PATRICIA RACETTE

As the year 2020 draws to a close, stars past and present of New York City Opera (NYCO) have come to the aid of “The People’s Opera” by participating in Un Zoomo in Maschera, a word from the artists of New York City Opera, a special year-end fundraiser which will be released on social media today....

The Met has announced a specially-curated, three-week schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company website during the coronavirus closure. The schedule includes an All-Verdi week, a 20th-Century Classics week, and an All-French week....

The Met has announced the Week 8 schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure....

On Saturday, July 20, the Santa Fe Opera will introduce Leoš Janáček's Jenůfa to audiences for the first time in the company's 63 year history. A co-production between Houston Grand Opera, Washington National Opera and the English National Opera, David Alden's production of Jenůfa, now adapted to the Santa Fe Opera's stage, updates the mis-en-scène from an isolated, tight-knit community in 19th-century Moravia to an impoverished industrial section of Soviet-era Czechoslovakia. Alden's staging wo...

New York City Opera has announced its 2019 – 2020 75th Anniversary season....

When the Met's literary advisor asked Nicholas Wright what he thought about doing the libretto for MARNIE, he said yes because he was really interested in working with composer Nico Muhly and Michael Mayer. He was somewhat reserved, however, about whether it was a good opera subject. That was understandable, of course, when he admitted, laughing, a case of mistaken identity....

Whether from disease, 19th century #MeToo-style abuse, or unrequited love, Opera Philadelphia's (OP) Festival O18 opening weekend showed us three ways that central female characters lost their grip on reality. While I considered only one of them a total success, audience openness to sometimes-demanding material made it clear that the company has found a formula that strikes at the hearts of opera-goers, new and old....

Opera Philadelphia – “one of the most creative and ambitious companies in this country” (New York Times) – is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O, with the “spirit ... not to follow taste but to lead it” (Philadelphia Inquirer). Festival 018comprises five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city from September 20-3...

Opera Philadelphia is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O....

Glass Handel is one of two innovative and thought-provoking world premiere productions that highlight O18, the second edition of Opera Philadelphia's annual season-opening festival. Staged on September 22, 23 and 30 in the expansive Annenberg Court of Philadelphia's Barnes Foundation, home to O17's The Wake World, the new work is an immersive, multidisciplinary operatic installation headlined and created by American countertenor Anthony Roth Costanzo – “a bona-fide star” (New Yorker) – in collab...