2013 South African Theatre Retrospectives: Comedy, Variety and Storytelling

YES REALLY ANGELThe final days of December are a wonderful time to take a look back at the theatre productions seen on stage in South Africa over the past year. The third part of this five part series focuses on stand-up comedy, variety shows and storytelling, following retrospectives looking at new South African plays and revivals of classic South African plays and South African productions of international plays. The final two articles will zoom in on musical theatre, opera and cabaret, and dance and physical theatre. All feature comments from members of South Africa's theatre community about their respective theatrical highlights of 2013.

Stand-up comedy was, as always, a huge feature of the National Arts Festival in Grahamstown this year, with many of the productions and artists that were featured there travelling around the country before or after the festival. Comics like Angel Campey and Oliver Booth emerged as names to watch, while artists like Siv Ngesi and Rob van Vuuren consolidated their considerable talents in new shows.

Campey appeared in YES REALLY, ANGEL, a show that took its starting point from her name, which in this new comedienne's own words was the perfect name to be a stripper, but otherwise really cut down other career options. Booth's show - billed as the views of a 'man-boy' from the suburbs who is trying to make sense of the world around him, but struggling to take it all too seriously - was titled BOOTH'S AND ALL.

Ngesi's new presentation, RACE CARD, was based on the bestselling book, THE RACIST'S GUIDE TO THE PEOPLE OF SOUTH AFRICA', and set out to expose all the wacky "truths" about the colourful people of the country. Van Vuuren's production, WHATWHAT! - described as stand-up comedy with a twist - stood out for actress Ella Gabriel: 'Rob's show had his sell-out audience in stitches at the National Arts Festival, after which I found myself quoting gags from his set for months.'

LOYISO GOLA LIVEOther performers who toured with stand-up shows included Emmy-nominated Loyiso Gola, with LOYISO GOLA LIVE, self-proclaimed Jewish Xhosa comedian Nik Rabinowitz, with STAND UP and political ventriloquist Conrad Koch with THE CHESTER MISSING ROADSHOW.

Variety might seem like a category of performance that holds much currency in this day and age. Of course, stand-up comedy is in itself an offshoot of variety show performances, and how else could one include some of the diverse forms of performance that pop up in South Africa from time to time? One artist in particular transcended the humble origins of variety by producing two shows that director of Fourword Productions, Oskar Brown called 'world class'. That artist is Stuart Lightbody and his two show, ILLUSIVE and STUPERSTITION, served up an astounding series of magical sleight of hand tricks and mind games. Brown, who caught STUPERSTITION at the Edinburgh Festival, elaborates: 'I watched a lot of magic shows, but none came close to the simplicity and charm of STUPERSTITION. It was an honour to finally see Stuart perform and I still don't know how he made magic happen.'

Brown raved about the South African presence at the Edinburgh Festival, which featured an entire South African season at one of the venues. 'The most amazing aspect of the festival for me,' Brown said, 'was meeting and spending time with South African theatre people that I had not previously met. It was great to see so much of "our" theatre represented there.'

Another production that played the festival, as well as various other festivals in South Africa and in more formal theatre settings around the country, was THE EPICENE BUTCHER AND OTHER STORIES FOR CONSENTING ADULTS. A compilation of several stories, all told by Jemma Kahn in the Japanese storytelling style of kamishibai, the show seems to be an unbeatable favourite wherever it is performed. Of the show, Brown says, 'The show has travelled so much and has made the distance between Cape Town and Johannesburg feel a lot smaller. Pity that it took an international festival to bridge that gap.'




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David Fick Born and bred in South Africa, David has loved theatre since the day he set foot on stage in his preschool nativity play. He graduated with a Master of Arts (Theatre and Performance) degree from the University of Cape Town in 2005, having previously graduated from the same university with a First Class Honours in Drama in 2002. An ardent essayist, David won the Keswick Prize for Lucidity for his paper "Homosexual Representation in the Broadway Musical: the development of homosexual identities and relationships from PATIENCE to RENT". Currently, he teaches Dramatic Arts at a high school in Cape Town and also freelances as a theatremaker and performer.


 
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