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Clint Eastwood's JERSEY BOYS to Start Screening in Asia 7/16

Related: Jersey Boys, film, Philippines, Singapore, Japan, Clint Eastwood, John Lloyd Young, Vincent Piazza

Manohla Dargis of The New York Times says, "JERSEY BOYS is a strange movie, and it's a Clint Eastwood enterprise, both reasons to see it. For those with a love of doo-wop, it also provides a toe-tapping, ear-worming stroll down rock 'n' roll memory lane that dovetails with that deeply cherished American song and dance about personal triumph over adversity through hard work, tough times and self-sacrifice. It's a redemption narrative that's got a good beat, and you can dance to it."

" the time it hits its first real Broadway-style production number over the closing credits, "Jersey Boys" doesn't seem to have gotten any closer to deciding what kind of movie it wants to be. Embracing neither the fizzy energy of a Vegas-ready tuner, nor the grit of a warts-and-all biopic, the film nonetheless has its own peculiar charms, and should be able to capitalize on the source material's enduring popularity for a respectable if modest B.O. Haul," notes Andrew Barjer of Variety.

Budgeted at $38M, Clint Eastwood's Jersey Boys, which highlights the performances of Tony winner John Lloyd Young as Valli and "Boardwalk Empire's" Vincent Piazza as DeVito, opened in the United States in nearly 3,000 theaters over the weekend of June 20, 2014, which took in a disappointing $13.5M. According to a previous report on BroadwayWorld, the film's storytelling is skewed toward a much older cinema-going demographic. Warner Bros. also faced criticism over its decision to debut the film during the summer months.

However, the film's soundtrack appeals the most to both the fans of the musical and curious cinemagoers; its soundtrack album reached the top 3 on on the week of June 28, 2014.

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Oliver Oliveros Oliver Oliveros received a master's degree in public relations and corporate communication from New York University while serving as regional director for, where he accepted an Award for Excellence: Best International Editor in 2013.

For nearly 20 years, Oliver has been handling public relations, corporate communication, and integrated marketing communications for numerous brands (including Pepsi), Broadway shows, Broadway stars, non-profit organizations, and mainstream celebrities.

He is also the editor-in-chief for Fil-Am Who?s Who, a monthly magazine that tells the real-life success stories of Filipino Americans from the New York Tri-State area.

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