Romeo and Juliet 1991 - Articles Page 3

Artistic Director Kumiko Mendl celebrates 25 years of Yellow Earth Theatre; the company dedicated to developing and staging work by British East Asian* (BEA) theatre makers. Named after the seminal Chinese film of the same title, the company launched in 1995 to widen the type of roles being offered to BEA actors, writers, directors and designers, with the aim to create fresh and vibrant work that reflects the BEA experience.

Wheelhouse Theater Company today announced that it will present a staged reading of Oracles: Primitive Murderous Rage and Oedipusgate written by Jonathan Lynn and directed by Wheelhouse's Artistic Director, Jeff Wise.

Wheelhouse Theater Company today announced that it will present a staged reading of ORACLES: MURDER AT THE CROSSROADS AND OEDIPUSGATE a?" A DOUBLE BILL, written by Jonathan Lynn and directed by Wheelhouse's Artistic Director, Jeff Wise. The reading will be held at Manhattan Theatre Club Studios, 311 West 43rd St., on Thursday, 10/31 at 1:30 pm and Friday 11/01 at 11am. Featured in the cast will be Alfred Molina, Austin Pendleton, Nadia Bowers, Lori Tan Chinn, Janet Dacal, Christopher Hanke, and Magaret Odette. Industry members can arrange for tickets by emailing: contact@wheelhousetheater.org

30 years after its stage debut, experiencing MISS SAIGON nowadays exposes just how outdated and out-of-touch it is with our increasingly diverse world view. The musical's original production---which first debuted in the West End in 1989 before transferring to Broadway in 1991---became a global hit despite some loud, very understandable controversy. Most audiences, however, ignored the accusations of orientalism, misogyny, and white-washing and instead focused on the show's epic melodrama and theatrical splendor, much of it powered by the lush music of Claude-Michel Schönberg and the lyrics by Alain Boublil and Richard Maltby Jr. The show continues at Orange County's Segerstrom Center for the Arts in Costa Mesa through October 13, 2019.

Two years ago, I revisited French Woods Festival of the Arts (which I attended from 1999 to 2002 as a camper/teen actor and then as an assistant director/stage manager) and BroadwayWorld kindly published an article I wrote about the experience. In light of my responsibilities at work (attorney by day, theater critic by night) and at home (including a hyperactive toddler and commuting daily between NY and NJ), I was not planning on visiting again this past summer, but that instantly changed when I learned that the camp was planning on presenting 1776 for the first time in nearly two decades - and with an all-female cast.

Bay Street Theater and Guild Hall, in association with Jamie Cesa and Bel Chiasso Entertainment present a free concert staged reading of The Romeo & Juliet Project, a new musical, featuring the music of Pat Benatar and Neil Giraldo, with book by Bradley Bredeweg. This FREE community event will be held in Mashashimuet Park in Sag Harbor, NY on August 16 and 17 at 7 pm and is the latest installment of Bay Street's ongoing Under the Stars Community Outreach Program. The performance is directed by Scott Schwartz, Bay Street Theater's Artistic Director.

Karen Kain, Artistic Director of The National Ballet of Canada, today announced that after 20 years with the company, Senior Ballet Mistress Mandy-Jayne Richardson will pursue international opportunities as a repetiteur and coach at the end of the 201819 season.

For the first time in the history of the Prix Benois De La Danse International Ballet Competition there will be two representatives from South Africa at the Bolshoi Theatre in Moscow: South African International Ballet Competition (SAIBC) Founder Dirk Badenhorst takes his place as the first ever South African jury member, and Soweto-born dancer Andile Ndlovu (pictured), now USA based, will perform in the prestigious event gala on 22 May as one of this year's 27 nominees for the Benois de la Danse award as Best Male Dancer for his role as 'Mercutio' in Washington Ballet's Romeo and Juliet.

Berkeley Repertory Theatre today announced the full cast for the world premiere of Kiss My Aztec! John Leguizamo teams up with Artistic Director Tony Taccone for this musical comedy, following their collaboration on the hit one-man show Latin History for Morons, which received its world premiere at Berkeley Rep before heading to Broadway. Leguizamo will serve as co-writer and co-lyricist only for Kiss My Aztec! - 11 other talented actors will perform in this production. Taccone will also direct.

Rediscover world-class grace and virtuosity, from titans of the repertoire to innovative original voices, as part of the 2019-2020 ballet and contemporary dance season at the John F. Kennedy Center for the Performing Arts. The upcoming season-among the nation's most robust and dynamic-features the breadth of iconic and cutting-edge choreography performed by today's foremost companies.

Shakespeare Theatre Company's Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn's 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC's history by mapping D.C.'s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).

Commonwealth Shakespeare Company (CSC) has added three performances to its highly anticipated upcoming production of Birdy, adapted by Naomi Wallace from the novel by William Wharton, and directed by Steven Maler. The production now runs February 27 through March 17 at the Carling-Sorenson Theater at Babson College in Wellesley.

New Line Theatre, "the bad boy of musical theatre," has announced that one of the most popular shows in the company's long history is returning -- the outrageous rock musical CRY-BABY, based on the iconic John Waters film, a wild and wacky fable about class, justice, and rock and roll, featuring classic songs like 'Girl, Can I Kiss You With Tongue?', 'The Anti-Polio Picnic,' 'Screw Loose,' 'Baby, Baby, Baby, Baby (Baby, Baby),' 'I'm Infected,' and many more.

