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NY Philharmonic's 'Insights Series' Now Free; 2013-14 Lineup Kicks Off Today

NY Philharmonic's 'Insights Series' Now Free; 2013-14 Lineup Kicks Off Today

Beginning with the 2013-14 season, the New York Philharmonic's Insights Series - in which artists and experts will explore some of the season's themes and concerts - will now be free, and take place at the David Rubenstein Atrium at Lincoln Center. This season's events will include discussions with Concertmaster Glenn Dicterow during his farewell season (TODAY, October 23); composer-conductor Esa-Pekka Salonen and violinist Leila Josefowicz (October 28), who will discuss Mr. Salonen's Violin Concerto, written for Ms. Josefowicz (which they will perform with the Philharmonic in its New York Concert Premiere, October 30-November 5); Music Director Alan Gilbert and Executive Director Matthew VanBesien on the state of the Philharmonic (March 3, 2014); The Mary and James G. Wallach Artist-in-Residence Yefim Bronfman (May 20, 2014), who will talk about Beethoven's piano concertos (which he will perform during The Beethoven Piano Concertos: A Philharmonic Festival, June 11-28, 2014); and discussions relating to the NY PHIL BIENNIAL, the details of which will be announced at a later date. All Insights Series events begin at 7:30 p.m. For more information, visit nyphil.org/insights.

Carol J. Oja - a noted music historian and author, whose most recent book examines Leonard Bernstein's work on Broadway - has been appointed the sixth Leonard Bernstein Scholar-in- Residence at the New York Philharmonic. She will be featured in an Insights Series event titled "Leonard Bernstein Emerges: Defying Boundaries and Challenging Racial Politics During World War II" (April 7, 2014) a look at the Philharmonic Laureate Conductor's emergence as a conductor, composer, and activist for racial justice during his 20s. She will also moderate the Insights Series event spotlighting Yefim Bronfman, and conduct research in the Philharmonic Archives.

The Philharmonic again presents its popular Pre-Concert Talks one hour before each subscription concert. The speakers in the 2013-14 season will include composers Victoria Bond, Paul Moravec, Joelle Wallach, and Daniel Felsenfeld; curator of the music collections at the British Library Nicholas Bell; writer and music historIan Harvey Sachs; Philharmonic Program Annotator James M. Keller; author, pianist, and professor Arbie Orenstein; author and lecturer Fred Plotkin; musicologist and professor Elizabeth Seitz; Philharmonic Principal Librarian Lawrence Tarlow; violist and Philharmonic Senior Teaching Artist David Wallace; Philharmonic Audio Producer Mark Travis; and Philharmonic Vice President, Artistic Planning, Edward Yim.

Insights Series Participants:

Glenn Dicterow, a native of Los Angeles, California, made his solo debut at the age of 11 in Tchaikovsky's Violin Concerto with the Los Angeles Philharmonic, where his father, Harold Dicterow, served as principal of the second violin section for 52 years. He went on to win numerous awards and competitions, including the Young Musicians Foundation Award and Coleman Competition Award (Los Angeles), The Julia Klumpke Award (San Francisco), and the Bronze Medal in the International Tchaikovsky Competition in 1970. He graduated from The Juilliard School, where he was a student of Ivan Galamian. His other teachers included Jascha Heifetz, Henryk Szeryng, Joachim Chassman, Naoum Blinder, and Manuel Compinsky. Mr. Dicterow frequently appears as a guest soloist with other orchestras, including those of Los Angeles, Baltimore, Indianapolis, Kansas City, Mexico City, and Montreal, as well as the Leipzig Gewandhaus Orchestra, Monterey Symphony, Hong Kong Philharmonic, and the National Symphony Orchestra (Washington, D.C.). He performed Bernstein's Serenade with the Curtis Symphony Orchestra in Isaac Stern at Eighty: A Birthday Celebration at Carnegie Hall. Mr. Dicterow is featured in the violin solos in Richard Strauss's Ein Heldenleben and Also sprach Zarathustra with Zubin Mehta for CBS Records. He has recorded works by Wieniawski with Zubin Mehta and the Los Angeles Philharmonic; Lee Holdridge's Violin Concerto with the London Symphony Orchestra, conducted by the composer; Shostakovich's Violin Concerto
No. 1 with the New York Philharmonic, conducted by Maxim Shostakovich (on a Radiothon recording); and the Philharmonic's recording of Rimsky-Korsakov's Scheherazade with Yuri Temirkanov (BMG). He can be heard in collaboration with violist Karen Dreyfus and pianist Gerald Robbins on his most recent CD, a recital on Cala Records' New York Legends series, featuring works by John Corigliano, Korngold, Bernstein, and Martin?. Glenn Dicterow enjoys an active teaching career. He is on the faculty of The Juilliard School and Manhattan School of Music. Beginning in the fall of 2013, Glenn Dicterow will become the first to hold the Robert Mann Chair in Strings and Chamber Music, a faculty position at the University of Southern California's Thornton School of Music, one of the country's oldest and most prestigious music schools.

