Craig Schwartz News

As I walked into the Kirk Douglas Theatre in Culver City to see ROTTERDAM, the second play of Center Theatre Group's 2019 Block Party, I was drawn to a display asking audience members questions about relationship deal breakers. A few of the questions about relationship deal breakers included if one person in a couple changes into a religious zealot for beliefs you do not share or takes a job requiring a cross country move to a small town where you know no one, would that end the relationship for you. What I realized in answering the questions is that real and abiding love of who a person really is down to their soul, not their superficial appearance or belief system, is what is necessary for a relationship to survive real challenges. But what if one person in a couple decides he/she is transgender and decides to transition to the opposite sex? Is that a deal breaker, especially if you are no longer physically attracted to that person?

Center Theatre Group invites current high school students to attend Celebrating Our Stories, a teen youth summit inspired by Ruben Santiago-Hudson's one-man show "Lackawanna Blues." The free youth summit will take place on Thursday, April 11, 2019, from 4:30 to 9:30 p.m. (includes performance time for "Lackawanna Blues") at The Music Center Annex (601 West Temple St) and the Mark Taper Forum (135 N Grand Ave) in Downtown L.A.

There is something special about the magic which is created during a live theater performance that cannot be duplicated on television or film as the interaction with an audience allows well-written and directed stories, starring incredibly talented actors, to soar into the history books as an event not to miss. Such is the case in LACKAWANNA BLUES, Tony Award-winning actor and talented stage director Ruben Santiago-Hudson's theatrical memoir in which he returns to his roots in a tour-de-force performance accompanied throughout by Grammy-winning blues guitarist, composer and actor Chris Thomas King.

Theatre of NOTE's production of 'For The Love Of (or, the roller derby play)' written by Gina Femia, which Center Theatre Group has remounted at the Kirk Douglas Theatre as part of their third annual Block Party: Celebrating Los Angeles Theatre, blasted into Culver City with a barrage of brilliant direction, choreography, artistic style and acting. And after seeing the original production in its super-small space, I can tell you the new production soars by encompassing ever possible inch of space, thanks to scenic designer Eli Smith, with enough impressive roller derby action to make you forget not one pair of skates ever touches the floor! That marvel of perfect direction and choreography can be credited to Rhonda Kohl who has created almost constant roller derby action utilizing the movement and acting skills of her talented cast

Theatre of NOTE's production of 'For The Love Of (or, the roller derby play),' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre, will open this Saturday, March 9 at 8 p.m. Written by Gina Femia and directed by Rhonda Kohl, 'For The Love Of' is currently in previews and will close March 17.

Never has the relationship between Iago and Roderigo in Shakespeare's OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. With an outwardly nonchalant Michael Manuel as the revenge seeking villain, and Jeremy Rabb, an actor who knows comedy like the back of his hand, as his unsuspecting lackey, the situational humor in Shakespeare's tragedy comes front and center. That's right, humor.

Now being presented by Center Theatre Group at the Mark Taper Forum, directed by Dexter Bullard who also helmed the Steppenwolf production, LINDA VISTA features actor Ian Barford who has originated four roles in Letts' canon of plays, and has remained friends with the playwright for 30 years. But no doubt Letts' very contemporary and biting social commentary on the immaturity of men when it comes to dealing with women and adult life will no doubt upset many in the audience when it becomes apparent Wheeler will never be ready to grow up. After all, it seems the older he gets, the younger he wants to become even when his body won't go along with the idea. It's comically unsettling and all too real when it comes to the contemporary dating scene.

For playwright, director and El Teatro Campesino founder Luis Valdez, who was born in Delano, CA as the second of ten children born to migrant farm worker parents who made a living picking whatever crop was in season, Cupertino will always be known for the rich land that once grew an abundance of crops and fruits trees during the time he lived in the area shortly after World War II. His latest play, the phenomenal VALLEY OF THE HEART at the Mark Taper Forum through December 9, 2018, uses California history as a jumping-off point to tell an important story about the fight to maintain dignity, identity, family and faith in the once-fertile farmland that is now known as the Silicon Valley.

A Noise Within (ANW), the acclaimed classical repertory theatre company, continues the cherished holiday tradition of presenting its well-loved production of Charles Dickens' A Christmas Carol this year, onstage for the seventh holiday season. This time-honored tale of forgiveness plays 17 performances only, Saturday, December 1 through Sunday, December 23, 2018. After the show, audience members are invited to enjoy a cup of cider and take photos with the cast.

