Noel Coward's totally-irresistible comedy, Present Laughter, follows a self-obsessed actor (is there any other kind?) in the midst of a mid-life crisis. Freely indulging his considerable appetite for wine, women and sleeping late (not necessarily in that order), the theatre's favorite leading man suddenly finds himself caught between fawning ingenues, crazed playwrights, secret trysts and unexpected twists.
Present Laughter first premiered on Broadway at the Plymouth Theatre in 1946, following an immensely successful wartime tour starring Coward himself. One of his most produced and beloved works, Present Laughter has come to define Coward's singular comedic voice for generations of theatergoers. In addition to Coward, some of the world's most accomplished stage actors, including the likes of Albert Finney, Peter O'Toole, and Ian McKellen, have played the lead role.
With all due respect to Noel Coward's classic English comedies of the 1920s through 1940s, do they really merit being revived so regularly? Sure, they're witty, classy and charming, but also insubstantial and tame by today's standards, and not especially relevant anymore. I suspect that we run into the plays so often because they contain great roles for actors, like the kooky medium Madame Arcati in 'Blithe Spirit,' the sparring couple Amanda and Elyot in 'Private Lives' and the vain stage actor Garry Essendine in 'Present Laughter.'
The result is that laughter is only intermittently present. It feels lugubrious and weighty rather effortless. Our taste for the kind of theatrical vanity encapsulated by Essendine has long waned and it seems incongruous that his theatre career could support such a large permanent staff, including housekeeper, valet and secretary, or allow his house to look like Victoria station, with so many people coming and going.
1946 | Broadway |
Broadway |
1958 | Broadway |
Broadway |
1982 | Broadway |
Broadway |
1996 | Broadway |
Broadway |
2010 | Broadway |
Roundabout Revival Broadway |
2017 | Broadway |
Broadway Revival Production Broadway |
2019 | West End |
Old Vic Revival Production West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2017 | BroadwayWorld Awards | Best Leading Actor in a Play | Kevin Kline |
2017 | Drama Desk Awards | Outstanding Actor in a Play | Kevin Kline |
2017 | Drama Desk Awards | Outstanding Costume Design for a Play | Susan Hilferty |
2017 | Drama Desk Awards | Outstanding Wig and Hair | Josh Marquette |
2017 | Drama League Awards | Distinguished Performance Award | Kate Burton |
2017 | Drama League Awards | Distinguished Performance Award | Kevin Kline |
2017 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Present Laughter |
2017 | Outer Critics Circle Awards | Outstanding Actor in a Play | Kevin Kline |
2017 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Susan Hilferty |
2017 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Cobie Smulders |
2017 | Tony Awards | Best Costume Design of a Play | Susan Hilferty |
2017 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Kevin Kline |
2017 | Tony Awards | Best Revival of a Play | Present Laughter |
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