Barbara Haws, the New York Philharmonic's Archivist/Historian since 1984, has lectured extensively about the Orchestra's past and curated major exhibitions at the New York Public Library for the Performing Arts (1992), London Barbican (2000), and Cologne Philharmonie (1998). In the fall of 2003 she mounted the largest multimedia exhibition on the Philharmonic's history, which opened at the UBS Art Gallery and relocated to the Grand Promenade and Tiers of Avery Fisher Hall. She has lectured at Bard College, The Metropolitan Museum of Art, and Grolier Club, as well as in the New York Philharmonic's Pre-Concert Talks. In 1995 Barbara Haws became the Executive Producer of the Philharmonic's Special Editions record label, which released award-winning and Grammy-nominated CD collections, including the 12-CD set The Mahler Broadcasts:1948-1982; the10-CD set Bernstein LIVE; and the first new recording in 20 years of Stephen Sondheim's Sweeney Todd: Live at the New York Philharmonic. Ms. Haws has been an archival consultant to the Chicago Symphony Orchestra, Los Angeles Philharmonic, and the Leonard Bernstein Estate, and a project archivist for the Bowery Savings Bank, the Jackie Robinson Papers, and Trinity Church. She has served as president of the Archivist Round Table of Metropolitan New York, is a founder of New York Archives Week, and is a Board Advisor to the Brooklyn Academy Of Music Archives. Barbara Haws, who has a master's degree in history from New York University, collaborated with Burton Bernstein as author of Leonard Bernstein: American Original, published in September 2008 by Harper Collins, and authored the essay "U.C. Hill, An American Musician Abroad (1835-37)," in American Orchestras in the Nineteenth Century, ed. John Spitzer (The University of Chicago Press, 2012). She led the effort to digitize 1.3 million pages of archival material, funded by the Leon Levy Foundation and available online at archives.nyphil.org.

Esa-Pekka Salonen is principal conductor and artistic advisor for the Philharmonia Orchestra in London and the conductor laureate for the Los Angeles Philharmonic, where he was music director from 1992 to 2009, when he was credited with revitalizing the organization and bringing the idea of the symphony orchestra into the 21st century. At both organizations, he has pioneered several award-winning festivals, installations, and collaborations. As a composer, his pieces Floof and LA Variations have become established modern classics, and new compositions continue to be performed around the globe. His guest conducting appearance brings him as a frequent guest of the world's top orchestras: during the 2013-14 season, these engagements include the New York Philharmonic, Chicago Symphony Orchestra, Orchestre Philharmonique de Radio France, Bavarian Radio Symphony Orchestra, and FilarMonica Della Scala. Mr. Salonen has an extensive recording career. As an enthusiastic interpreter of a broad range of composers (including Bach, Beethoven, Debussy, Mahler, Bartók, Schoenberg, Stravinsky, Shostakovich, Berlioz, Pärt, Sibelius, Janá?ek, Lutos?awski, Dutilleux, and Strauss), he has received broad critical and popular acclaim, including a Grammy Award and two Grammy nominations. Recordings of his own works include his Violin Concerto, with Leila Josefowicz as soloist, and his orchestral work Nyx, with the Finnish Radio Symphony Orchestra; a CD of his orchestral works performed by the Finnish Radio Symphony Orchestra; and a CD featuring his Piano Concerto, Helix, and Dichotomie. Esa-Pekka Salonen's many major honors have included the Royal Philharmonic Society's Opera Award in 1995 and, two years later, the society's Conductor Award; Litteris et Artibus medal, one of Sweden's highest honors, presented by the King of Sweden in 1996; and, in 1998, the rank of Officier de l'ordre des Arts et des Lettres, awarded by the French government. He was also honored with the Pro Finlandia Medal of the Order of the Lion of Finland. To date, Mr. Salonen has received seven honorary doctorates in four different countries. Musical America named him its Musician of the Year in 2006, and he was elected as an honorary member of the American Academy of Arts and Sciences in 2010.

