The long overdue London premiere of the Broadway musical The Roar of the Greasepaint - The Smell of the Crowd, directed by acclaimed West End and RSC director Ian Judge, and designed by three time Olivier Award winner Tim Goodchild, opens for a four week limited season at the Finborough Theatre on Tuesday, 7 June 2011 (Press Night: Thursday, 9 June 2011 at 7.30pm).
The final play of Florida Stage's 24th subscription season is the world premiere of a darkly funny, electric and timely new play by Carter W. Lewis, The Cha-Cha of a Camel Spider. From the award-winning author of The Storytelling Ability of a Boy and Women Who Steal, The Cha-Cha of a Camel Spider asks the questions, what happens when our 'soldiers of fortune' outnumber our army troops and can art really make a difference in a corporatized world? The Cha-Cha of a Camel Spider continues Florida Stage's first season as the resident company in the Rinker Playhouse at the Kravis Center for the Performing Arts.
According to Deadline.com, stage and screen stage Sean Bean will join Ashley Judd in ABC's 'Missing.' As described by Deadline, the series 'centers on Becca Winstone (Judd), a devoted single mom who, after her 18-year-old son disappears in Italy, takes it upon herself to travel to Europe and track him down. It soon becomes clear that Winstone is a former CIA agent who will stop at nothing to bring her son home alive. Bean will play the regular character of Becca's husband Paul, who was blown up in front of his son but will appear throughout the series in flashbacks.'
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick. DOUBLE FALSEHOOD will close at CSC (136 East 13th Street) Sunday, April 3.
Playwrights Horizons (Artistic Director, Tim Sanford; Managing Director, Leslie Marcus) and New York Theatre Workshop (Artistic Director, James C. Nicola; Managing Director, William Russo) have announced complete casting and creative team for THE SHAGGS: PHILOSOPHY OF THE WORLD, a new musical with book by Joy Gregory; music by Gunnar Madsen; lyrics by Ms. Gregory and Mr. Madsen; and story by Ms. Gregory, Mr. Madsen and John Langs.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
A slew of theatre veterans, including Angela Bassett, Sarah Paulson, Aidan Quinn, and Lauren Ambrose, are set to star in new television pilots in the coming months. Basset will star in ABC's 'Identity,' which is about an FBI agent who heads a new Identity Crimes Unit. Sarah Paulson is set for a still untitled NBC comedy about a woman who helps people adjust to career changes. Quinn will star in a BBC detective series called 'Prime Suspect,' while Ambrose is set for FOX's 'Weekends at Bellevue.'
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
TimeLine Theatre Company, named the nation's theater 'Company of the Year' for 2010 by Terry Teachout in The Wall Street Journal and 'one of the Chicago theater's most impressive growth stories' by Chris Jones in the Chicago Tribune, announces its four-play 2011-12 season
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Arena Stage at the Mead Center for American Theater is delighted to present The Arabian Nights, written and directed by Tony Award winner Mary Zimmerman (Metamorphoses). The production, presented in association with Berkeley Repertory Theatre, Kansas City Repertory Theatre and Lookingglass Theatre Company, has been recognized as "Zimmerman's most theatrically complete and perfect creation" (Chicago Tribune).
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 19 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
According to People.com, stage and screen star Cynthia Nixon and her fiance Christine Marinoni have welcomed a son to the family. Marinoni delivered Max Ellington Nixon-Marinoni, on February 7. The couple has been engaged since 2009.
Harold Bloom, America's leading literary critic and author of the best-seller 'Shakespeare: The Invention of the Human," will join Classic Stage Company Artistic Director Brian Kulick in a rare public appearance on Monday evening, February 7 at 7 pm at CSC (136 East 13th Street) as a special one-night-only event to benefit CSC's ongoing Shakespeare programming.
Northrop Dance at the University of Minnesota presents The Voronezh State Ballet Theatre of Russia, Thu, Feb 3 at 7:30 pm at Northrop at the University of Minnesota.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 19 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Arena Stage at the Mead Center for American Theater is delighted to present The Arabian Nights, written and directed by Tony Award winner Mary Zimmerman (Metamorphoses). The production, presented in association with Berkeley Repertory Theatre, Kansas City Repertory Theatre and Lookingglass Theatre Company, has been recognized as "Zimmerman's most theatrically complete and perfect creation" (Chicago Tribune).
Harold Bloom, America's leading literary critic and author of the best-seller 'Shakespeare: The Invention of the Human," will join Classic Stage Company Artistic Director Brian Kulick in a rare public appearance on Monday evening, February 7 at 7 pm at CSC (136 East 13th Street) as a special one-night-only event to benefit CSC's ongoing Shakespeare programming.
The American Shakespeare Center has announced its 2010-2011 seasons, a program of 16 productions presented over 52 weeks in 5 separate repertory seasons, offering the largest number of plays per year by Shakespeare and Early Modern playwrights of any theatre in the world.
1754 | Broadway |
Broadway |
1869 | Broadway |
Broadway |
1899 | Broadway |
Broadway |
1903 | Broadway |
Broadway |
1903 | Broadway |
Broadway |
1904 | Broadway |
Broadway |
1905 | Broadway |
Broadway |
1907 | Broadway |
Broadway |
1907 | Broadway |
Broadway |
1909 | Broadway |
Broadway |
1910 | Broadway |
Broadway |
1910 | Broadway |
Broadway |
1911 | Broadway |
Broadway |
1911 | Broadway |
Broadway |
1911 | Broadway |
Broadway |
1912 | Broadway |
Broadway |
1913 | Broadway |
Broadway |
1915 | Broadway |
Broadway |
1915 | Broadway |
Broadway |
1918 | Broadway |
Broadway |
1922 | Broadway |
Broadway |
1922 | Broadway |
Broadway |
1923 | Broadway |
Broadway |
1930 | Broadway |
Broadway |
1930 | Broadway |
Broadway |
1934 | Broadway |
Broadway |
1935 | Broadway |
Broadway |
1940 | Broadway |
Broadway |
1951 | Broadway |
Broadway |
1956 | Off-Broadway |
Off-Broadway |
1956 | Broadway |
Broadway |
1962 | Off-Broadway |
Off-Broadway |
1968 | Off-Broadway |
Off-Broadway |
1977 | Broadway |
Broadway |
1986 | Broadway |
Broadway |
1988 | Off-Broadway |
Off-Broadway |
1990 | Off-Broadway |
Off-Broadway |
1991 | Off-Broadway |
Off-Broadway |
2001 | Off-Broadway |
Off-Broadway |
2004 | Off-Broadway |
Off-Broadway |
2007 | Off-Broadway |
Off-Broadway |
2013 | Broadway |
Broadway Revival Broadway |
2013 | Off-Broadway |
Classic Stage Company Production Off-Broadway |
2016 | West End |
Kenneth Branagh West End Revival West End |
2018 | West End |
RSC Production at the Barbican West End |
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