As the grand finale of their fourteen year residency at Christopher Street's Lucille Lortel Theatre, before moving to their brand new Hell's Kitchen digs, Manhattan Class Company brings in an encore engagement of Jocelyn Bioh's Lortel and Outer Critics Circle Award-winning drama from last season, the endearing and poignant School Girls; or, the African Mean Girls Play.

They say a picture paints a thousand words. In director Michael Michetti's compelling stage adaptation of Oscar Wilde's A PICTURE OF DORIAN GRAY, it does more than that. It captures a lifetime.

Any teenage girl enrolled in any secondary school around the world can tell you how they were tormented or teased by other girls for some reason, be it their weight, height, hair, or lack of the latest hip clothing to wear. Based only on physical appearance, little regard was paid by the most popular Queen Bee to the real circumstances of others' lives which prevented others from living up to her unrealistic expectations of those she was willing to call 'friends' in her inner circle. I can certainly remember being excluded from the more popular groups of friends in high school, not only for my weight but for my lack of interest in boys and obsession with The Beatles. Think back and I bet you can remember similar experiences you lived through or how you made fun of others you perceived as not being worthy of your inner circle friendship.

It has often been said that the work-a-day world is made up of blood, sweat and tears. Perhaps that is most true for blue collar workers who find themselves laboring with their hands, especially in factories where those on the line are required to stand for hours on end doing repetitive work with little hope of any real recognition or promotion into management. Such is the case of the characters in Center Theatre Group's production of SWEAT, the 2017 Pulitzer Prize-winning play by Lynn Nottage, now at the Mark Taper Forum through October 7, 2018.

Rehearsals have begun for Center Theatre Group's production of "Sweat" by Lynn Nottage. The 2017 Pulitzer Prize-winning play will be presented at the Mark Taper Forum August 29 through October 7, 2018. Directed by Lisa Peterson, the opening of "Sweat" is set for September 5.

Director Daniel Sullivan's adaptation of HENRY IV, Parts 1 & 2 may only be playing in the Japanese Garden on the VA campus for another three weeks but it is bound to rank as one of the summer's most talked-about events. Why? Shakespeare Center of Los Angeles has saved up a secret weapon for the production, one few can resist.

"Henry IV," staged by Tony Award winning director Daniel Sullivan, features Harry Groener as Northumberland, Tom Hanks in his Los Angeles stage debut as Sir John Falstaff, Hamish Linklater as Hal, Joe Morton as Henry IV, and Tony winner Rondi Reed as Mistress Quickly.

What made the Hot List? Check out these productions for a look at the vast creativity of theatre makers in action in Los Angeles: FOREVER BOUND at Atwater Village Theatre, PLUNGE: Part 1 of The Ballad of Bimini Baths Trilogy at Son of Semele, SOFT POWER downtown at the Ahmanson, VIOLET at Actors Co-op, THE GIANT VOID IN MY SOUL from Ammunition Theatre Company,  WOOD BOY DOG FISH at Garry Marshall Theatre, and Antaeus Theatre Company's NATIVE SON in Glendale. Reviews by BWW Sr. Editor Ellen Dostal, LADCC.

Soft Power/play and lyrics by David Henry Hwang/music & additionaal lyrics by Jeanine Tesori/directed by Leigh Silverman/choreographed by Sam Pinkleton/music supervisor - Chris Fenwick/Ahmanson Theatre/through June 10 When was the last time you listened to or watched the musical The King and I and really zeroed in on it from a cultural perspecive? In the world premiere play/musical Soft Power now onstage at the Ahmanson through June 10 The King and I is referenced throughout.

DIE, MOMMIE, DIE! is a campy noir classic that follows the devious actions of fading Hollywood star Angela Arden, played to the hilt by Drew Droege in drag. Think of Gloria Swanson in "Sunset Boulevard" and throw in a bit of Joan Crawford's attitude and you get the idea of who Angela Arden is. And let me tell you, Droege is a wonder running across the stage in high heels, always dressed to feminine perfection by costumer Allison Dillard. But Angela is trapped in an unhappy marriage and plots to kill her husband, Hollywood producer Sol Sussman (Pat Towne) in order to be with her young, and very well-hung lover Tony Parker (Andrew Carter). His endowment is a running gag throughout the play, aimed at almost every other character at some point, a bit too suggestive and sexy for young audiences.

The Celebration Theatre production of "Die, Mommie, Die!," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the second annual Block Party: Celebrating Los Angeles Theatre, will open Saturday, May 12 at 8 p.m. Written by Charles Busch and directed by Ryan Bergmann, "Die, Mommie, Die!" is currently in previews and will close May 20.