Leila Josefowicz is an outstanding advocate and champion of contemporary music for the violin, which is reflected in her diverse programs and enthusiasm to perform new works. A frequent collaborator with several leading composers, she works with orchestras and conductors at the highest level around the world. Violin concertos have been written especially for her by Esa- Pekka Salonen, as well as Colin Matthews and Steven Mackey, and John Adams and Luca Francesconi have recently been commissioned to write new pieces for her. The latter will be given its world premiere by Josefowicz in February 2014, with Susanna Mälkki conducting the Swedish Radio Symphony Orchestra. She first performed the Salonen concerto with the Los Angeles Philharmonic, conducted by the composer, before subsequent performances throughout Europe and North America; their upcoming collaboration on the work with the New York Philharmonic represent its first concert performances in New York City. During the 2013-14 season Ms. Josefowicz performs John Adams's Violin Concerto with the Sydney and Melbourne Symphony Orchestras, conducted by the composer, as well as appearances with the BBC, Finnish Radio, and Toronto symphony orchestras, Orchestra della Scala, and Orchestra Sinfonica Nazionale della Rai. Ms. Josefowicz also has engagements with the Chicago, San Francisco, Baltimore and National (Washington, D.C.) symphony orchestras, and Los Angeles Philharmonic. She gives recitals at London's Milton Court Concert Hall and Handelsbeurs Concertzaal in Belgium. Recent highlights include performances with the Boston and London Symphony Orchestras, London Philharmonic, and The Philadelphia Orchestra, as well as the Orchestre Philharmonique de Radio France, and Gothenburg Symphony, Royal Stockholm Philharmonic, and Danish National Symphony orchestras. Leila Josefowicz has released several recordings, notably for the Deutsche Grammophon, Philips/Universal, and Warner Classics labels. Her latest, released by Deutsche Grammophon in autumn 2012, features Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra, conducted by the composer.

Music Director Alan Gilbert began his New York Philharmonic tenure in September 2009, the first native New Yorker in the post. He and the Philharmonic have introduced the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in- Residence; CONTACT!, the new-music series; and, beginning in the spring of 2014, the NY PHIL BIENNIAL. In addition to inaugurating the NY PHIL BIENNIAL, in the 2013-14 season Alan Gilbert conducts Mozart's three final symphonies; the U.S. Premiere of Mark-Anthony Turnage's Frieze coupled with Beethoven's Ninth Symphony; four world premieres; an all-Britten program celebrating the composer's centennial; the score from 2001: A Space Odyssey as the film is screened; and a staged production of Sondheim's Sweeney Todd starring Bryn Terfel. He continues The Nielsen Project - the multi-year initiative to perform and record the Danish composer's symphonies and concertos, the first release of which was named by The New York Times as among the Best Classical Music Recordings of 2012 - and presides over the ASIA / WINTER 2014 tour. Last season's highlights included Bach's B-minor Mass; Ives's Fourth Symphony; the EUROPE / SPRING 2013 tour; and the season-concluding A Dancer's Dream, a multidisciplinary reimagining of Stravinsky's The Fairy's Kiss and Petrushka, created by Giants Are Small and starring New York City Ballet principal dancer Sara Mearns. Mr. Gilbert is Director of Conducting and Orchestral Studies and holds the William Schuman Chair in Musical Studies at The Juilliard School. Conductor laureate of the Royal Stockholm Philharmonic Orchestra and principal guest conductor of Hamburg's NDR Symphony Orchestra, he regularly conducts leading orchestras around the world. He made his acclaimed Metropolitan Opera debut conducting John Adams's Doctor Atomic in 2008, the DVD of which received a Grammy Award. Renée Fleming's recent Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. His recordings have received top honors from the Chicago Tribune and Gramophone magazine. In May 2010 Mr. Gilbert received an Honorary Doctor of Music degree from The Curtis Institute of Music and in December 2011, Columbia University's Ditson Conductor's Award for his "exceptional commitment to the performance of works by American composers and to contemporary music."

Matthew VanBesien is the Executive Director of the New York Philharmonic. Prior to coming to New York, Mr. VanBesien served as managing director of the Melbourne Symphony Orchestra (2010-12); this followed positions at the Houston Symphony as executive director and chief executive officer (2005-10) and general manager (2003-05). He is a member of the Board of Overseers for The Curtis Institute of Music in Philadelphia and a former Board Director for Symphony Services International (formerly Symphony Australia). A native of St. Louis, Missouri, Mr. VanBesien earned a bachelor of music degree in French horn performance from Indiana University. As a professional musician, he was second French horn of the Louisiana Philharmonic Orchestra in New Orleans from 1992 to 2000. In the 2001-02 season he completed the League of American Orchestra's Orchestra Management Fellowship Program, a highly selective, year-long management training program designed to develop orchestral leadership talent. During this fellowship he worked at the Aspen Music Festival, Los Angeles Chamber Orchestra, Phoenix Symphony, and Pittsburgh Symphony Orchestra. Matthew VanBesien is married to Rosanne Jowitt, a geoscientist.

