Review: DRIVING MISS DAISY at Barrington Stage Company
Still Delightful and Relevant
Barrington Stage Company (BSC) kicks off its 2026 season on the St. Germain Stage with DRIVING MISS DAISY by Alfred Uhry about the relationship of an elderly Southern Jewish woman, Daisy Werthan, and her African-American chauffeur, Hoke Coleburn, from 1948 to 1973. The play was the first in Uhry's Atlanta Trilogy, which deals with Jewish residents of the city in the early 20th century. The play won the 1988 Pulitzer Prize for Drama.
Photo by Roman Iwasiwka
Presented in collaboration with Palm Beach Dramaworks, the production is directed by BSC's founding and former Artistic Director Julianne Boyd and stars Debra Jo Rupp as Daisy Werthan, Ray Anthony Thomas as Hoke Coleburn, and Matthew W. Korinko as Boolie Werthan. Each of the performers is well suited for and displays a deep level of knowledge and comfort with their character. The action plays out in a series of vignettes presented over 80-minutes in one act without intermission on a handsome and functional set designed by Bert Scott. With lighting designed by David Lander, Men’s Costumes designed by Brian O’Keefe, Daisy’s Costumes Designed by Sara Jean Tosetti, Sound designed by Alexander Sovronsky, Projection Design by Tim Brown, and Production Stage Management by Renee Lutz. Cast and Crew deliver a high-quality production that is both simple and sublime; historically accurate, topically relevant; and well worth seeing.
Photo by Roman Iwasiwka
Uhry wrote his Atlanta Trilogy based on his own experience. He set his three plays in the context of major events that happened in Atlanta: PARADE, based on the 1913–1915 trial and eventual lynching of Leo Frank; THE LAST NIGHT OF BALLYHOO, following the events at the city's 1939 GONE WITH THE WIND premiere; and Driving Miss Daisy, addressing the impacts associated with the 1958 Hebrew Benevolent Congregation Temple bombing and the city’s dinner honoring Martin Luther King Jr.'s October 1964 Nobel Peace Prize.
Barrington Stage Company (BSC) Artistic Director, Alan Paul said: "When Debra Jo and Julie approached me about doing DRIVING MISS DAISY, my interest was piqued. ––––
DRIVING MISS DAISY continues on the St. Germain Stage in the Sydelle and Lee Blatt Performing Arts Center in Pittsfield through June 21. The production moves to the 62 Center for Theatre and Dance on the campus of Williams College in Williams where it will play from June 26 through July 5.
|
The Norwegians Elayne P. Bernstein Theatre (9/04-10/04) |
|
Meet the Cartozians Boston Center for the Arts (2/18-3/21) |
|
A Christmas Carol The Unicorn Theatre (12/03-12/20) |
|
BOUNCERS by John Godber The Modern Theatre (10/01-10/24) PHOTOS |
|
LOOK AT ME NOW Josephines Cabaret Club Cafe (10/11-10/11) |
|
THT Rep presents Hedwig and The Angry Inch The Hanover Theatre and Conservatory for the Performing Arts (2/03-2/21) |
|
The Barber of Seville by G. Rossini with Boston Summer Opera & Horizon Ensemble Boston Synagogue (8/23-8/23) |
|
|
The Sound of Music Boch Center Wang Theatre (11/17-11/22) |
|
Alanis Morissette's Jagged Little Pill Arlington Friends Of The Drama (9/19-10/04) |
|
Godspell Queer Theatre Company, Inc. (8/21-8/30) PHOTOS |









Reader Reviews
To post a comment, you must register and login.