Noche Flamenca, Abigail Washburn, Bridget Everett and More Set for Joe's Pub's 2013 New York Voices Series
Joe's Pub, 2013 New York Voices, The Public, Noche Flamenca, Abigail Washburn, Bridget Everett
A singing, songwriting, Illinois-born, Nashville-based clawhammer banjo player, Abigail Washburn is every bit as interested in the present and the future as she is in the past, and every bit as attuned to the global as she is to the local. Abigail pairs venerable folk elements with far-flung sounds, and the results feel both strangely familiar and unlike anything anybody's ever heard before. Eight years ago, Washburn was miraculously offered a record deal in the halls of a bluegrass convention in Kentucky which changed her trajectory from becoming a lawyer in China to a traveling folk musician. Her music ranges from the "all-g'earl" string band sound of Uncle Earl to her bi-lingual solo release Song of the Traveling Daughter (2005), to the mind-bending "chamber roots" sound of the Sparrow Quartet, to the rhythms, sounds and stories of Afterquake, her fundraiser CD for the Sichuan earthquake victims. "Ms. Washburn's enigmatic songs mingle Appalachia and folk-pop, with tinges of Asia and Bruce Springsteen," writes the New York Times of her latest album, City of Refuge, written with collaborator Kai Welch and produced by Tucker Martine (the Decemberists, Spoon, My Morning Jacket). Washburn is armed with fluent Chinese and profound connections to culture and people on the other side of the Pacific. In 2011, she completed a month-long tour of China's Silk Road supported by grants from the US Embassy, Beijing, and was selected as a TED Fellow in 2012. www.abigailwashburn.com.
Bridget Everett is a singing tour de force known for her funny yet gut-wrenching, outrageous and unpredictable performance work. She's been dubbed "Wynona Judd meets Melissa Etheridge, via the local bar floozy, on a rocket ship out of Twin Peaks" by Michael Musto from the Village Voice. She has appeared frequently on Time Out New York's annual list of top cabaret performers, ranking number one in 2010 on a list which included Alan Cumming and Elaine Stritch. Bridget co-hosts Our Hit Parade, a sold-out monthly revue of current pop hits, with Kenny Mellman (Kiki and Herb) and Neal Medlyn at Joe's Pub. She starred in the original musical At Least It's Pink based on her life which she co-wrote with director Michael Patrick King (writer/director Sex and the City) and Mellman. Bridget played Lynn Chenney in Taylor Mac's Red Tide Blooming at P.S.122 and was featured in Scott Wittman's production Jukebox Jackie. She can be seen as Cathy in the Sex and the City movie and as Shonda in the CBS hit comedy 2 Broke Girls. Bridget previously co-wrote and performed an evening of original music called Bridget and Neal Are F*cking and Adam is Watching with Medlyn and Adam Horovitz (Ad-Rock of the Beastie Boys). twitter.com/bridgeteverett
Visit www.joespub.com for a complete list of shows and to purchase tickets, or call 212-967-7555 or visit in person at The Public Theater Box Office (1 PM to 6 PM) located at 425 Lafayette Street, NYC.
Joe's Pub at The Public is one of New York City's most celebrated venues for emerging and established performing artists. Named for Public Theater founder Joe Papp, Joe's Pub debuted in 1998 and plays a vital role in The Public's mission of supporting new artists while providing established artists with an intimate space to develop new work. Joe's Pub presents talent from all over the world as part of The Public's programming downtown at its Astor Place home. Open seven days a week, dinner and drink service is available during every performance.
Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public Theater is the only theater in New York that produces Shakespeare and the classics, musicals, contemporary and experimental pieces in equal measure. The Public continues the work of its visionary founder, Joe Papp, by acting as an advocate for the theater as an essential cultural force, and leading and framing dialogue on some of the most important issues of our day. Creating theater for one of the largest and most diverse audience bases in New York City for nearly 60 years, today the Company engages audiences in a variety of venues-including its landmark downtown home at Astor Place, which houses five theaters and Joe's Pub; the Delacorte Theater in Central Park, home to its beloved, free Shakespeare in the Park; and the Mobile Unit, which tours Shakespearean productions for underserved audiences throughout New York City's five boroughs. The Public's wide range of programming includes free Shakespeare in the Park, the bedrock of the Company's dedication to making theater accessible to all, new and experimental stagings at The Public at Astor Place, and a range of artist and audience development initiatives including its Public Forum series, which brings together theater artists and professionals from a variety of disciplines for discussions that shed light on social issues explored in Public productions. The Public Theater is located on property owned by the City of New York and receives annual support from the New York City Department of Cultural Affairs. www.publictheater.org
Pictured: Solidad Barrio of Noche Flamenca