Commonwealth Shakespeare Company and Founding Artistic Director Steven Maler announced the cast of the second production of its 2018-19 Season: Birdy, adapted by Naomi Wallace from the novel by William Wharton, and directed by Steven Maler. The production runs February 27 through March 10 at the Carling-Sorenson Theater at Babson College in Wellesley.

Berkeley Repertory Theatre today announced the full cast and creative team for Paradise Square: An American Musical. The world premiere is helmed by acclaimed director Moises Kaufman, with choreography by the legendary Bill T. Jones and a book by Marcus Gardley, Craig Lucas, and Larry Kirwan. Music by Jason Howland and Larry Kirwan, with lyrics by Nathan Tysen, and based on the songs of Stephen Foster. Paradise Square is produced by special arrangement with Garth H. Drabinsky in association with Peter LeDonne and Teatro Proscenium Limited Partnership.

The Festival of Arts and Pageant of the Masters will present its annual Celebrity Benefit on August 25th starring Grammy-winner Steve Tyrell and hosted by actress Sarah Drew. Guest will be treated to an evening of fine art and a red-carpet brimming with the stars of film and television. But there is no doubt the real star of the evening will be a special performance of this summer's popular Pageant of the Masters, 'Under the Sun.' Proceeds will support the Building Fund for renovations of the Festival of Arts and Pageant of the Masters' facility.

Free For All, one of the capital's cherished annual traditions, will return this summer to Shakespeare Theatre Company (STC), offering two weeks of free performances of the Company's 2016 production of Shakespeare's Romeo & Juliet. Directed by STC Associate Artistic Director Alan Paul, whose hit production of Camelot has extended through July 8 due to popular demand, the production will run at Sidney Harman Hall (610 F St NW) from August 21-September 2, providing more than 12,000 people the chance to see the play free of charge.

Kevin McKenzie, the Artistic Director of American Ballet Theater since 1991, has created an admirably faithful staging of the company's 1987 production of Giselle to the music of Adolf Adam. A veteran himself of the leading role of Albrecht, McKenzie has kept the beloved classic alive for today's audiences with all of the requisite charm and dance mime in Act ! and plenty of eerily dramatic tension in Act II.

People's Light presents the wildly successful off-Broadway hit Skeleton Crew, a powerful story of love and loyalty by New Play Frontiers writer Dominique Morisseau. This funny, incisive, and "deeply American" (The New York Times) play that "theatergoers won't want to miss" (Huffington Post) centers on a group of Detroit autoworkers as they confront the eroding manufacturing industry. Steve H. Broadnax III, who directed the theatre's critically-acclaimed staging of The Mountaintop in 2016, returns for the production. Skeleton Crew opens on June 13 and has already extended to July 15 on the Steinbright Stage at People's Light.

The Old Globe, together with Children's Theatre Company (CTC), and in partnership with The Old Vic, today announced details for the Minneapolis and San Diego productions of Dr. Seuss's The Lorax in its U.S. premiere. The production, based on the book The Lorax by Dr. Seuss, is adapted for the stage by David Greig (Artistic Director of the Royal Lyceum Theatre Company; recent work: Charlie and the Chocolate Factory, Cover My Tracks) with music and lyrics written by Charlie Fink (Frontman/songwriter for the hit musical group, Noah and the Whale (2007-2015). H. Adam Harris, along with Meghan Kreidler and Rick Miller puppeteering, will play The Lorax. Joining them is Steven Epp as The Once-ler. Playing multiple roles in the ensemble are Ansa Akyea, Christopher Becknell, Stephanie Bertumen, Brian Bose, Ryan Colbert, Lynnea Doublette, Johannah "Joh" Easley, Rajane Katurah, Ryan Lear, Ryan Dean Maltz, Emily Michaels King, and Autumn Ness.

Michael Kahn today announces Shakespeare Theatre Company's 2018-2019 Season. With two world premieres from celebrated playwrights, a multiple Tony Award-winning presentation, a dynamic adaptation of a classic novel, two Shakespeare plays and a group of acclaimed directors and artists, it is an ambitious grand finale for STC Artistic Director Michael Kahn, who will retire from the company at the end of the Season.

In response to popular demand, Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) extends the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar by two weeks, through March 25. In this play, which dauntlessly cracks jokes as it eviscerates, twin sisters Anaia (Alfie Fuller) and Racine (Dame-Jasmine Hughes) undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.

Building on the Blaine County School District's mission of inspiring, engaging, educating and empowering every student, Company of Fools announces the 21st year of Stages of Wonder-an in-school dramatic arts program that has served as the theatre curriculum in local elementary schools since 1997.

Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, announces the extension of All My Sons by Arthur Miller, directed by Charles Newell and featuring Kate Collins, John Judd and Timothy Edward Kane. All My Sons now runs through February 18, 2018 at Court Theatre, 5535 S. Ellis Ave. Tickets to extension performances of All My Sons go on sale Friday, February 2, 2018 and available by calling the box office at (773) 753-4472 orwww.CourtTheatre.org.

Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) today announces the complete cast and creative team for the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar (Ars Nova's Underground Railroad Game), February 6 - March 11, 2018. The play, with which Soho Rep. reopens its longtime Tribeca theater, dauntlessly cracks jokes as it eviscerates. Alfie Fuller and Dame-Jasmine Hughes play Anaia and Racine, twin sisters who undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.