Tanya Alexander News

Welcome to CLYDE’S, where the art of making a sandwich can lead to enlightenment.  Staffed by formerly incarcerated people trying to rebuild their lives, but run by someone who has no real internet in food, or their employees beyond making the sale, this play has something to say about the work to build a better life, self-respect, and of course, the perfect sandwich.

The West Coast premiere of playwright Michael Hollinger’s unpredictable comedy ‘Under the Skin’ opens this weekend at International City Theatre in Long Beach, directed by ICT artistic director caryn desai [sic]. Check out the photos here!

What does it mean to give a part of yourself to someone else? International City Theatre presents the West Coast premiere of Under the Skin, a surprising new comedy by Michael Hollinger (Opus). caryn desai [sic] directs the three-week run, April 28 through May 14, at ICT's home in the Long Beach Convention & Entertainment Center. Two low-priced previews are set for April 26 and April 27.

This Spotlight focuses on Simon Levy who began his directing career in San Francisco, then moved to Los Angeles in 1990 where he has been the Producing Director for the Fountain Theatre since 1993. His directing and producing credits are numerous, with over 100 productions in Los Angeles and San Francisco that have won more than 200 awards. His journey has been blessed with having wonderful mentors along the way, which has enabled the talented director to earn his living doing theatre and earned him great respect from the entire L.A. Theatre community.

With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World Los Angeles which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the arts alive in the City of the Angels. And like all of us, how are they dealing with the abrupt end of productions in which they were involved? This Spotlight focuses on Rob Nagle, a proud member of the Antaeus Theatre Company and the Troubadour Theater Company, who was in the fourth week of performances of the world premiere of Human Interest Story at the Fountain Theatre when the production was forced to postpone the run.

With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World Los Angeles which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the arts alive in the City of the Angels. And like all of us, how are they dealing with the abrupt end of productions in which they were involved? This Spotlight focuses on Tanya Alexander, a spoken word artist and writer of poetry and music, who I recently reviewed in her leading role in HUMAN INTEREST STORY at the Fountain Theatre in Hollywood, in which she plays Jane Doe, an anonymous homeless woman plucked from a park bench and made a media celebrity.

This thought-provoking testament to the universal struggle of living day-to-day in a society whose apathy seems to know no bounds for the down-and-out will grab your attention and keep you at the edge of your seat as Jane Doe's story unfolds. Tanya Alexander's magnificent ability to morph herself from a homeless woman in dirty clothing, sitting on a park bench holding a sign stating a?oeI am NOT Invisiblea?? allows us to see where she has been and how much she really desires to pick herself up by her bootstraps and do whatever is necessary to survive. As she achieves celebrity status, Alexander opens to heart and soul and lets us see into Jane Doe's guilt of having survived when others have not. And as Jane Doe's fortunes rise, Alexander is costumed to perfection in lovely, form-fitting dresses designed by Shon LeBlanc that would allow Jane Doe to shine anywhere.

The Fountain Theatre presents the world premiere of a timely new play, written and directed by Stephen Sachs (Arrival & Departure, Citizen: An American Lyric, Bakersfield Mist), about homelessness, celebrity worship and truth in American journalism. Human Interest Story opens at the Fountain on Feb. 15, where performances continue through April 5.

Deborah Culver and Stephen Sachs founded the Fountain Theatre in an intimate, Spanish-style, East Hollywood building that belies the sizable local impact and international reach of the company's acclaimed and award-winning productions. Now entering its 30th year as one of the most highly regarded theaters in Los Angeles, the Fountain is announcing a celebratory 2020 season of dynamic premieres and events.

A stalwart member of the Los Angeles Theatre community, the multi-award-winning Rob Nagle will next be appearing on the Fountain Theatre stage in the world premiere of Stephen Sachs' HUMAN INTEREST STORY, opening February 15, 2020. Rob essays Andy Kramer, who just having been laid off, fabricates a letter to the editor; then, has to mastermind an elaborate charade to justify it. Rob's HUMAN INTEREST STORY onstage accomplices include: Tanya Alexander, Richard Azurdia, Aleisha Force, James Harper, Matt Kirkwood and Tarina Pouncy. The ever-busy Rob managed to find some time to answer a few of my queries.

a?oeThe line between where you are now and sleeping in your car is much thinner than you think.a?? The Fountain Theatre presents the world premiere of a timely new play, written and directed by Stephen Sachs (Arrival & Departure, Citizen: An American Lyric, Bakersfield Mist), about homelessness, celebrity worship and the assault on American journalism. Human Interest Story opens at the Fountain on Feb. 15, where performances continue through April 5.

The Fountain Theatre is gearing up to present the world premiere of a new play written and directed by company co-artistic director Stephen Sachs (Arrival & Departure, Citizen: An American Lyric, Cyrano). Casting is now complete for Human Interest Story, a timely drama about homelessness, celebrity worship and the assault on American journalism, with the opening date set for Feb. 15, 2020.

For those not familiar with the term, polyamorous relationships are those in which the participating persons agree all parties involved may participate simultaneously in more than one serious or casual romantic or sexual relationship with the knowledge and consent of all partners. It's more than just a a?oehall passa?? in which monogamous couples agree to allow their partner to be with one other person. And those two lifestyle choices are the focal point of Playwright Brian Reynolds' world premiere play MONO/POLY now at the Odyssey Theatre through November 10.

Two monogamous couples encounter a polyamorous triad at a costume party. The triad becomes entwined in the business and personal lives of the first two couples, forcing them to examine their long-held beliefs about love and marriage. Although sexually free, the members of the triad adhere to their own fairly rigid ethical code. Who's moral now? Will the couples and the triad live happily ever after?

This repulsive piece of filth has cult following written all over it.

What does the future hold for sex? The mysterious conglomerate Monocorp fabricates an epidemic condemning intimacy to profit from its "safe" new pseudo-sex product called the Love Light.

The Supernatural Project presents SUPERNATURAL: The Play opening Sunday, July 13, 2014 at Chromolume Theatre at the Attic. Directed by Audrey Kelley, the play is written and produced by Candace O. Kelley, Audrey Kelley, and Gilda Rogers and stars Tanya Alexander, Peres Owino, Sita Young, Marlynne Frierson Cooley, Quidana Bosman, Virtic Emil Brown, and Zuri Alexander

Black Women: State of the Union (BWSOTU) will be hosting talkbacks following evening performances of Black Women: State of the Union... Taking Flight on Feb. 16th, 22nd and 23rd at Company of Angels in downtown Los Angeles. Noted authors Tanya Alexander-Henderson, Kellie Dantzler, Sigrid Gilmer, Penelope Lowder and Lisa B. Thompson will join the producers and directors for a lively discussion of societal issues faced by Black women in modern-day America.

Black Women: State Of the Union returns to the Company of Angels' black box performance space in the historic Alexandria Hotel in downtown Los Angeles due to overwhelming audience response from last year's run at the Skylight Theater. BWSOTU-Taking Flight re-opens February 15th and runs Fridays and Saturdays at 8pm, and Sundays at 3pm through February 24, 2013.

Celebrating, and empowering, through works from some of the nations most artistically significant Black female voices, KTC's Skylight Theatre is providing a home for this unique five-week production. Featuring new plays, visual arts, and community events, collaborators have created this platform for encouraging Black women to self-identify as dynamic, expressive, and nurturing contributors to society.