringing END OF THE RAINBOW and Judy Garland to Irish Stages
August 28, 2026
Director Conor Hanratty discusses shaping the Irish premiere of Peter Quilter's play, collaborating with Anna-Jane Casey, and balancing glamour with dark reality.

EDINBURGH 2026: Review: MUSE: THE SHAKESPEARE MAYHEM MUSICAL, Underbelly Cowbarn
August 22, 2026
With strong music and a charming core concept, Muse: The Shakespeare Mayhem Musical shows potential, but needs to forge its own identity beyond SIX.

EDINBURGH 2026: Review: TOMATOES TRIED TO KILL ME BUT BANJOS SAVED MY LIFE, Summerhall
August 22, 2026
What did our critic think of TOMATOES TRIED TO KILL ME BUT BANJOS SAVED MY LIFE at Summerhall?

EDINBURGH 2026: Review: I WAS NEVER HERE (THERE IS NO SPY SHOW), theSpace @ Niddry Street
August 20, 2026
An engaging, cleverly run Fringe diversion, Leo Lion's interactive spy caper lands closer to a fun escape room than a fully integrated theatrical work.
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