Romeo and Juliet Revival 1909

Shakespeare’s Globe has announced the company of If It Please You, a night of glam, high camp and drag inspired by Shakespeare. Learn more about the event and how to attend here!

Shakespeare’s Globe has announced the cast of As You Like It, directed by Ellen McDougall. Learn more about the cast here!

Almeida Theatre will present Women, Beware the Devil, starring Leo Bill, Carly-Sophia Davies and more. See the full cast, how to purchase tickets and more!

Oakland Ballet Company's 2021-22 Season draws to a celebratory conclusion this month with a wide-ranging program that is both retrospective and forward-looking.

Segerstrom Center for the Arts presents the dazzling Les Ballets de Monte-Carlo making its long-awaited return to the Center with Romeo and Juliet. Considered by many to be the iconic ballet of renowned choreographer Jean-Christophe Maillot, Romeo and Juliet has been performed more than 250 times around the world, usually greeted with rousing standing ovations -- and has been added to the repertoire of seven major dance companies.

Joining the previously announced Alex Jennings in Stephen Beresford's The Southbury Child are Holly Atkins, Josh Finan, Jack Greenlees, Jo Herbert, Phoebe Nicholls, Racheal Ofori and Sarah Twomey. Final casting will be announced shortly.

The Philadelphia Orchestra returns to Carnegie Hall's Stern Auditorium / Perelman Stage for three concerts this season under the leadership of Music Director and Conductor Yannick Nézet-Séguin, who is currently celebrating the 10th anniversary of his debut with the Orchestra. The first program, on Tuesday, November 13 at 8:00 p.m., also highlights Mr. Nézet-Séguin's role as music director of The Metropolitan Opera with mezzo-soprano Joyce DiDonato joining the musicians for a performance of Chausson's Poème de l'amour et de la mer. The program also features the New York premiere of Anthology of Fantastic Zoology by Mason Bates, as well as works by Wagner and Respighi.

Mint Theater (Jonathan Bank, Producing Artistic Director) today announced the cast for a rare reading of Ferenc Molnar's Liliom which will be presented for one night only, onMonday, June 11 at 7pm at Theatre Row (410 West 42nd Street).  Liliom was turned into the musical Carousel by Richard Rodgers and Oscar Hammerstein II which is now enjoying a successful revival on Broadway.

Watford Palace Theatre presents Arthur Miller's play Broken Glass, which opens 80 years after the events of Kristallnacht, leading up to the Second World War. Richard Beecham directs Charlotte Emerson (Sylvia Gellburg), Clara Francis (Harriet), Andrew Hall (Stanton Case) Michael Higgs (Dr Harry Hyman), Rebecca Lacey (Margaret Hyman) and Michael Matus (Philip Gellburg). Broken Glass opens at Watford Palace Theatre on 6 March, with previews from 1 March and runs until 24 March.

Watford Palace Theatre today announce full casting for their revival of Arthur Miller's play Broken Glass, which opens 80 years after the events of Kristallnacht, leading up to the Second World War. Richard Beecham directs Charlotte Emerson (Sylvia Gellburg), Clara Francis (Harriet), Andrew Hall(Stanton Case) Michael Higgs (Dr Harry Hyman), Rebecca Lacey (Margaret Hyman) and Michael Matus (Philip Gellburg). Broken Glass opens at Watford Palace Theatre on 6 March, with previews from 1 March and runs until 24 March.

Abingdon Theatre Company continues its Ghostlight Reading Series with JERICHO by Michael Weller on Monday, December 19 at 7pm. The reading is free and open to the public at Abingdon Theatre Company's June Havoc Theatre (312 West 36th Street). Austin Pendleton is set to direct.

ShawChicago presents George Bernard Shaw's farce on the fashionable, Misalliance. Performances run September 17 - October 10 at The Ruth Page Center for the Arts, 1016 N. Dearborn Street, Chicago, IL 60610.

ShawChicago presents George Bernard Shaw's farce on the fashionable, Misalliance. Performances run September 17 - October 10 at The Ruth Page Center for the Arts, 1016 N. Dearborn Street, Chicago, IL 60610.

The Ensemble for the Romantic Century recently announced additional cast members for its upcoming Anna Akhmatova: The Heart Is Not Made of Stone run at Brooklyn Academy of Music (BAM).

The Ensemble for the Romantic Century has announced additional cast members for its upcoming Anna Akhmatova: The Heart Is Not Made of Stone run at Brooklyn Academy of Music (BAM).

New York City, NY — Celebrating its 15th season, the Ensemble for the Romantic Century (ERC) returns to BAM Fisher for six performances of Anna Akhmatova: The Heart is Not Made of Stone. Written by Eve Wolf and directed by Donald T. Sanders, this multi-media production examines the troubled relationship between artistic creation and totalitarianism through the perspective of the Russian poet Anna Akhmatova (1889-1966). This tale of passion, love, political repression, and redemption is interwoven with music by Russian composers' Rachmaninoff, Prokofiev, and Shostakovich.

Celebrating its 15th season, the Ensemble for the Romantic Century (ERC) returns to BAM Fisher for six performances of Anna Akhmatova: The Heart is Not Made of Stone.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

Commissioned by the Finborough Theatre, Horniman's Choice brings together four plays by the leading figures of the 'Manchester School' of playwrights - Harold Brighouse, Stanley Houghton and Allan Monkhouse, all originally championed by Annie Horniman, owner of Gaiety Theatre, Manchester, the first regional repertory theatre in Britain. Horniman's Choice runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 27 September 2015 (Press Night: Monday, 28 September 2015 at 7.30pm).

The Shakespeare Theatre of New Jersey will present George Bernard Shaw's comedy Misalliance, directed by Artistic Associate/Casting Director Stephen Brown-Fried. Performances begin Wednesday, August 5th and continue through Sunday, August 30th at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road) in Madison. Individual tickets and subscriptions can be purchased by calling the Box Office at 973-408-5600 or by visiting ShakespeareNJ.org.

Roald Dahl's The Twits, directed by John Tiffany, is mischievously adapted from Roald Dahl's story. Enda Walsh turns The Twits upside down and brings this revolting revolution to the Royal Court's stage from tonight, April 7, through May 31, 2015.

Mr and Mrs Twit are not very nice. In fact they're extremely nasty. They're nasty to each other, and they're VILE to everyone else. They hold a family of monkeys hostage in a cage and force them to stand on their heads. ALL THE TIME. We told you they weren't very nice. Can the monkeys find a way to show those vicious Twits what for?

St. Ann's Warehouse welcomes back the National Theatre of Scotland, director John Tiffany and associate director Steven Hoggett for the American Premiere of Let the Right One In, which Jack Thorne adapted for the stage from John Ajvide Lindqvist's novel and screenplay, and which garnered tremendous acclaim on London's West End earlier in 2014.

St. Ann's Warehouse welcomes back the National Theatre of Scotland, director John Tiffany and associate director Steven Hoggett for the American Premiere of Let the Right One In, which Jack Thorne adapted for the stage from John Ajvide Lindqvist's novel and screenplay, and which garnered tremendous acclaim on London's West End earlier this year.