As the 2013-14 Mary and James G. Wallach Artist-in-Residence at the New York Philharmonic, Yefim Bronfman plays concertos by composers ranging from Tchaikovsky to Magnus Lindberg; appears in chamber concerts featuring works by Esa-Pekka Salonen, Marc-André Dalbavie, Marc Neikrug, Schubert, Bartók, and others; travels on the ASIA / WINTER 2014, performing Magnus Lindberg's Piano Concerto No. 2; and concludes the season with The Beethoven Piano Concertos: A Philharmonic Festival. Other season highlights include a tour with Pinchas Zukerman to Ottawa, Chicago, Los Angeles, San Diego, Berkeley, and Vancouver; performing Beethoven with conductor Zubin Mehta at the Berlin Philharmonic's new spring residency in Baden-Baden; and returns to the orchestras of Los Angeles, San Francisco, Philadelphia, and Boston, as well as Paris, Munich, Berlin, and Amsterdam. He tours Australia with Amsterdam's Royal Concertgebouw Orchestra as part of its worldwide centenary celebrations. Mr. Bronfman was nominated for a Grammy Award in 2009 for his recording of Esa-Pekka Salonen's Piano Concerto, with Mr. Salonen conducting (released on Deutsche Grammophon), having received a Grammy in 1997 for his recording of the three Bartók piano concertos with Mr. Salonen and the Los Angeles Philharmonic. His performance of Beethoven's Fifth Piano Concerto with Andris Nelsons and the Royal Concertgebouw Orchestra from the 2011 Lucerne Festival is now available on DVD. His most recent CD release is Lindberg's Piano Concerto No. 2, commissioned for him and performed by the New York Philharmonic, conducted by Alan Gilbert, on the Dacapo label. Born in Tashkent, in the Soviet Union, in 1958, Yefim Bronfman immigrated to Israel with his family in 1973. There he studied with pianist Arie Vardi, head of the Rubin Academy of Music at Tel Aviv University. He later studied in the United States, at The Juilliard School, Marlboro, and The Curtis Institute of Music, and with Rudolf Firkusny, Leon Fleisher, and Rudolf Serkin. He became an American citizen in July 1989. Yefim Bronfman last appeared with the Philharmonic in January 2013 performing Brahms's Piano Concerto No. 1, led by Lorin Maazel.

The Leonard Bernstein Scholar-in-Residence:

Carol J. Oja, as The Leonard Bernstein Scholar-in-Residence at the New York Philharmonic for the 2013-14 season, will present the Insights Series event "Leonard Bernstein Emerges: Defying Boundaries and Challenging Racial Politics During World War II" and conduct research in the Philharmonic Archives. Dr. Oja is William Powell Mason Professor of Music at Harvard University, where is also on the faculty of the graduate program in American Studies. Her newest book, Bernstein Meets Broadway: Collaborative Art in a Time of War, is in production with Oxford University Press. Dr. Oja's Making Music Modern: New York in the 1920s won the Lowens Book Award from the Society for American Music and an ASCAP-Deems Taylor Award. Her other books include Aaron Copland and his World (co-edited with Judith Tick); Colin McPhee: Composer in Two Worlds; A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock; and American Music Recordings: A Discography of 20th-Century U.S. Composers. Carol J. Oja has held fellowships from the Guggenheim Foundation, the Newhouse Center for the Humanities at Wellesley College, the National Humanities Center, NEH, and the Mellon Faculty Fellows Program at Harvard. She is past-president of the Society for American Music.

The Leonard Bernstein Scholar-in-Residence at the New York Philharmonic program honors and recognizes the enduring contribution of Leonard Bernstein, the Orchestra's Music Director from 1958 to 1969 and subsequent Laureate Conductor. The position was created in the 2005-06 season to coincide with the 15th anniversary of Bernstein's death, on October 14, 1990. Charles Zachary Bornstein served as the first Leonard Bernstein Scholar-in-Residence, from 2005-06 through 2007-08. New York Philharmonic Program Annotator James M. Keller served in this post in the 2008-09 season; baritone Thomas Hampson combined the role with that of The Mary and James G. Wallach Artist-in-Residence in the 2009-10 season; Jack Gottlieb held the post in 2010-11 until his untimely passing in February 2011; and Harvey Sachs held the post through the 2012-2013 season.

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